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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158415 it is the complementary color #EA7BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158415 shade: #1A8410, #2B9623, #3CA836, #4DBA49 and #5ECC5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158415 shade: #158415, #047202, #006000, #004E00 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158415 shade: #158415, #338415, #518415, #6F8415 and #847C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158415 shade: #158415, #158433, #158451, #15846F and #157C84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158415 shade matches the following richer shades: #158415 and #089108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158415 shade: #158415, #217821, #2D6C2D, #3A5F3A and #465346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158415 shade: #508415, #328415, #158415, #158432 and #158450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158415 shade: #0A3D0A, #0F610F, #158415, #1AA81A and #20CC20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158415 shade: #158415, #156E84 and #841541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158415 shade: #158415, #151584 and #841515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158415 shade: #158415, #156E84, #841584 and #842B15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158415 shade: #158415, #154D84, #841584 and #844D15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

Complementary color

CMYK 0 / 47 / 0 / 8

HEX #EA7BEA

RGB 234 123 234

HSL 300, 0.73%, 0.7%

LAB 67.72, 57.95, -37.73

 

CMYK 80 / 0 / 88 / 48

HEX #1A8410

RGB 26 132 16

HSL 114.83, 0.78%, 0.29%

LAB 47.96, -49.73, 48.15

 

CMYK 71 / 0 / 77 / 41

HEX #2B9623

RGB 43 150 35

HSL 115.83, 0.62%, 0.36%

LAB 54.5, -51.61, 48.62

 

CMYK 64 / 0 / 68 / 34

HEX #3CA836

RGB 60 168 54

HSL 116.84, 0.51%, 0.44%

LAB 60.99, -52.73, 48.07

 

CMYK 59 / 0 / 61 / 27

HEX #4DBA49

RGB 77 186 73

HSL 117.88, 0.45%, 0.51%

LAB 67.41, -53.36, 47.05

 

CMYK 54 / 0 / 55 / 20

HEX #5ECC5C

RGB 94 204 92

HSL 118.93, 0.52%, 0.58%

LAB 73.76, -53.67, 45.85

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 96 / 0 / 98 / 55

HEX #047202

RGB 4 114 2

HSL 118.93, 0.97%, 0.23%

LAB 41.32, -47.12, 45.48

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 61 / 0 / 84 / 48

HEX #338415

RGB 51 132 21

HSL 103.78, 0.73%, 0.3%

LAB 48.59, -44.32, 47.6

 

CMYK 39 / 0 / 84 / 48

HEX #518415

RGB 81 132 21

HSL 87.57, 0.73%, 0.3%

LAB 49.87, -34.61, 49.24

 

CMYK 16 / 0 / 84 / 48

HEX #6F8415

RGB 111 132 21

HSL 71.35, 0.73%, 0.3%

LAB 51.76, -22.24, 51.65

 

CMYK 0 / 6 / 84 / 48

HEX #847C15

RGB 132 124 21

HSL 55.68, 0.73%, 0.3%

LAB 51.12, -8.39, 51.77

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 0 / 61 / 48

HEX #158433

RGB 21 132 51

HSL 136.22, 0.73%, 0.3%

LAB 48.14, -47.22, 34.85

 

CMYK 84 / 0 / 39 / 48

HEX #158451

RGB 21 132 81

HSL 152.43, 0.73%, 0.3%

LAB 48.58, -41.96, 19.38

 

CMYK 84 / 0 / 16 / 48

HEX #15846F

RGB 21 132 111

HSL 168.65, 0.73%, 0.3%

LAB 49.26, -34.52, 3.02

 

CMYK 84 / 6 / 0 / 48

HEX #157C84

RGB 21 124 132

HSL 184.32, 0.73%, 0.3%

LAB 47.29, -24.2, -12.28

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 94 / 0 / 94 / 43

HEX #089108

RGB 8 145 8

HSL 120, 0.9%, 0.3%

LAB 52.2, -55.81, 53.33

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 73 / 0 / 73 / 53

HEX #217821

RGB 33 120 33

HSL 120, 0.57%, 0.3%

LAB 44.04, -43.21, 38.66

 

CMYK 58 / 0 / 58 / 58

HEX #2D6C2D

RGB 45 108 45

HSL 120, 0.41%, 0.3%

LAB 40.37, -34.19, 28.9

 

CMYK 39 / 0 / 39 / 63

HEX #3A5F3A

RGB 58 95 58

HSL 120, 0.24%, 0.3%

LAB 36.72, -21.74, 17.12

 

CMYK 16 / 0 / 16 / 67

HEX #465346

RGB 70 83 70

HSL 120, 0.08%, 0.3%

LAB 33.84, -8.02, 5.92

 

CMYK 39 / 0 / 84 / 48

HEX #508415

RGB 80 132 21

HSL 88.11, 0.73%, 0.3%

LAB 49.81, -34.99, 49.17

 

CMYK 62 / 0 / 84 / 48

HEX #328415

RGB 50 132 21

HSL 104.32, 0.73%, 0.3%

LAB 48.55, -44.58, 47.56

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 0 / 62 / 48

HEX #158432

RGB 21 132 50

HSL 135.68, 0.73%, 0.3%

LAB 48.12, -47.36, 35.32

 

CMYK 84 / 0 / 39 / 48

HEX #158450

RGB 21 132 80

HSL 151.89, 0.73%, 0.3%

LAB 48.56, -42.18, 19.92

 

CMYK 84 / 0 / 84 / 76

HEX #0A3D0A

RGB 10 61 10

HSL 120, 0.72%, 0.14%

LAB 21.67, -27.89, 25.19

 

CMYK 85 / 0 / 85 / 62

HEX #0F610F

RGB 15 97 15

HSL 120, 0.73%, 0.22%

LAB 35.37, -39.77, 36.8

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 85 / 0 / 85 / 34

HEX #1AA81A

RGB 26 168 26

HSL 120, 0.73%, 0.38%

LAB 60.16, -60.4, 56.62

 

CMYK 84 / 0 / 84 / 20

HEX #20CC20

RGB 32 204 32

HSL 120, 0.73%, 0.46%

LAB 71.96, -70.06, 65.85

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 17 / 0 / 48

HEX #156E84

RGB 21 110 132

HSL 191.89, 0.73%, 0.3%

LAB 42.73, -16.71, -19.23

 

CMYK 0 / 84 / 51 / 48

HEX #841541

RGB 132 21 65

HSL 336.22, 0.73%, 0.3%

LAB 28.96, 47.91, 3.33

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 84 / 0 / 48

HEX #151584

RGB 21 21 132

HSL 240, 0.73%, 0.3%

LAB 17.28, 40.62, -60.04

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 17 / 0 / 48

HEX #156E84

RGB 21 110 132

HSL 191.89, 0.73%, 0.3%

LAB 42.73, -16.71, -19.23

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 0 / 67 / 84 / 48

HEX #842B15

RGB 132 43 21

HSL 11.89, 0.73%, 0.3%

LAB 31.08, 37.08, 33.82

 

CMYK 84 / 0 / 84 / 48

HEX #158415

RGB 21 132 21

HSL 120, 0.73%, 0.3%

LAB 47.9, -50.13, 46.72

 

CMYK 84 / 42 / 0 / 48

HEX #154D84

RGB 21 77 132

HSL 209.73, 0.73%, 0.3%

LAB 32.11, 3.49, -35.87

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 0 / 42 / 84 / 48

HEX #844D15

RGB 132 77 21

HSL 30.27, 0.73%, 0.3%

LAB 38.32, 18.81, 40.51

 

Description

Color code: HEX #158415 | qconv.com Color code: HEX #158415 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 132 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 132 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 84 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 84% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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