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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 124 74 it is the complementary color RGB 123 131 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 124 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 124 74: RGB 137 124 69, RGB 154 142 88, RGB 171 160 107, RGB 188 178 126 and RGB 205 196 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 124 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 124 74: RGB 132 124 74, RGB 115 106 55, RGB 98 88 36, RGB 81 70 17 and RGB 64 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

Complementary color

CMYK 32 / 28 / 0 / 29

HEX #7B83B5

RGB 123 131 181

HSL 231.72, 0.28%, 0.6%

LAB 55.87, 8.98, -27.25

 

CMYK 0 / 9 / 50 / 46

HEX #897C45

RGB 137 124 69

HSL 48.53, 0.33%, 0.4%

LAB 52.02, -2.92, 31.66

 

CMYK 0 / 8 / 43 / 40

HEX #9A8E58

RGB 154 142 88

HSL 49.09, 0.27%, 0.47%

LAB 58.9, -3.51, 30.35

 

CMYK 0 / 6 / 37 / 33

HEX #ABA06B

RGB 171 160 107

HSL 49.69, 0.28%, 0.55%

LAB 65.64, -3.99, 29.09

 

CMYK 0 / 5 / 33 / 26

HEX #BCB27E

RGB 188 178 126

HSL 50.32, 0.32%, 0.62%

LAB 72.25, -4.39, 27.91

 

CMYK 0 / 4 / 29 / 20

HEX #CDC491

RGB 205 196 145

HSL 51, 0.38%, 0.69%

LAB 78.75, -4.72, 26.8

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 0 / 8 / 52 / 55

HEX #736A37

RGB 115 106 55

HSL 51, 0.35%, 0.33%

LAB 44.56, -3.99, 29.68

 

CMYK 0 / 10 / 63 / 62

HEX #625824

RGB 98 88 36

HSL 50.32, 0.46%, 0.26%

LAB 37.3, -3.18, 30.99

 

CMYK 0 / 14 / 79 / 68

HEX #514611

RGB 81 70 17

HSL 49.69, 0.65%, 0.19%

LAB 29.84, -2.04, 31.94

 

CMYK 0 / 19 / 100 / 75

HEX #403400

RGB 64 52 0

HSL 48.75, 1%, 0.13%

LAB 22.11, -0.46, 30.85

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 1 / 0 / 44 / 49

HEX #818249

RGB 129 130 73

HSL 61.05, 0.28%, 0.4%

LAB 53.07, -9.34, 30.64

 

CMYK 8 / 0 / 44 / 49

HEX #788249

RGB 120 130 73

HSL 70.53, 0.28%, 0.4%

LAB 52.33, -13.2, 29.56

 

CMYK 15 / 0 / 44 / 49

HEX #6E8249

RGB 110 130 73

HSL 81.05, 0.28%, 0.4%

LAB 51.57, -17.39, 28.43

 

CMYK 22 / 0 / 44 / 49

HEX #658249

RGB 101 130 73

HSL 90.53, 0.28%, 0.4%

LAB 50.94, -21.03, 27.5

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 0 / 6 / 44 / 28

HEX #B7AC67

RGB 183 172 103

HSL 51.75, 0.36%, 0.56%

LAB 69.86, -5.9, 36.82

 

CMYK 0 / 6 / 44 / 8

HEX #EADC83

RGB 234 220 131

HSL 51.84, 0.71%, 0.72%

LAB 87.15, -7.24, 45.3

 

CMYK 0 / 7 / 43 / 88

HEX #1E1C11

RGB 30 28 17

HSL 50.77, 0.28%, 0.09%

LAB 10.16, -1.34, 7.56

 

CMYK 0 / 6 / 44 / 68

HEX #514C2D

RGB 81 76 45

HSL 51.67, 0.29%, 0.25%

LAB 32.05, -3.16, 19.17

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 44 / 0 / 42 / 49

HEX #49824C

RGB 73 130 76

HSL 123.16, 0.28%, 0.4%

LAB 49.38, -30.73, 23.52

 

CMYK 24 / 44 / 0 / 49

HEX #634982

RGB 99 73 130

HSL 267.37, 0.28%, 0.4%

LAB 36.04, 23.4, -28.08

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 44 / 0 / 7 / 49

HEX #498279

RGB 73 130 121

HSL 170.53, 0.28%, 0.4%

LAB 50.41, -21.05, -0.99

 

CMYK 7 / 44 / 0 / 49

HEX #794982

RGB 121 73 130

HSL 290.53, 0.28%, 0.4%

LAB 38.62, 30.46, -23.85

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 44 / 0 / 42 / 49

HEX #49824C

RGB 73 130 76

HSL 123.16, 0.28%, 0.4%

LAB 49.38, -30.73, 23.52

 

CMYK 44 / 37 / 0 / 49

HEX #495282

RGB 73 82 130

HSL 230.53, 0.28%, 0.4%

LAB 36.1, 9.82, -28.15

 

CMYK 0 / 44 / 2 / 49

HEX #82497F

RGB 130 73 127

HSL 303.16, 0.28%, 0.4%

LAB 39.65, 32.81, -20.32

 

CMYK 0 / 6 / 44 / 48

HEX #847C4A

RGB 132 124 74

HSL 51.72, 0.28%, 0.4%

LAB 51.63, -4.58, 28.34

 

CMYK 44 / 0 / 28 / 49

HEX #49825D

RGB 73 130 93

HSL 141.05, 0.28%, 0.4%

LAB 49.7, -27.55, 14.31

 

CMYK 44 / 37 / 0 / 49

HEX #495282

RGB 73 82 130

HSL 230.53, 0.28%, 0.4%

LAB 36.1, 9.82, -28.15

 

CMYK 0 / 44 / 15 / 49

HEX #82496E

RGB 130 73 110

HSL 321.05, 0.28%, 0.4%

LAB 38.96, 29.66, -10.88

 

Description

Color code: RGB 132 124 74 | qconv.com Color code: RGB 132 124 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 124 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 124 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 44 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 44% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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