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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 76 125 it is the complementary color RGB 123 179 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 76 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 76 125: RGB 137 76 120, RGB 154 94 139, RGB 171 112 158, RGB 188 130 177 and RGB 205 148 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 76 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 76 125: RGB 132 76 125, RGB 115 58 106, RGB 98 40 87, RGB 81 22 68 and RGB 64 4 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

Complementary color

CMYK 31 / 0 / 27 / 30

HEX #7BB382

RGB 123 179 130

HSL 127.5, 0.27%, 0.59%

LAB 68.07, -28.41, 19.33

 

CMYK 0 / 45 / 12 / 46

HEX #894C78

RGB 137 76 120

HSL 316.72, 0.29%, 0.42%

LAB 40.97, 32.2, -13.93

 

CMYK 0 / 39 / 10 / 40

HEX #9A5E8B

RGB 154 94 139

HSL 315, 0.24%, 0.49%

LAB 47.93, 31.38, -14.64

 

CMYK 0 / 35 / 8 / 33

HEX #AB709E

RGB 171 112 158

HSL 313.22, 0.26%, 0.55%

LAB 54.78, 30.6, -15.26

 

CMYK 0 / 31 / 6 / 26

HEX #BC82B1

RGB 188 130 177

HSL 311.38, 0.3%, 0.62%

LAB 61.51, 29.87, -15.8

 

CMYK 0 / 28 / 4 / 20

HEX #CD94C4

RGB 205 148 196

HSL 309.47, 0.36%, 0.69%

LAB 68.13, 29.18, -16.31

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 50 / 8 / 55

HEX #733A6A

RGB 115 58 106

HSL 309.47, 0.33%, 0.34%

LAB 33.37, 32.2, -17.09

 

CMYK 0 / 59 / 11 / 62

HEX #622857

RGB 98 40 87

HSL 311.38, 0.42%, 0.27%

LAB 26.16, 32.87, -16.16

 

CMYK 0 / 73 / 16 / 68

HEX #511644

RGB 81 22 68

HSL 313.22, 0.57%, 0.2%

LAB 18.97, 33.08, -14.73

 

CMYK 0 / 94 / 23 / 75

HEX #400431

RGB 64 4 49

HSL 315, 0.88%, 0.13%

LAB 11.95, 32.32, -12.44

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 42 / 12 / 48

HEX #844C74

RGB 132 76 116

HSL 317.14, 0.27%, 0.41%

LAB 40.14, 29.73, -12.78

 

CMYK 0 / 42 / 19 / 48

HEX #844C6B

RGB 132 76 107

HSL 326.79, 0.27%, 0.41%

LAB 39.81, 28.16, -7.71

 

CMYK 0 / 42 / 27 / 48

HEX #844C61

RGB 132 76 97

HSL 337.5, 0.27%, 0.41%

LAB 39.47, 26.55, -1.99

 

CMYK 0 / 42 / 33 / 48

HEX #844C58

RGB 132 76 88

HSL 347.14, 0.27%, 0.41%

LAB 39.21, 25.23, 3.23

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 43 / 5 / 28

HEX #B769AD

RGB 183 105 173

HSL 307.69, 0.35%, 0.56%

LAB 55.27, 41.1, -23.08

 

CMYK 0 / 42 / 5 / 8

HEX #EA87DE

RGB 234 135 222

HSL 307.27, 0.7%, 0.72%

LAB 69.54, 49.93, -28.29

 

CMYK 0 / 43 / 7 / 88

HEX #1E111C

RGB 30 17 28

HSL 309.23, 0.28%, 0.09%

LAB 6.87, 8.95, -5.02

 

CMYK 0 / 42 / 5 / 68

HEX #512F4D

RGB 81 47 77

HSL 307.06, 0.27%, 0.25%

LAB 24.7, 20.86, -12.01

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 29 / 42 / 48

HEX #845E4C

RGB 132 94 76

HSL 19.29, 0.27%, 0.41%

LAB 43.41, 13.06, 16.45

 

CMYK 42 / 0 / 12 / 48

HEX #4C8474

RGB 76 132 116

HSL 162.86, 0.27%, 0.41%

LAB 51.04, -22.5, 2.86

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 5 / 0 / 42 / 48

HEX #7E844C

RGB 126 132 76

HSL 66.43, 0.27%, 0.41%

LAB 53.45, -11.37, 29.44

 

CMYK 42 / 5 / 0 / 48

HEX #4C7E84

RGB 76 126 132

HSL 186.43, 0.27%, 0.41%

LAB 49.65, -15.14, -8.56

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 29 / 42 / 48

HEX #845E4C

RGB 132 94 76

HSL 19.29, 0.27%, 0.41%

LAB 43.41, 13.06, 16.45

 

CMYK 42 / 0 / 38 / 48

HEX #4C8452

RGB 76 132 82

HSL 126.43, 0.27%, 0.41%

LAB 50.27, -29.67, 21.37

 

CMYK 42 / 14 / 0 / 48

HEX #4C7284

RGB 76 114 132

HSL 199.29, 0.27%, 0.41%

LAB 45.96, -8.37, -14.12

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 16 / 42 / 48

HEX #846F4C

RGB 132 111 76

HSL 37.5, 0.27%, 0.41%

LAB 48, 3.08, 22.56

 

CMYK 42 / 0 / 38 / 48

HEX #4C8452

RGB 76 132 82

HSL 126.43, 0.27%, 0.41%

LAB 50.27, -29.67, 21.37

 

CMYK 42 / 27 / 0 / 48

HEX #4C6184

RGB 76 97 132

HSL 217.5, 0.27%, 0.41%

LAB 40.82, 1.82, -22

 

Description

Color code: RGB 132 76 125 | qconv.com Color code: RGB 132 76 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 76 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 76 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 5 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 5% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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