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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 185 247 it is the complementary color RGB 124 70 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 185 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 185 247: RGB 136 185 242, RGB 153 203 255, RGB 170 221 255, RGB 187 239 255 and RGB 204 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 185 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 185 247: RGB 131 185 247, RGB 114 167 228, RGB 97 149 209, RGB 80 131 190 and RGB 63 113 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

Complementary color

CMYK 0 / 44 / 94 / 51

HEX #7C4608

RGB 124 70 8

HSL 32.07, 0.88%, 0.26%

LAB 35.37, 18.86, 42.27

 

CMYK 44 / 24 / 0 / 5

HEX #88B9F2

RGB 136 185 242

HSL 212.26, 0.8%, 0.74%

LAB 73.77, -1.52, -33.38

 

CMYK 40 / 20 / 0 / 0

HEX #99CBFF

RGB 153 203 255

HSL 210.59, 1%, 0.8%

LAB 80.01, -3.49, -30.65

 

CMYK 33 / 13 / 0 / 0

HEX #AADDFF

RGB 170 221 255

HSL 204, 1%, 0.83%

LAB 85.75, -8.49, -21.82

 

CMYK 27 / 6 / 0 / 0

HEX #BBEFFF

RGB 187 239 255

HSL 194.12, 1%, 0.87%

LAB 91.47, -12.96, -13.11

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 50 / 27 / 0 / 11

HEX #72A7E4

RGB 114 167 228

HSL 212.11, 0.68%, 0.67%

LAB 67.14, -0.79, -36.12

 

CMYK 54 / 29 / 0 / 18

HEX #6195D1

RGB 97 149 209

HSL 212.14, 0.55%, 0.6%

LAB 60.46, -0.14, -36.07

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 63 / 34 / 0 / 33

HEX #3F71AB

RGB 63 113 171

HSL 212.22, 0.46%, 0.46%

LAB 46.72, 1.68, -36.02

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 47 / 33 / 0 / 3

HEX #82A5F7

RGB 130 165 247

HSL 222.05, 0.88%, 0.74%

LAB 68.29, 9.63, -44.65

 

CMYK 47 / 41 / 0 / 3

HEX #8291F7

RGB 130 145 247

HSL 232.31, 0.88%, 0.74%

LAB 63.1, 21.2, -52.84

 

CMYK 46 / 47 / 0 / 3

HEX #8682F7

RGB 134 130 247

HSL 242.05, 0.88%, 0.74%

LAB 59.66, 30.89, -58.3

 

CMYK 38 / 47 / 0 / 3

HEX #9982F7

RGB 153 130 247

HSL 251.79, 0.88%, 0.74%

LAB 61.18, 35.38, -55.79

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 47 / 26 / 0 / 83

HEX #17202B

RGB 23 32 43

HSL 213, 0.3%, 0.13%

LAB 11.89, -0.45, -8.65

 

CMYK 47 / 26 / 0 / 63

HEX #32465E

RGB 50 70 94

HSL 212.73, 0.31%, 0.28%

LAB 29.07, -0.58, -16.64

 

CMYK 47 / 25 / 0 / 43

HEX #4D6D91

RGB 77 109 145

HSL 211.76, 0.31%, 0.44%

LAB 45.02, -1.26, -23.29

 

CMYK 47 / 25 / 0 / 23

HEX #6893C4

RGB 104 147 196

HSL 211.96, 0.44%, 0.59%

LAB 59.7, -1.29, -29.92

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 13 / 47 / 0 / 3

HEX #D782F7

RGB 215 130 247

HSL 283.59, 0.88%, 0.74%

LAB 67.37, 51.65, -45.59

 

CMYK 6 / 0 / 47 / 3

HEX #E7F782

RGB 231 247 130

HSL 68.21, 0.88%, 0.74%

LAB 93.94, -21.8, 54.06

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 0 / 47 / 26 / 3

HEX #F782B8

RGB 247 130 184

HSL 332.31, 0.88%, 0.74%

LAB 68.9, 50.71, -7.94

 

CMYK 26 / 0 / 47 / 3

HEX #B8F782

RGB 184 247 130

HSL 92.31, 0.88%, 0.74%

LAB 90.93, -39.11, 49.7

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 13 / 47 / 0 / 3

HEX #D782F7

RGB 215 130 247

HSL 283.59, 0.88%, 0.74%

LAB 67.37, 51.65, -45.59

 

CMYK 0 / 22 / 47 / 3

HEX #F7C082

RGB 247 192 130

HSL 31.79, 0.88%, 0.74%

LAB 81.34, 12.28, 38.71

 

CMYK 35 / 0 / 47 / 3

HEX #A1F782

RGB 161 247 130

HSL 104.1, 0.88%, 0.74%

LAB 89.72, -46.8, 47.95

 

CMYK 47 / 25 / 0 / 3

HEX #83B9F7

RGB 131 185 247

HSL 212.07, 0.88%, 0.74%

LAB 73.7, -1.33, -36.21

 

CMYK 0 / 47 / 2 / 3

HEX #F782F3

RGB 247 130 243

HSL 302.05, 0.88%, 0.74%

LAB 71.02, 59.77, -37.42

 

CMYK 0 / 22 / 47 / 3

HEX #F7C082

RGB 247 192 130

HSL 31.79, 0.88%, 0.74%

LAB 81.34, 12.28, 38.71

 

CMYK 47 / 0 / 46 / 3

HEX #82F786

RGB 130 247 134

HSL 122.05, 0.88%, 0.74%

LAB 88.44, -55.44, 44.15

 

Description

Color code: RGB 131 185 247 | qconv.com Color code: RGB 131 185 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 185 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 185 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 25 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 25% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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