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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 195 113 it is the complementary color RGB 123 60 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 195 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 195 113: RGB 137 195 108, RGB 154 213 127, RGB 171 231 146, RGB 188 249 165 and RGB 205 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 195 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 195 113: RGB 132 195 113, RGB 115 177 94, RGB 98 159 75, RGB 81 141 56 and RGB 64 123 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

Complementary color

CMYK 13 / 58 / 0 / 44

HEX #7B3C8E

RGB 123 60 142

HSL 286.1, 0.41%, 0.4%

LAB 36.74, 40.88, -34.15

 

CMYK 30 / 0 / 45 / 24

HEX #89C36C

RGB 137 195 108

HSL 100, 0.42%, 0.59%

LAB 73.17, -34.6, 37.76

 

CMYK 28 / 0 / 40 / 16

HEX #9AD57F

RGB 154 213 127

HSL 101.16, 0.51%, 0.67%

LAB 79.61, -34.46, 36.57

 

CMYK 26 / 0 / 37 / 9

HEX #ABE792

RGB 171 231 146

HSL 102.35, 0.64%, 0.74%

LAB 85.95, -34.31, 35.42

 

CMYK 24 / 0 / 34 / 2

HEX #BCF9A5

RGB 188 249 165

HSL 103.57, 0.88%, 0.81%

LAB 92.2, -34.15, 34.31

 

CMYK 20 / 0 / 28 / 0

HEX #CDFFB8

RGB 205 255 184

HSL 102.25, 1%, 0.86%

LAB 95.14, -28.42, 28.89

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 35 / 0 / 47 / 31

HEX #73B15E

RGB 115 177 94

HSL 104.82, 0.35%, 0.53%

LAB 66.44, -35.79, 36.14

 

CMYK 38 / 0 / 53 / 38

HEX #629F4B

RGB 98 159 75

HSL 103.57, 0.36%, 0.46%

LAB 59.8, -35.89, 37.38

 

CMYK 43 / 0 / 60 / 45

HEX #518D38

RGB 81 141 56

HSL 102.35, 0.43%, 0.39%

LAB 53.04, -35.87, 38.57

 

CMYK 48 / 0 / 70 / 52

HEX #407B25

RGB 64 123 37

HSL 101.16, 0.54%, 0.31%

LAB 46.16, -35.65, 39.5

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 40 / 0 / 43 / 24

HEX #74C26F

RGB 116 194 111

HSL 116.39, 0.4%, 0.6%

LAB 71.86, -40.68, 34.33

 

CMYK 43 / 0 / 39 / 24

HEX #6FC277

RGB 111 194 119

HSL 125.78, 0.4%, 0.6%

LAB 71.75, -40.96, 30.03

 

CMYK 43 / 0 / 31 / 24

HEX #6FC285

RGB 111 194 133

HSL 135.9, 0.4%, 0.6%

LAB 72, -38.56, 23

 

CMYK 43 / 0 / 24 / 24

HEX #6FC293

RGB 111 194 147

HSL 146.02, 0.4%, 0.6%

LAB 72.28, -35.9, 15.89

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 32 / 0 / 42 / 4

HEX #A7F68F

RGB 167 246 143

HSL 106.02, 0.85%, 0.76%

LAB 89.91, -42.78, 41.99

 

CMYK 33 / 0 / 43 / 84

HEX #1C2A18

RGB 28 42 24

HSL 106.67, 0.27%, 0.13%

LAB 15.32, -10.39, 9.91

 

CMYK 32 / 0 / 42 / 64

HEX #3F5D36

RGB 63 93 54

HSL 106.15, 0.27%, 0.29%

LAB 36.27, -19.5, 18.96

 

CMYK 33 / 0 / 42 / 44

HEX #619053

RGB 97 144 83

HSL 106.23, 0.27%, 0.45%

LAB 55.19, -28.12, 27.45

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 43 / 0 / 1 / 24

HEX #6FC2C0

RGB 111 194 192

HSL 178.55, 0.4%, 0.6%

LAB 73.4, -25.71, -6.91

 

CMYK 0 / 43 / 15 / 24

HEX #C26FA4

RGB 194 111 164

HSL 321.69, 0.4%, 0.6%

LAB 57.58, 39.98, -14.23

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 43 / 33 / 0 / 24

HEX #6F82C2

RGB 111 130 194

HSL 226.27, 0.4%, 0.6%

LAB 55.32, 9.83, -35.59

 

CMYK 0 / 43 / 33 / 24

HEX #C26F82

RGB 194 111 130

HSL 346.27, 0.4%, 0.6%

LAB 56.54, 35.04, 3.99

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 43 / 0 / 1 / 24

HEX #6FC2C0

RGB 111 194 192

HSL 178.55, 0.4%, 0.6%

LAB 73.4, -25.71, -6.91

 

CMYK 10 / 43 / 0 / 24

HEX #AF6FC2

RGB 175 111 194

HSL 286.27, 0.4%, 0.6%

LAB 56.46, 39.44, -33.37

 

CMYK 0 / 43 / 42 / 24

HEX #C26F71

RGB 194 111 113

HSL 358.55, 0.4%, 0.6%

LAB 56.12, 33, 13.31

 

CMYK 32 / 0 / 42 / 24

HEX #84C371

RGB 132 195 113

HSL 106.1, 0.41%, 0.6%

LAB 72.98, -35.64, 34.91

 

CMYK 43 / 11 / 0 / 24

HEX #6FACC2

RGB 111 172 194

HSL 195.9, 0.4%, 0.6%

LAB 67.11, -13.9, -17.42

 

CMYK 10 / 43 / 0 / 24

HEX #AF6FC2

RGB 175 111 194

HSL 286.27, 0.4%, 0.6%

LAB 56.46, 39.44, -33.37

 

CMYK 0 / 31 / 43 / 24

HEX #C2856F

RGB 194 133 111

HSL 15.9, 0.4%, 0.6%

LAB 61.13, 20.76, 21.32

 

Description

Color code: RGB 132 195 113 | qconv.com Color code: RGB 132 195 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 195 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 195 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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