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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 172 51 it is the complementary color RGB 124 83 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 172 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 172 51: RGB 136 172 46, RGB 153 190 65, RGB 170 208 84, RGB 187 226 103 and RGB 204 244 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 172 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 172 51: RGB 131 172 51, RGB 114 154 32, RGB 97 136 13, RGB 80 118 0 and RGB 63 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

Complementary color

CMYK 39 / 59 / 0 / 20

HEX #7C53CC

RGB 124 83 204

HSL 260.33, 0.54%, 0.56%

LAB 45.4, 43.74, -57.01

 

CMYK 21 / 0 / 73 / 33

HEX #88AC2E

RGB 136 172 46

HSL 77.14, 0.58%, 0.43%

LAB 65.7, -30.1, 57.13

 

CMYK 19 / 0 / 66 / 25

HEX #99BE41

RGB 153 190 65

HSL 77.76, 0.49%, 0.5%

LAB 72.22, -30.59, 56.8

 

CMYK 18 / 0 / 60 / 18

HEX #AAD054

RGB 170 208 84

HSL 78.39, 0.57%, 0.57%

LAB 78.64, -30.94, 56.06

 

CMYK 17 / 0 / 54 / 11

HEX #BBE267

RGB 187 226 103

HSL 79.02, 0.68%, 0.65%

LAB 84.96, -31.19, 55.11

 

CMYK 16 / 0 / 50 / 4

HEX #CCF47A

RGB 204 244 122

HSL 79.67, 0.85%, 0.72%

LAB 91.21, -31.37, 54.06

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 26 / 0 / 79 / 40

HEX #729A20

RGB 114 154 32

HSL 79.67, 0.66%, 0.36%

LAB 58.78, -31.24, 54.78

 

CMYK 29 / 0 / 90 / 47

HEX #61880D

RGB 97 136 13

HSL 79.02, 0.83%, 0.29%

LAB 52.04, -30.43, 53.43

 

CMYK 32 / 0 / 100 / 54

HEX #507600

RGB 80 118 0

HSL 79.32, 1%, 0.23%

LAB 45.17, -29.3, 50.06

 

CMYK 37 / 0 / 100 / 61

HEX #3F6400

RGB 63 100 0

HSL 82.2, 1%, 0.2%

LAB 38.15, -27.81, 44.22

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 35 / 0 / 70 / 33

HEX #70AC33

RGB 112 172 51

HSL 89.75, 0.54%, 0.44%

LAB 64.31, -39.03, 53.41

 

CMYK 47 / 0 / 70 / 33

HEX #5CAC33

RGB 92 172 51

HSL 99.67, 0.54%, 0.44%

LAB 63.36, -45.84, 52.12

 

CMYK 59 / 0 / 70 / 33

HEX #47AC33

RGB 71 172 51

HSL 110.08, 0.54%, 0.44%

LAB 62.58, -51.84, 51.07

 

CMYK 70 / 0 / 70 / 33

HEX #33AC33

RGB 51 172 51

HSL 120, 0.54%, 0.44%

LAB 62.04, -56.24, 50.34

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 24 / 0 / 70 / 13

HEX #AADF42

RGB 170 223 66

HSL 80.25, 0.71%, 0.57%

LAB 82.76, -39.06, 67.56

 

CMYK 26 / 0 / 68 / 93

HEX #0E1306

RGB 14 19 6

HSL 83.08, 0.52%, 0.05%

LAB 5.17, -3.98, 5.2

 

CMYK 24 / 0 / 70 / 73

HEX #354615

RGB 53 70 21

HSL 80.82, 0.54%, 0.18%

LAB 27.27, -15.65, 26.54

 

CMYK 24 / 0 / 70 / 53

HEX #5C7924

RGB 92 121 36

HSL 80.47, 0.54%, 0.31%

LAB 47.08, -24.08, 41.38

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 70 / 0 / 33 / 33

HEX #33AC74

RGB 51 172 116

HSL 152.23, 0.54%, 0.44%

LAB 62.9, -46.36, 19.43

 

CMYK 5 / 70 / 0 / 33

HEX #A433AC

RGB 164 51 172

HSL 296.03, 0.54%, 0.44%

LAB 43.12, 60.94, -41.69

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 70 / 23 / 0 / 33

HEX #3384AC

RGB 51 132 172

HSL 199.83, 0.54%, 0.44%

LAB 52.05, -11.24, -28.3

 

CMYK 0 / 70 / 23 / 33

HEX #AC3384

RGB 172 51 132

HSL 319.83, 0.54%, 0.44%

LAB 42.47, 56.66, -18.52

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 70 / 0 / 33 / 33

HEX #33AC74

RGB 51 172 116

HSL 152.23, 0.54%, 0.44%

LAB 62.9, -46.36, 19.43

 

CMYK 47 / 70 / 0 / 33

HEX #5C33AC

RGB 92 51 172

HSL 260.33, 0.54%, 0.44%

LAB 33.18, 45.91, -58.22

 

CMYK 0 / 70 / 37 / 33

HEX #AC336C

RGB 172 51 108

HSL 331.74, 0.54%, 0.44%

LAB 41.57, 53.68, -5.05

 

CMYK 24 / 0 / 70 / 33

HEX #83AC33

RGB 131 172 51

HSL 80.33, 0.54%, 0.44%

LAB 65.41, -31.8, 54.88

 

CMYK 70 / 0 / 12 / 33

HEX #33AC98

RGB 51 172 152

HSL 170.08, 0.54%, 0.44%

LAB 63.73, -37.69, 0.7

 

CMYK 47 / 70 / 0 / 33

HEX #5C33AC

RGB 92 51 172

HSL 260.33, 0.54%, 0.44%

LAB 33.18, 45.91, -58.22

 

CMYK 0 / 70 / 59 / 33

HEX #AC3347

RGB 172 51 71

HSL 350.08, 0.54%, 0.44%

LAB 40.56, 50.26, 16.72

 

Description

Color code: RGB 131 172 51 | qconv.com Color code: RGB 131 172 51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 172 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 172 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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