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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 111 31 it is the complementary color RGB 122 144 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 111 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 133 111 31: RGB 138 111 26, RGB 155 129 45, RGB 172 147 64, RGB 189 165 83 and RGB 206 183 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 111 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 133 111 31: RGB 133 111 31, RGB 116 93 12, RGB 99 75 0, RGB 82 57 0 and RGB 65 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

Complementary color

CMYK 46 / 36 / 0 / 12

HEX #7A90E0

RGB 122 144 224

HSL 227.06, 0.62%, 0.68%

LAB 61.19, 13.13, -43.19

 

CMYK 0 / 20 / 81 / 46

HEX #8A6F1A

RGB 138 111 26

HSL 45.54, 0.68%, 0.32%

LAB 48.07, 1.94, 47.68

 

CMYK 0 / 17 / 71 / 39

HEX #9B812D

RGB 155 129 45

HSL 45.82, 0.55%, 0.39%

LAB 54.93, 0.54, 47.28

 

CMYK 0 / 15 / 63 / 33

HEX #AC9340

RGB 172 147 64

HSL 46.11, 0.46%, 0.46%

LAB 61.66, -0.59, 46.3

 

CMYK 0 / 13 / 56 / 26

HEX #BDA553

RGB 189 165 83

HSL 46.42, 0.45%, 0.53%

LAB 68.28, -1.51, 45.12

 

CMYK 0 / 11 / 50 / 19

HEX #CEB766

RGB 206 183 102

HSL 46.73, 0.51%, 0.6%

LAB 74.79, -2.27, 43.87

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 0 / 20 / 90 / 55

HEX #745D0C

RGB 116 93 12

HSL 46.73, 0.81%, 0.25%

LAB 40.52, 1.38, 44.76

 

CMYK 0 / 24 / 100 / 61

HEX #634B00

RGB 99 75 0

HSL 45.45, 1%, 0.19%

LAB 33.32, 3.41, 42.07

 

CMYK 0 / 30 / 100 / 68

HEX #523900

RGB 82 57 0

HSL 41.71, 1%, 0.16%

LAB 25.92, 5.93, 35.39

 

CMYK 0 / 40 / 100 / 75

HEX #412700

RGB 65 39 0

HSL 36, 1%, 0.13%

LAB 18.25, 8.69, 26.55

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 0 / 4 / 77 / 48

HEX #847F1F

RGB 132 127 31

HSL 57.03, 0.62%, 0.32%

LAB 52.04, -9.65, 49.33

 

CMYK 9 / 0 / 77 / 48

HEX #78841F

RGB 120 132 31

HSL 67.13, 0.62%, 0.32%

LAB 52.5, -17.8, 49.4

 

CMYK 22 / 0 / 77 / 48

HEX #67841F

RGB 103 132 31

HSL 77.23, 0.62%, 0.32%

LAB 51.25, -25.23, 47.76

 

CMYK 35 / 0 / 77 / 48

HEX #56841F

RGB 86 132 31

HSL 87.33, 0.62%, 0.32%

LAB 50.19, -32.16, 46.37

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 0 / 16 / 77 / 28

HEX #B89A2B

RGB 184 154 43

HSL 47.23, 0.62%, 0.45%

LAB 64.54, -0.22, 58.47

 

CMYK 0 / 17 / 77 / 8

HEX #EBC437

RGB 235 196 55

HSL 47, 0.82%, 0.57%

LAB 80.41, 0.3, 70.84

 

CMYK 0 / 16 / 77 / 88

HEX #1F1A07

RGB 31 26 7

HSL 47.5, 0.63%, 0.07%

LAB 9.36, -0.77, 11.12

 

CMYK 0 / 17 / 77 / 68

HEX #524413

RGB 82 68 19

HSL 46.67, 0.62%, 0.2%

LAB 29.35, -0.17, 30.56

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 76 / 0 / 77 / 48

HEX #20841F

RGB 32 132 31

HSL 119.41, 0.62%, 0.32%

LAB 48.14, -47.8, 43.66

 

CMYK 48 / 77 / 0 / 48

HEX #451F84

RGB 69 31 132

HSL 262.57, 0.62%, 0.32%

LAB 23.38, 40.94, -49.84

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 77 / 0 / 17 / 48

HEX #1F846E

RGB 31 132 110

HSL 166.93, 0.62%, 0.32%

LAB 49.4, -33.66, 3.81

 

CMYK 17 / 77 / 0 / 48

HEX #6E1F84

RGB 110 31 132

HSL 286.93, 0.62%, 0.32%

LAB 29.31, 48.97, -39.93

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 76 / 0 / 77 / 48

HEX #20841F

RGB 32 132 31

HSL 119.41, 0.62%, 0.32%

LAB 48.14, -47.8, 43.66

 

CMYK 77 / 61 / 0 / 48

HEX #1F3484

RGB 31 52 132

HSL 227.52, 0.62%, 0.32%

LAB 24.99, 21.93, -47.33

 

CMYK 2 / 77 / 0 / 48

HEX #821F84

RGB 130 31 132

HSL 298.81, 0.62%, 0.32%

LAB 32.68, 53.34, -34.35

 

CMYK 0 / 17 / 77 / 48

HEX #856F1F

RGB 133 111 31

HSL 47.06, 0.62%, 0.32%

LAB 47.57, -0.2, 45.11

 

CMYK 77 / 0 / 55 / 48

HEX #1F843B

RGB 31 132 59

HSL 136.63, 0.62%, 0.32%

LAB 48.4, -44.68, 31.16

 

CMYK 77 / 61 / 0 / 48

HEX #1F3484

RGB 31 52 132

HSL 227.52, 0.62%, 0.32%

LAB 24.99, 21.93, -47.33

 

CMYK 0 / 77 / 22 / 48

HEX #841F67

RGB 132 31 103

HSL 317.23, 0.62%, 0.32%

LAB 31.5, 49.23, -17.84

 

Description

Color code: RGB 133 111 31 | qconv.com Color code: RGB 133 111 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 111 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 111 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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