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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 249 51 it is the complementary color RGB 122 6 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 249 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 133 249 51: RGB 138 249 46, RGB 155 255 65, RGB 172 255 84, RGB 189 255 103 and RGB 206 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 249 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 133 249 51: RGB 133 249 51, RGB 116 231 32, RGB 99 213 13, RGB 82 195 0 and RGB 65 177 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

Complementary color

CMYK 40 / 97 / 0 / 20

HEX #7A06CC

RGB 122 6 204

HSL 275.15, 0.94%, 0.41%

LAB 35.26, 71.37, -73.56

 

CMYK 45 / 0 / 82 / 2

HEX #8AF92E

RGB 138 249 46

HSL 92.81, 0.94%, 0.58%

LAB 88.62, -61.66, 78.52

 

CMYK 39 / 0 / 75 / 0

HEX #9BFF41

RGB 155 255 65

HSL 91.58, 1%, 0.63%

LAB 91.18, -57.71, 75.89

 

CMYK 33 / 0 / 67 / 0

HEX #ACFF54

RGB 172 255 84

HSL 89.12, 1%, 0.66%

LAB 92.1, -50.88, 70.57

 

CMYK 26 / 0 / 60 / 0

HEX #BDFF67

RGB 189 255 103

HSL 86.05, 1%, 0.7%

LAB 93.15, -43.5, 64.44

 

CMYK 19 / 0 / 52 / 0

HEX #CEFF7A

RGB 206 255 122

HSL 82.11, 1%, 0.74%

LAB 94.33, -35.67, 57.8

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 50 / 0 / 86 / 9

HEX #74E720

RGB 116 231 32

HSL 94.67, 0.81%, 0.52%

LAB 82.36, -62.08, 75.78

 

CMYK 54 / 0 / 94 / 16

HEX #63D50D

RGB 99 213 13

HSL 94.2, 0.88%, 0.44%

LAB 76.23, -60.91, 73.37

 

CMYK 58 / 0 / 100 / 24

HEX #52C300

RGB 82 195 0

HSL 94.77, 1%, 0.38%

LAB 70.05, -59.36, 69.53

 

CMYK 63 / 0 / 100 / 31

HEX #41B100

RGB 65 177 0

HSL 97.97, 1%, 0.35%

LAB 63.81, -57.4, 64.38

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 59 / 0 / 79 / 3

HEX #65F834

RGB 101 248 52

HSL 105, 0.93%, 0.59%

LAB 87.07, -70.97, 75.1

 

CMYK 73 / 0 / 79 / 3

HEX #44F834

RGB 68 248 52

HSL 115.1, 0.93%, 0.59%

LAB 86.31, -77.33, 74.11

 

CMYK 79 / 0 / 73 / 3

HEX #34F844

RGB 52 248 68

HSL 124.9, 0.93%, 0.59%

LAB 86.15, -78.44, 68.95

 

CMYK 79 / 0 / 59 / 3

HEX #34F865

RGB 52 248 101

HSL 135, 0.93%, 0.59%

LAB 86.41, -75.24, 56.38

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 47 / 0 / 80 / 82

HEX #182D09

RGB 24 45 9

HSL 95, 0.67%, 0.11%

LAB 15.96, -16.23, 19.07

 

CMYK 47 / 0 / 79 / 62

HEX #336014

RGB 51 96 20

HSL 95.53, 0.66%, 0.23%

LAB 36.21, -29.64, 36.19

 

CMYK 46 / 0 / 80 / 42

HEX #4F931E

RGB 79 147 30

HSL 94.87, 0.66%, 0.35%

LAB 54.68, -41.28, 50.91

 

CMYK 46 / 0 / 79 / 22

HEX #6AC629

RGB 106 198 41

HSL 95.16, 0.66%, 0.47%

LAB 71.97, -52.38, 64.17

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 79 / 0 / 17 / 3

HEX #34F8CE

RGB 52 248 206

HSL 167.14, 0.93%, 0.59%

LAB 88.12, -55.89, 6.97

 

CMYK 0 / 79 / 15 / 3

HEX #F834D4

RGB 248 52 212

HSL 311.02, 0.93%, 0.59%

LAB 59.13, 84.65, -38.7

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 79 / 46 / 0 / 3

HEX #3486F8

RGB 52 134 248

HSL 214.9, 0.93%, 0.59%

LAB 56.64, 15.1, -63.92

 

CMYK 0 / 79 / 46 / 3

HEX #F83486

RGB 248 52 134

HSL 334.9, 0.93%, 0.59%

LAB 56.22, 76.2, 2.25

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 79 / 0 / 17 / 3

HEX #34F8CE

RGB 52 248 206

HSL 167.14, 0.93%, 0.59%

LAB 88.12, -55.89, 6.97

 

CMYK 33 / 79 / 0 / 3

HEX #A634F8

RGB 166 52 248

HSL 274.9, 0.93%, 0.59%

LAB 48.69, 75.76, -76.42

 

CMYK 0 / 79 / 62 / 3

HEX #F8345E

RGB 248 52 94

HSL 347.14, 0.93%, 0.59%

LAB 55.3, 73.39, 24.8

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 79 / 6 / 0 / 3

HEX #34E8F8

RGB 52 232 248

HSL 184.9, 0.93%, 0.59%

LAB 84.6, -37.62, -20.25

 

CMYK 33 / 79 / 0 / 3

HEX #A634F8

RGB 166 52 248

HSL 274.9, 0.93%, 0.59%

LAB 48.69, 75.76, -76.42

 

CMYK 0 / 73 / 79 / 3

HEX #F84434

RGB 248 68 52

HSL 4.9, 0.93%, 0.59%

LAB 56.43, 66.83, 49.77

 

Description

Color code: RGB 133 249 51 | qconv.com Color code: RGB 133 249 51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 249 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 249 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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