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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 191 90 it is the complementary color RGB 124 64 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 191 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 191 90: RGB 136 191 85, RGB 153 209 104, RGB 170 227 123, RGB 187 245 142 and RGB 204 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 191 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 191 90: RGB 131 191 90, RGB 114 173 71, RGB 97 155 52, RGB 80 137 33 and RGB 63 119 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

Complementary color

CMYK 25 / 61 / 0 / 35

HEX #7C40A5

RGB 124 64 165

HSL 275.64, 0.44%, 0.45%

LAB 39.02, 44.23, -44.41

 

CMYK 29 / 0 / 55 / 25

HEX #88BF55

RGB 136 191 85

HSL 91.13, 0.45%, 0.54%

LAB 71.66, -35.81, 47.11

 

CMYK 27 / 0 / 50 / 18

HEX #99D168

RGB 153 209 104

HSL 92, 0.53%, 0.61%

LAB 78.09, -35.83, 46

 

CMYK 25 / 0 / 46 / 11

HEX #AAE37B

RGB 170 227 123

HSL 92.88, 0.65%, 0.69%

LAB 84.44, -35.81, 44.85

 

CMYK 24 / 0 / 42 / 4

HEX #BBF58E

RGB 187 245 142

HSL 93.79, 0.84%, 0.76%

LAB 90.7, -35.74, 43.71

 

CMYK 20 / 0 / 37 / 0

HEX #CCFFA1

RGB 204 255 161

HSL 92.55, 1%, 0.82%

LAB 94.71, -31.99, 39.77

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 34 / 0 / 59 / 32

HEX #72AD47

RGB 114 173 71

HSL 94.71, 0.42%, 0.48%

LAB 64.9, -37.03, 45.51

 

CMYK 37 / 0 / 66 / 39

HEX #619B34

RGB 97 155 52

HSL 93.79, 0.5%, 0.41%

LAB 58.26, -36.87, 46.4

 

CMYK 42 / 0 / 76 / 46

HEX #508921

RGB 80 137 33

HSL 92.88, 0.61%, 0.33%

LAB 51.5, -36.5, 46.82

 

CMYK 47 / 0 / 88 / 53

HEX #3F770E

RGB 63 119 14

HSL 92, 0.79%, 0.26%

LAB 44.63, -35.8, 46.13

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 39 / 0 / 53 / 25

HEX #73BE59

RGB 115 190 89

HSL 104.55, 0.44%, 0.55%

LAB 70.31, -42.19, 43.35

 

CMYK 48 / 0 / 53 / 25

HEX #62BE59

RGB 98 190 89

HSL 114.65, 0.44%, 0.55%

LAB 69.57, -47.41, 42.29

 

CMYK 53 / 0 / 48 / 25

HEX #59BE62

RGB 89 190 98

HSL 125.35, 0.44%, 0.55%

LAB 69.35, -48.65, 37.51

 

CMYK 53 / 0 / 39 / 25

HEX #59BE73

RGB 89 190 115

HSL 135.45, 0.44%, 0.55%

LAB 69.6, -45.96, 29.13

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 31 / 0 / 53 / 5

HEX #A6F272

RGB 166 242 114

HSL 95.63, 0.83%, 0.7%

LAB 88.36, -44.84, 53.8

 

CMYK 32 / 0 / 53 / 85

HEX #1A2612

RGB 26 38 18

HSL 96, 0.36%, 0.11%

LAB 13.53, -9.94, 11.51

 

CMYK 31 / 0 / 53 / 65

HEX #3D592A

RGB 61 89 42

HSL 95.74, 0.36%, 0.26%

LAB 34.61, -20, 23.78

 

CMYK 31 / 0 / 53 / 45

HEX #608C42

RGB 96 140 66

HSL 95.68, 0.36%, 0.4%

LAB 53.64, -28.86, 34.49

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 53 / 0 / 12 / 25

HEX #59BEA8

RGB 89 190 168

HSL 166.93, 0.44%, 0.55%

LAB 70.72, -34.87, 2.16

 

CMYK 0 / 53 / 9 / 25

HEX #BE59AC

RGB 190 89 172

HSL 310.69, 0.44%, 0.55%

LAB 53.03, 51.23, -25.88

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 53 / 31 / 0 / 25

HEX #5983BE

RGB 89 131 190

HSL 215.05, 0.44%, 0.55%

LAB 54.11, 2.62, -35.3

 

CMYK 0 / 53 / 31 / 25

HEX #BE5983

RGB 190 89 131

HSL 335.05, 0.44%, 0.55%

LAB 51.53, 45.15, -3.97

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 53 / 0 / 12 / 25

HEX #59BEA8

RGB 89 190 168

HSL 166.93, 0.44%, 0.55%

LAB 70.72, -34.87, 2.16

 

CMYK 22 / 53 / 0 / 25

HEX #9459BE

RGB 148 89 190

HSL 275.05, 0.44%, 0.55%

LAB 48.46, 42.86, -43.89

 

CMYK 0 / 53 / 42 / 25

HEX #BE596F

RGB 190 89 111

HSL 346.93, 0.44%, 0.55%

LAB 50.97, 42.76, 7.15

 

CMYK 31 / 0 / 53 / 25

HEX #83BF5A

RGB 131 191 90

HSL 95.64, 0.44%, 0.55%

LAB 71.44, -37.07, 44.41

 

CMYK 53 / 4 / 0 / 25

HEX #59B6BE

RGB 89 182 190

HSL 184.75, 0.44%, 0.55%

LAB 68.97, -25.26, -12.51

 

CMYK 22 / 53 / 0 / 25

HEX #9459BE

RGB 148 89 190

HSL 275.05, 0.44%, 0.55%

LAB 48.46, 42.86, -43.89

 

CMYK 0 / 48 / 53 / 25

HEX #BE6259

RGB 190 98 89

HSL 5.35, 0.44%, 0.55%

LAB 52.29, 35.97, 22

 

Description

Color code: RGB 131 191 90 | qconv.com Color code: RGB 131 191 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 191 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 191 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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