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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 231 135 it is the complementary color RGB 124 24 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 231 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 231 135: RGB 136 231 130, RGB 153 249 149, RGB 170 255 168, RGB 187 255 187 and RGB 204 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 231 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 231 135: RGB 131 231 135, RGB 114 213 116, RGB 97 195 97, RGB 80 177 78 and RGB 63 159 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

Complementary color

CMYK 0 / 81 / 3 / 51

HEX #7C1878

RGB 124 24 120

HSL 302.4, 0.68%, 0.29%

LAB 30.14, 52.14, -30.92

 

CMYK 41 / 0 / 44 / 9

HEX #88E782

RGB 136 231 130

HSL 116.44, 0.68%, 0.71%

LAB 83.96, -47.76, 40.47

 

CMYK 39 / 0 / 40 / 2

HEX #99F995

RGB 153 249 149

HSL 117.6, 0.89%, 0.78%

LAB 90.18, -47.59, 39.27

 

CMYK 33 / 0 / 34 / 0

HEX #AAFFA8

RGB 170 255 168

HSL 118.62, 1%, 0.83%

LAB 92.97, -42.19, 33.66

 

CMYK 27 / 0 / 27 / 0

HEX #BBFFBB

RGB 187 255 187

HSL 120, 1%, 0.87%

LAB 94.17, -33.86, 25.88

 

CMYK 20 / 0 / 19 / 0

HEX #CCFFCE

RGB 204 255 206

HSL 122.35, 1%, 0.9%

LAB 95.5, -25.24, 18.2

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 46 / 0 / 46 / 16

HEX #72D574

RGB 114 213 116

HSL 121.21, 0.54%, 0.64%

LAB 77.54, -48.63, 39.03

 

CMYK 50 / 0 / 50 / 24

HEX #61C361

RGB 97 195 97

HSL 120, 0.45%, 0.57%

LAB 71.17, -48.67, 40.33

 

CMYK 55 / 0 / 56 / 31

HEX #50B14E

RGB 80 177 78

HSL 118.79, 0.39%, 0.5%

LAB 64.72, -48.55, 41.62

 

CMYK 60 / 0 / 63 / 38

HEX #3F9F3B

RGB 63 159 59

HSL 117.6, 0.46%, 0.43%

LAB 58.2, -48.19, 42.83

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 44 / 0 / 35 / 9

HEX #82E796

RGB 130 231 150

HSL 131.88, 0.68%, 0.71%

LAB 84.02, -46.42, 30.47

 

CMYK 44 / 0 / 28 / 9

HEX #82E7A7

RGB 130 231 167

HSL 141.98, 0.68%, 0.71%

LAB 84.32, -43.43, 22.16

 

CMYK 44 / 0 / 20 / 9

HEX #82E7B8

RGB 130 231 184

HSL 152.08, 0.68%, 0.71%

LAB 84.67, -40.12, 13.79

 

CMYK 44 / 0 / 13 / 9

HEX #82E7C9

RGB 130 231 201

HSL 162.18, 0.68%, 0.71%

LAB 85.05, -36.51, 5.42

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 44 / 0 / 41 / 89

HEX #0F1B10

RGB 15 27 16

HSL 125, 0.29%, 0.08%

LAB 8.33, -7.95, 5.32

 

CMYK 44 / 0 / 41 / 69

HEX #2C4E2E

RGB 44 78 46

HSL 123.53, 0.28%, 0.24%

LAB 29.87, -20.14, 15.16

 

CMYK 43 / 0 / 42 / 49

HEX #49814B

RGB 73 129 75

HSL 122.14, 0.28%, 0.4%

LAB 49.04, -30.43, 23.64

 

CMYK 43 / 0 / 42 / 29

HEX #66B469

RGB 102 180 105

HSL 122.31, 0.34%, 0.55%

LAB 66.89, -39.73, 30.91

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 44 / 10 / 0 / 9

HEX #82CFE7

RGB 130 207 231

HSL 194.26, 0.68%, 0.71%

LAB 79.12, -17.61, -19.3

 

CMYK 0 / 44 / 28 / 9

HEX #E782A7

RGB 231 130 167

HSL 338.02, 0.68%, 0.71%

LAB 66.32, 43.09, -2.41

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 42 / 44 / 0 / 9

HEX #8682E7

RGB 134 130 231

HSL 242.38, 0.68%, 0.71%

LAB 58.79, 26.32, -50.82

 

CMYK 0 / 42 / 44 / 9

HEX #E78682

RGB 231 134 130

HSL 2.38, 0.68%, 0.71%

LAB 66.25, 36.63, 18.37

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 44 / 10 / 0 / 9

HEX #82CFE7

RGB 130 207 231

HSL 194.26, 0.68%, 0.71%

LAB 79.12, -17.61, -19.3

 

CMYK 0 / 44 / 2 / 9

HEX #E782E3

RGB 231 130 227

HSL 302.38, 0.68%, 0.71%

LAB 68.39, 52.42, -32.86

 

CMYK 0 / 33 / 44 / 9

HEX #E79A82

RGB 231 154 130

HSL 14.26, 0.68%, 0.71%

LAB 70.67, 26.07, 24.39

 

CMYK 43 / 0 / 42 / 9

HEX #83E787

RGB 131 231 135

HSL 122.4, 0.68%, 0.71%

LAB 83.82, -48.5, 37.78

 

CMYK 44 / 23 / 0 / 9

HEX #82B1E7

RGB 130 177 231

HSL 212.08, 0.68%, 0.71%

LAB 70.84, -1.66, -31.96

 

CMYK 0 / 44 / 2 / 9

HEX #E782E3

RGB 231 130 227

HSL 302.38, 0.68%, 0.71%

LAB 68.39, 52.42, -32.86

 

CMYK 0 / 20 / 44 / 9

HEX #E7B882

RGB 231 184 130

HSL 32.08, 0.68%, 0.71%

LAB 77.81, 10.1, 33.84

 

Description

Color code: RGB 131 231 135 | qconv.com Color code: RGB 131 231 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 231 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 231 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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