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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 183 145 it is the complementary color RGB 123 72 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 183 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 183 145: RGB 137 183 140, RGB 154 201 159, RGB 171 219 178, RGB 188 237 197 and RGB 205 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 183 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 183 145: RGB 132 183 145, RGB 115 165 126, RGB 98 147 107, RGB 81 129 88 and RGB 64 111 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

Complementary color

CMYK 0 / 41 / 11 / 52

HEX #7B486E

RGB 123 72 110

HSL 315.29, 0.26%, 0.38%

LAB 37.79, 27.72, -12.74

 

CMYK 25 / 0 / 23 / 28

HEX #89B78C

RGB 137 183 140

HSL 123.91, 0.24%, 0.63%

LAB 70.23, -23.91, 17.03

 

CMYK 23 / 0 / 21 / 21

HEX #9AC99F

RGB 154 201 159

HSL 126.38, 0.3%, 0.7%

LAB 76.77, -23.7, 16.06

 

CMYK 22 / 0 / 19 / 14

HEX #ABDBB2

RGB 171 219 178

HSL 128.75, 0.4%, 0.76%

LAB 83.2, -23.51, 15.16

 

CMYK 21 / 0 / 17 / 7

HEX #BCEDC5

RGB 188 237 197

HSL 131.02, 0.58%, 0.83%

LAB 89.53, -23.34, 14.29

 

CMYK 20 / 0 / 15 / 0

HEX #CDFFD8

RGB 205 255 216

HSL 133.2, 1%, 0.9%

LAB 95.77, -23.19, 13.47

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 30 / 0 / 24 / 35

HEX #73A57E

RGB 115 165 126

HSL 133.2, 0.22%, 0.55%

LAB 63.39, -24.91, 15

 

CMYK 33 / 0 / 27 / 42

HEX #62936B

RGB 98 147 107

HSL 131.02, 0.2%, 0.48%

LAB 56.61, -25.18, 16.06

 

CMYK 37 / 0 / 32 / 49

HEX #518158

RGB 81 129 88

HSL 128.75, 0.23%, 0.41%

LAB 49.68, -25.47, 17.22

 

CMYK 42 / 0 / 38 / 56

HEX #406F45

RGB 64 111 69

HSL 126.38, 0.27%, 0.34%

LAB 42.59, -25.74, 18.5

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 28 / 0 / 16 / 28

HEX #84B799

RGB 132 183 153

HSL 144.71, 0.26%, 0.62%

LAB 70.23, -23.11, 9.9

 

CMYK 28 / 0 / 11 / 28

HEX #84B7A2

RGB 132 183 162

HSL 155.29, 0.26%, 0.62%

LAB 70.44, -21.28, 5.28

 

CMYK 28 / 0 / 7 / 28

HEX #84B7AA

RGB 132 183 170

HSL 164.71, 0.26%, 0.62%

LAB 70.65, -19.57, 1.19

 

CMYK 28 / 0 / 2 / 28

HEX #84B7B3

RGB 132 183 179

HSL 175.29, 0.26%, 0.62%

LAB 70.89, -17.56, -3.39

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 28 / 0 / 21 / 8

HEX #A9EAB9

RGB 169 234 185

HSL 134.77, 0.61%, 0.79%

LAB 87.38, -30.11, 17.35

 

CMYK 27 / 0 / 20 / 88

HEX #161E18

RGB 22 30 24

HSL 135, 0.15%, 0.1%

LAB 10.3, -5.27, 2.93

 

CMYK 28 / 0 / 21 / 68

HEX #3A5140

RGB 58 81 64

HSL 135.65, 0.17%, 0.27%

LAB 32.16, -12.86, 7.19

 

CMYK 28 / 0 / 20 / 48

HEX #5F8469

RGB 95 132 105

HSL 136.22, 0.16%, 0.45%

LAB 51.79, -18.89, 10.46

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 28 / 13 / 0 / 28

HEX #84A0B7

RGB 132 160 183

HSL 207.06, 0.26%, 0.62%

LAB 64.54, -4.33, -15.08

 

CMYK 0 / 28 / 23 / 28

HEX #B7848C

RGB 183 132 140

HSL 350.59, 0.26%, 0.62%

LAB 60.3, 20.78, 3.49

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 21 / 28 / 0 / 28

HEX #9184B7

RGB 145 132 183

HSL 255.29, 0.26%, 0.62%

LAB 57.98, 15.68, -24.98

 

CMYK 0 / 21 / 28 / 28

HEX #B79184

RGB 183 145 132

HSL 15.29, 0.26%, 0.62%

LAB 63.33, 12.37, 12.35

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 28 / 13 / 0 / 28

HEX #84A0B7

RGB 132 160 183

HSL 207.06, 0.26%, 0.62%

LAB 64.54, -4.33, -15.08

 

CMYK 0 / 28 / 7 / 28

HEX #B784AA

RGB 183 132 170

HSL 315.29, 0.26%, 0.62%

LAB 61.2, 25.76, -12.34

 

CMYK 0 / 15 / 28 / 28

HEX #B79B84

RGB 183 155 132

HSL 27.06, 0.26%, 0.62%

LAB 65.89, 6.84, 15.92

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 28 / 21 / 0 / 28

HEX #8491B7

RGB 132 145 183

HSL 224.71, 0.26%, 0.62%

LAB 60.4, 4.11, -21.35

 

CMYK 0 / 28 / 7 / 28

HEX #B784AA

RGB 183 132 170

HSL 315.29, 0.26%, 0.62%

LAB 61.2, 25.76, -12.34

 

CMYK 0 / 7 / 28 / 28

HEX #B7AA84

RGB 183 170 132

HSL 44.71, 0.26%, 0.62%

LAB 69.81, -1.32, 21.32

 

Description

Color code: RGB 132 183 145 | qconv.com Color code: RGB 132 183 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 183 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 183 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 21 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 21% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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