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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 172 123 it is the complementary color RGB 124 83 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 172 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 172 123: RGB 136 172 118, RGB 153 190 137, RGB 170 208 156, RGB 187 226 175 and RGB 204 244 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 172 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 172 123: RGB 131 172 123, RGB 114 154 104, RGB 97 136 85, RGB 80 118 66 and RGB 63 100 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

Complementary color

CMYK 6 / 37 / 0 / 48

HEX #7C5384

RGB 124 83 132

HSL 290.2, 0.23%, 0.42%

LAB 41.43, 26.02, -20.69

 

CMYK 21 / 0 / 31 / 33

HEX #88AC76

RGB 136 172 118

HSL 100, 0.25%, 0.57%

LAB 66.56, -22.46, 23.9

 

CMYK 19 / 0 / 28 / 25

HEX #99BE89

RGB 153 190 137

HSL 101.89, 0.29%, 0.64%

LAB 73.16, -22.32, 22.82

 

CMYK 18 / 0 / 25 / 18

HEX #AAD09C

RGB 170 208 156

HSL 103.85, 0.36%, 0.71%

LAB 79.65, -22.19, 21.8

 

CMYK 17 / 0 / 23 / 11

HEX #BBE2AF

RGB 187 226 175

HSL 105.88, 0.47%, 0.79%

LAB 86.03, -22.06, 20.83

 

CMYK 16 / 0 / 20 / 4

HEX #CCF4C2

RGB 204 244 194

HSL 108, 0.69%, 0.86%

LAB 92.32, -21.95, 19.91

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 26 / 0 / 32 / 40

HEX #729A68

RGB 114 154 104

HSL 108, 0.2%, 0.51%

LAB 59.61, -23.65, 21.96

 

CMYK 29 / 0 / 38 / 47

HEX #618855

RGB 97 136 85

HSL 105.88, 0.23%, 0.43%

LAB 52.74, -23.85, 23.16

 

CMYK 32 / 0 / 44 / 54

HEX #507642

RGB 80 118 66

HSL 103.85, 0.28%, 0.36%

LAB 45.71, -24.04, 24.44

 

CMYK 37 / 0 / 53 / 61

HEX #3F642F

RGB 63 100 47

HSL 101.89, 0.36%, 0.29%

LAB 38.51, -24.18, 25.78

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 28 / 0 / 28 / 33

HEX #7BAC7B

RGB 123 172 123

HSL 120, 0.23%, 0.58%

LAB 65.86, -26.23, 20.12

 

CMYK 28 / 0 / 24 / 33

HEX #7BAC83

RGB 123 172 131

HSL 129.8, 0.23%, 0.58%

LAB 66.02, -24.8, 15.97

 

CMYK 28 / 0 / 19 / 33

HEX #7BAC8B

RGB 123 172 139

HSL 139.59, 0.23%, 0.58%

LAB 66.2, -23.28, 11.81

 

CMYK 28 / 0 / 15 / 33

HEX #7BAC93

RGB 123 172 147

HSL 149.39, 0.23%, 0.58%

LAB 66.38, -21.67, 7.65

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 24 / 0 / 29 / 13

HEX #AADF9F

RGB 170 223 159

HSL 109.69, 0.5%, 0.75%

LAB 83.87, -28.97, 26

 

CMYK 26 / 0 / 26 / 93

HEX #0E130E

RGB 14 19 14

HSL 120, 0.15%, 0.06%

LAB 5.34, -2.8, 2

 

CMYK 24 / 0 / 29 / 73

HEX #354632

RGB 53 70 50

HSL 111, 0.17%, 0.24%

LAB 27.76, -11.36, 9.91

 

CMYK 24 / 0 / 28 / 53

HEX #5C7957

RGB 92 121 87

HSL 111.18, 0.16%, 0.41%

LAB 47.8, -17.58, 15.34

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 28 / 1 / 0 / 33

HEX #7BAAAC

RGB 123 170 172

HSL 182.45, 0.23%, 0.58%

LAB 66.47, -15.1, -6.1

 

CMYK 0 / 28 / 12 / 33

HEX #AC7B97

RGB 172 123 151

HSL 325.71, 0.23%, 0.58%

LAB 57.24, 23.53, -7.48

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 28 / 24 / 0 / 33

HEX #7B83AC

RGB 123 131 172

HSL 230.2, 0.23%, 0.58%

LAB 55.5, 6.64, -22.65

 

CMYK 0 / 28 / 24 / 33

HEX #AC7B83

RGB 172 123 131

HSL 350.2, 0.23%, 0.58%

LAB 56.66, 20.27, 3.25

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 28 / 1 / 0 / 33

HEX #7BAAAC

RGB 123 170 172

HSL 182.45, 0.23%, 0.58%

LAB 66.47, -15.1, -6.1

 

CMYK 5 / 28 / 0 / 33

HEX #A47BAC

RGB 164 123 172

HSL 290.2, 0.23%, 0.58%

LAB 57.11, 24.69, -19.87

 

CMYK 0 / 28 / 28 / 33

HEX #AC7C7B

RGB 172 124 123

HSL 1.22, 0.23%, 0.58%

LAB 56.7, 18.52, 7.94

 

CMYK 24 / 0 / 28 / 33

HEX #83AC7B

RGB 131 172 123

HSL 110.2, 0.23%, 0.58%

LAB 66.34, -23.45, 20.84

 

CMYK 28 / 9 / 0 / 33

HEX #7B9CAC

RGB 123 156 172

HSL 199.59, 0.23%, 0.58%

LAB 62.48, -7.56, -12.06

 

CMYK 5 / 28 / 0 / 33

HEX #A47BAC

RGB 164 123 172

HSL 290.2, 0.23%, 0.58%

LAB 57.11, 24.69, -19.87

 

CMYK 0 / 19 / 28 / 33

HEX #AC8B7B

RGB 172 139 123

HSL 19.59, 0.23%, 0.58%

LAB 60.49, 10.07, 13.28

 

Description

Color code: RGB 131 172 123 | qconv.com Color code: RGB 131 172 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 172 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 172 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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