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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 156 201 it is the complementary color RGB 123 99 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 156 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 156 201: RGB 137 156 196, RGB 154 174 215, RGB 171 192 234, RGB 188 210 253 and RGB 205 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 156 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 156 201: RGB 132 156 201, RGB 115 138 182, RGB 98 120 163, RGB 81 102 144 and RGB 64 84 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

Complementary color

CMYK 0 / 20 / 56 / 52

HEX #7B6336

RGB 123 99 54

HSL 39.13, 0.39%, 0.35%

LAB 43.36, 3.69, 28.98

 

CMYK 30 / 20 / 0 / 23

HEX #899CC4

RGB 137 156 196

HSL 220.68, 0.33%, 0.65%

LAB 64.23, 2.64, -22.79

 

CMYK 28 / 19 / 0 / 16

HEX #9AAED7

RGB 154 174 215

HSL 220.33, 0.43%, 0.72%

LAB 70.9, 2.37, -22.99

 

CMYK 27 / 18 / 0 / 8

HEX #ABC0EA

RGB 171 192 234

HSL 220, 0.6%, 0.79%

LAB 77.46, 2.12, -23.22

 

CMYK 26 / 17 / 0 / 1

HEX #BCD2FD

RGB 188 210 253

HSL 219.69, 0.94%, 0.86%

LAB 83.9, 1.89, -23.46

 

CMYK 20 / 11 / 0 / 0

HEX #CDE4FF

RGB 205 228 255

HSL 212.4, 1%, 0.9%

LAB 89.71, -2.05, -15.63

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 37 / 24 / 0 / 29

HEX #738AB6

RGB 115 138 182

HSL 219.4, 0.31%, 0.58%

LAB 57.27, 2.84, -25.7

 

CMYK 40 / 26 / 0 / 36

HEX #6278A3

RGB 98 120 163

HSL 219.69, 0.26%, 0.51%

LAB 50.3, 3.27, -25.61

 

CMYK 44 / 29 / 0 / 44

HEX #516690

RGB 81 102 144

HSL 220, 0.28%, 0.44%

LAB 43.16, 3.79, -25.56

 

CMYK 49 / 33 / 0 / 51

HEX #40547D

RGB 64 84 125

HSL 220.33, 0.32%, 0.37%

LAB 35.81, 4.45, -25.57

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 35 / 29 / 0 / 22

HEX #828FC8

RGB 130 143 200

HSL 228.86, 0.39%, 0.65%

LAB 60.39, 9.08, -30.98

 

CMYK 35 / 34 / 0 / 22

HEX #8284C8

RGB 130 132 200

HSL 238.29, 0.39%, 0.65%

LAB 57.48, 15.5, -35.51

 

CMYK 30 / 35 / 0 / 22

HEX #8D82C8

RGB 141 130 200

HSL 249.43, 0.39%, 0.65%

LAB 57.84, 19.82, -34.88

 

CMYK 24 / 35 / 0 / 22

HEX #9882C8

RGB 152 130 200

HSL 258.86, 0.39%, 0.65%

LAB 58.8, 23.08, -33.32

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 35 / 22 / 0 / 1

HEX #A5C4FC

RGB 165 196 252

HSL 218.62, 0.94%, 0.82%

LAB 78.76, 2.66, -30.92

 

CMYK 33 / 23 / 0 / 81

HEX #202530

RGB 32 37 48

HSL 221.25, 0.2%, 0.16%

LAB 14.64, 0.96, -7.96

 

CMYK 34 / 22 / 0 / 61

HEX #414D63

RGB 65 77 99

HSL 218.82, 0.21%, 0.32%

LAB 32.55, 1.16, -14.38

 

CMYK 34 / 23 / 0 / 41

HEX #637496

RGB 99 116 150

HSL 220, 0.2%, 0.49%

LAB 48.69, 2.29, -20.47

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 5 / 35 / 0 / 22

HEX #BE82C8

RGB 190 130 200

HSL 291.43, 0.39%, 0.65%

LAB 62.58, 34.88, -27.16

 

CMYK 9 / 0 / 35 / 22

HEX #B7C882

RGB 183 200 130

HSL 74.57, 0.39%, 0.65%

LAB 77.87, -17.19, 33.14

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 0 / 35 / 23 / 22

HEX #C8829B

RGB 200 130 155

HSL 338.57, 0.39%, 0.65%

LAB 62.18, 30.46, -2.12

 

CMYK 23 / 0 / 35 / 22

HEX #9BC882

RGB 155 200 130

HSL 98.57, 0.39%, 0.65%

LAB 76, -27.56, 30.34

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 5 / 35 / 0 / 22

HEX #BE82C8

RGB 190 130 200

HSL 291.43, 0.39%, 0.65%

LAB 62.58, 34.88, -27.16

 

CMYK 0 / 12 / 35 / 22

HEX #C8B082

RGB 200 176 130

HSL 39.43, 0.39%, 0.65%

LAB 72.85, 1.96, 26.76

 

CMYK 30 / 0 / 35 / 22

HEX #8DC882

RGB 141 200 130

HSL 110.57, 0.39%, 0.65%

LAB 75.19, -32.42, 29.12

 

CMYK 34 / 22 / 0 / 21

HEX #849CC9

RGB 132 156 201

HSL 219.13, 0.39%, 0.65%

LAB 64.08, 2.47, -25.83

 

CMYK 0 / 35 / 5 / 22

HEX #C882BE

RGB 200 130 190

HSL 308.57, 0.39%, 0.65%

LAB 63.31, 36.23, -20.3

 

CMYK 0 / 12 / 35 / 22

HEX #C8B082

RGB 200 176 130

HSL 39.43, 0.39%, 0.65%

LAB 72.85, 1.96, 26.76

 

CMYK 35 / 0 / 30 / 22

HEX #82C88D

RGB 130 200 141

HSL 129.43, 0.39%, 0.65%

LAB 74.81, -34.18, 22.73

 

Description

Color code: RGB 132 156 201 | qconv.com Color code: RGB 132 156 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 156 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 156 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 22 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 22% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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