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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 76 165 it is the complementary color RGB 123 179 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 76 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 76 165: RGB 137 76 160, RGB 154 94 179, RGB 171 112 198, RGB 188 130 217 and RGB 205 148 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 76 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 76 165: RGB 132 76 165, RGB 115 58 146, RGB 98 40 127, RGB 81 22 108 and RGB 64 4 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

Complementary color

CMYK 31 / 0 / 50 / 30

HEX #7BB35A

RGB 123 179 90

HSL 97.75, 0.37%, 0.53%

LAB 67.42, -34.43, 39.46

 

CMYK 14 / 53 / 0 / 37

HEX #894CA0

RGB 137 76 160

HSL 283.57, 0.36%, 0.46%

LAB 42.8, 40.16, -35.3

 

CMYK 14 / 47 / 0 / 30

HEX #9A5EB3

RGB 154 94 179

HSL 282.35, 0.36%, 0.54%

LAB 49.65, 39.35, -35.56

 

CMYK 14 / 43 / 0 / 22

HEX #AB70C6

RGB 171 112 198

HSL 281.16, 0.43%, 0.61%

LAB 56.41, 38.53, -35.77

 

CMYK 13 / 40 / 0 / 15

HEX #BC82D9

RGB 188 130 217

HSL 280, 0.53%, 0.68%

LAB 63.07, 37.74, -35.95

 

CMYK 13 / 37 / 0 / 7

HEX #CD94EC

RGB 205 148 236

HSL 278.86, 0.7%, 0.75%

LAB 69.62, 36.99, -36.12

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 21 / 60 / 0 / 43

HEX #733A92

RGB 115 58 146

HSL 278.86, 0.43%, 0.4%

LAB 35.49, 40.67, -38.64

 

CMYK 23 / 69 / 0 / 50

HEX #62287F

RGB 98 40 127

HSL 280, 0.52%, 0.33%

LAB 28.5, 41.25, -38.2

 

CMYK 25 / 80 / 0 / 58

HEX #51166C

RGB 81 22 108

HSL 281.16, 0.66%, 0.25%

LAB 21.6, 41.2, -37.32

 

CMYK 28 / 96 / 0 / 65

HEX #400459

RGB 64 4 89

HSL 282.35, 0.91%, 0.18%

LAB 14.94, 39.97, -35.69

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 12 / 54 / 0 / 36

HEX #904BA4

RGB 144 75 164

HSL 286.52, 0.37%, 0.47%

LAB 43.71, 43.52, -36.18

 

CMYK 3 / 54 / 0 / 36

HEX #9F4BA4

RGB 159 75 164

HSL 296.63, 0.37%, 0.47%

LAB 45.75, 47.73, -32.84

 

CMYK 0 / 54 / 7 / 36

HEX #A44B99

RGB 164 75 153

HSL 307.42, 0.37%, 0.47%

LAB 45.94, 47.17, -25.95

 

CMYK 0 / 54 / 15 / 36

HEX #A44B8B

RGB 164 75 139

HSL 316.85, 0.37%, 0.47%

LAB 45.34, 44.83, -18.47

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 20 / 54 / 0 / 15

HEX #AD63D8

RGB 173 99 216

HSL 277.95, 0.6%, 0.62%

LAB 54.83, 49.95, -48.47

 

CMYK 17 / 50 / 0 / 95

HEX #0A060C

RGB 10 6 12

HSL 280, 0.33%, 0.04%

LAB 2, 1.9, -1.95

 

CMYK 21 / 54 / 0 / 75

HEX #321D3F

RGB 50 29 63

HSL 277.06, 0.37%, 0.18%

LAB 15.04, 17.86, -17.78

 

CMYK 20 / 54 / 0 / 55

HEX #5B3572

RGB 91 53 114

HSL 277.38, 0.37%, 0.33%

LAB 29.38, 29.1, -28.65

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 0 / 54 / 45 / 36

HEX #A44B5B

RGB 164 75 91

HSL 349.21, 0.37%, 0.47%

LAB 43.77, 38.34, 8.52

 

CMYK 54 / 0 / 43 / 36

HEX #4BA45E

RGB 75 164 94

HSL 132.81, 0.37%, 0.47%

LAB 60.65, -42.22, 28.41

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 0 / 21 / 54 / 36

HEX #A4824B

RGB 164 130 75

HSL 37.08, 0.37%, 0.47%

LAB 56.45, 6.19, 34.49

 

CMYK 54 / 0 / 21 / 36

HEX #4BA482

RGB 75 164 130

HSL 157.08, 0.37%, 0.47%

LAB 61.36, -35.03, 9.65

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 0 / 54 / 45 / 36

HEX #A44B5B

RGB 164 75 91

HSL 349.21, 0.37%, 0.47%

LAB 43.77, 38.34, 8.52

 

CMYK 34 / 0 / 54 / 36

HEX #6DA44B

RGB 109 164 75

HSL 97.08, 0.37%, 0.47%

LAB 61.92, -34.31, 40.06

 

CMYK 54 / 0 / 10 / 36

HEX #4BA493

RGB 75 164 147

HSL 168.54, 0.37%, 0.47%

LAB 61.79, -30.9, 0.74

 

CMYK 20 / 54 / 0 / 35

HEX #844CA5

RGB 132 76 165

HSL 277.75, 0.37%, 0.47%

LAB 42.45, 39.87, -38.88

 

CMYK 0 / 48 / 54 / 36

HEX #A4554B

RGB 164 85 75

HSL 6.74, 0.37%, 0.47%

LAB 45.49, 31.48, 20.59

 

CMYK 34 / 0 / 54 / 36

HEX #6DA44B

RGB 109 164 75

HSL 97.08, 0.37%, 0.47%

LAB 61.92, -34.31, 40.06

 

CMYK 54 / 7 / 0 / 36

HEX #4B99A4

RGB 75 153 164

HSL 187.42, 0.37%, 0.47%

LAB 58.94, -20.76, -13.1

 

Description

Color code: RGB 132 76 165 | qconv.com Color code: RGB 132 76 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 76 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 76 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 54 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 54% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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