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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132.1 111 21 it is the complementary color RGB 122.9 144 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132.1 111 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132.1 111 21 shade: RGB 137.1 111 16, RGB 154.1 129 35, RGB 171.1 147 54, RGB 188.1 165 73 and RGB 205.1 183 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132.1 111 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132.1 111 21 shade: RGB 132.1 111 21, RGB 115.1 93 2, RGB 98.1 75 0, RGB 81.1 57 0 and RGB 64.1 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132.1 111 21 shade: RGB 132 111 21, RGB 132 81 21, RGB 132 51 21 and RGB 132 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132.1 111 21 shade: RGB 132 111 21, RGB 123 132 21, RGB 93 132 21, RGB 63 132 21 and RGB 33 132 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132.1 111 21 shade matches the following richer shades: RGB 132 111 21 and RGB 145 119 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132.1 111 21 shade: RGB 132 111 21, RGB 120 103 33, RGB 108 96 45, RGB 95 88 58 and RGB 83 80 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132.1 111 21 shade: RGB 132 50 21, RGB 132 80 21, RGB 132 110 21, RGB 125 132 21 and RGB 95 132 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132.1 111 21 shade: RGB 61 51 10, RGB 97 81 15, RGB 132 111 21, RGB 168 141 26 and RGB 204 171 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132.1 111 21 shade: RGB 132.1 111 21, RGB 21 132 21 and RGB 65 21 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132.1 111 21 shade: RGB 132.1 111 21, RGB 21 132 110 and RGB 110 21 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132.1 111 21 shade: RGB 132.1 111 21, RGB 21 132 21, RGB 21 43 132 and RGB 132 21 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132.1 111 21 shade: RGB 132.1 111 21, RGB 21 132 54, RGB 21 43 132 and RGB 132 21 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

Complementary color

CMYK 47 / 38 / 0 / 8

HEX #7A90EA

RGB 122.9 144 234

HSL 228.6, 0.73%, 0.7%

LAB 61.73, 16.29, -47.88

 

CMYK 0 / 19 / 88 / 46

HEX #896F10

RGB 137.1 111 16

HSL 47.07, 0.79%, 0.3%

LAB 47.92, 1.19, 50.68

 

CMYK 0 / 16 / 77 / 40

HEX #9A8123

RGB 154.1 129 35

HSL 47.36, 0.63%, 0.37%

LAB 54.76, -0.37, 51.16

 

CMYK 0 / 14 / 68 / 33

HEX #AB9336

RGB 171.1 147 54

HSL 47.65, 0.52%, 0.44%

LAB 61.48, -1.62, 50.63

 

CMYK 0 / 12 / 61 / 26

HEX #BCA549

RGB 188.1 165 73

HSL 47.96, 0.46%, 0.51%

LAB 68.09, -2.65, 49.66

 

CMYK 0 / 11 / 55 / 20

HEX #CDB75C

RGB 205.1 183 92

HSL 48.28, 0.53%, 0.58%

LAB 74.59, -3.49, 48.51

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

CMYK 0 / 19 / 98 / 55

HEX #735D02

RGB 115.1 93 2

HSL 48.28, 0.97%, 0.23%

LAB 40.39, 0.69, 47.29

 

CMYK 0 / 24 / 100 / 62

HEX #624B00

RGB 98.1 75 0

HSL 45.87, 1%, 0.19%

LAB 33.21, 2.96, 41.94

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81.1 57 0

HSL 42.17, 1%, 0.16%

LAB 25.8, 5.46, 35.23

 

CMYK 0 / 39 / 100 / 75

HEX #402700

RGB 64.1 39 0

HSL 36.51, 1%, 0.13%

LAB 18.12, 8.21, 26.36

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132 111 21

HSL 48.65, 0.73%, 0.3%

LAB 47.4, -1.09, 48.56

 

CMYK 0 / 39 / 84 / 48

HEX #845115

RGB 132 81 21

HSL 32.43, 0.73%, 0.3%

LAB 39.32, 16.46, 41.41

 

CMYK 0 / 61 / 84 / 48

HEX #843315

RGB 132 51 21

HSL 16.22, 0.73%, 0.3%

LAB 32.54, 33.21, 35.19

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132 111 21

HSL 48.65, 0.73%, 0.3%

LAB 47.4, -1.09, 48.56

 

CMYK 7 / 0 / 84 / 48

HEX #7B8415

RGB 123 132 21

HSL 64.86, 0.73%, 0.3%

LAB 52.69, -16.86, 52.82

 

CMYK 30 / 0 / 84 / 48

HEX #5D8415

RGB 93 132 21

HSL 81.08, 0.73%, 0.3%

LAB 50.55, -29.9, 50.11

 

CMYK 52 / 0 / 84 / 48

HEX #3F8415

RGB 63 132 21

HSL 97.3, 0.73%, 0.3%

LAB 49.02, -40.85, 48.16

 

CMYK 75 / 0 / 84 / 48

HEX #218415

RGB 33 132 21

HSL 113.51, 0.73%, 0.3%

LAB 48.11, -48.32, 46.99

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132 111 21

HSL 48.65, 0.73%, 0.3%

LAB 47.4, -1.09, 48.56

 

CMYK 0 / 18 / 94 / 43

HEX #917708

RGB 145 119 8

HSL 48.61, 0.9%, 0.3%

LAB 50.96, 0.21, 55.2

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132 111 21

HSL 48.65, 0.73%, 0.3%

LAB 47.4, -1.09, 48.56

 

CMYK 0 / 14 / 73 / 53

HEX #786721

RGB 120 103 33

HSL 48.28, 0.57%, 0.3%

LAB 43.95, -1.65, 40.23

 

CMYK 0 / 11 / 58 / 58

HEX #6C602D

RGB 108 96 45

HSL 48.57, 0.41%, 0.3%

LAB 40.81, -2.37, 30.48

 

CMYK 0 / 7 / 39 / 63

HEX #5F583A

RGB 95 88 58

HSL 48.65, 0.24%, 0.3%

LAB 37.33, -2.21, 18.44

 

CMYK 0 / 4 / 16 / 67

HEX #535046

RGB 83 80 70

HSL 46.15, 0.08%, 0.3%

LAB 34.02, -0.76, 6.34

 

CMYK 0 / 62 / 84 / 48

HEX #843215

RGB 132 50 21

HSL 15.68, 0.73%, 0.3%

LAB 32.35, 33.71, 35.01

 

CMYK 0 / 39 / 84 / 48

HEX #845015

RGB 132 80 21

HSL 31.89, 0.73%, 0.3%

LAB 39.07, 17.05, 41.18

 

CMYK 0 / 17 / 84 / 48

HEX #846E15

RGB 132 110 21

HSL 48.11, 0.73%, 0.3%

LAB 47.12, -0.51, 48.31

 

CMYK 5 / 0 / 84 / 48

HEX #7D8415

RGB 125 132 21

HSL 63.78, 0.73%, 0.3%

LAB 52.86, -15.95, 53.03

 

CMYK 28 / 0 / 84 / 48

HEX #5F8415

RGB 95 132 21

HSL 80, 0.73%, 0.3%

LAB 50.67, -29.08, 50.27

 

CMYK 0 / 16 / 84 / 76

HEX #3D330A

RGB 61 51 10

HSL 48.24, 0.72%, 0.14%

LAB 21.51, -0.86, 26.03

 

CMYK 0 / 16 / 85 / 62

HEX #61510F

RGB 97 81 15

HSL 48.29, 0.73%, 0.22%

LAB 34.92, -0.76, 38.15

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132 111 21

HSL 48.65, 0.73%, 0.3%

LAB 47.4, -1.09, 48.56

 

CMYK 0 / 16 / 85 / 34

HEX #A88D1A

RGB 168 141 26

HSL 48.59, 0.73%, 0.38%

LAB 59.39, -0.96, 58.78

 

CMYK 0 / 16 / 84 / 20

HEX #CCAB20

RGB 204 171 32

HSL 48.49, 0.73%, 0.46%

LAB 70.92, -0.81, 68.27

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 51 / 84 / 0 / 48

HEX #411584

RGB 65 21 132

HSL 263.78, 0.73%, 0.3%

LAB 21.31, 44.85, -53.26

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

CMYK 84 / 0 / 17 / 48

HEX #15846E

RGB 21 132 110

HSL 168.11, 0.73%, 0.3%

LAB 49.24, -34.8, 3.56

 

CMYK 17 / 84 / 0 / 48

HEX #6E1584

RGB 110 21 132

HSL 288.11, 0.73%, 0.3%

LAB 28.16, 52.3, -41.79

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 67 / 0 / 48

HEX #152B84

RGB 21 43 132

HSL 228.11, 0.73%, 0.3%

LAB 22.14, 27.1, -52.02

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 0 / 16 / 84 / 48

HEX #846F15

RGB 132.1 111 21

HSL 48.6, 0.73%, 0.3%

LAB 47.41, -1.04, 48.57

 

CMYK 84 / 0 / 59 / 48

HEX #158436

RGB 21 132 54

HSL 137.84, 0.73%, 0.3%

LAB 48.17, -46.8, 33.4

 

CMYK 84 / 67 / 0 / 48

HEX #152B84

RGB 21 43 132

HSL 228.11, 0.73%, 0.3%

LAB 22.14, 27.1, -52.02

 

CMYK 0 / 84 / 25 / 48

HEX #841563

RGB 132 21 99

HSL 317.84, 0.73%, 0.3%

LAB 30.26, 51.68, -17.17

 

Description

Color code: RGB 132.1 111 21 | qconv.com Color code: RGB 132.1 111 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132.1 red, 111 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132.1 111 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 84 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 84% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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