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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 161 154 it is the complementary color RGB 124 94 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 161 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 161 154: RGB 136 161 149, RGB 153 179 168, RGB 170 197 187, RGB 187 215 206 and RGB 204 233 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 161 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 161 154: RGB 131 161 154, RGB 114 143 135, RGB 97 125 116, RGB 80 107 97 and RGB 63 89 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

Complementary color

CMYK 0 / 24 / 19 / 51

HEX #7C5E65

RGB 124 94 101

HSL 346, 0.14%, 0.43%

LAB 43.11, 13.39, 0.74

 

CMYK 16 / 0 / 7 / 37

HEX #88A195

RGB 136 161 149

HSL 151.2, 0.12%, 0.58%

LAB 64.07, -11.18, 3.32

 

CMYK 15 / 0 / 6 / 30

HEX #99B3A8

RGB 153 179 168

HSL 154.62, 0.15%, 0.65%

LAB 70.76, -11.12, 2.62

 

CMYK 14 / 0 / 5 / 23

HEX #AAC5BB

RGB 170 197 187

HSL 157.78, 0.19%, 0.72%

LAB 77.32, -11.07, 1.94

 

CMYK 13 / 0 / 4 / 16

HEX #BBD7CE

RGB 187 215 206

HSL 160.71, 0.26%, 0.79%

LAB 83.77, -11.03, 1.29

 

CMYK 12 / 0 / 3 / 9

HEX #CCE9E1

RGB 204 233 225

HSL 163.45, 0.4%, 0.86%

LAB 90.11, -11.01, 0.67

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 20 / 0 / 6 / 44

HEX #728F87

RGB 114 143 135

HSL 163.45, 0.11%, 0.5%

LAB 57.05, -11.94, 0.87

 

CMYK 22 / 0 / 7 / 51

HEX #617D74

RGB 97 125 116

HSL 160.71, 0.13%, 0.44%

LAB 50.06, -12.07, 1.6

 

CMYK 25 / 0 / 9 / 58

HEX #506B61

RGB 80 107 97

HSL 157.78, 0.14%, 0.37%

LAB 42.89, -12.23, 2.38

 

CMYK 29 / 0 / 12 / 65

HEX #3F594E

RGB 63 89 78

HSL 154.62, 0.17%, 0.3%

LAB 35.5, -12.43, 3.22

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 19 / 0 / 1 / 37

HEX #81A09E

RGB 129 160 158

HSL 176.13, 0.14%, 0.57%

LAB 63.57, -11.1, -2.51

 

CMYK 19 / 2 / 0 / 37

HEX #819DA0

RGB 129 157 160

HSL 185.81, 0.14%, 0.57%

LAB 62.78, -9.03, -4.81

 

CMYK 19 / 5 / 0 / 37

HEX #8198A0

RGB 129 152 160

HSL 195.48, 0.14%, 0.57%

LAB 61.36, -6.29, -6.91

 

CMYK 19 / 8 / 0 / 37

HEX #8193A0

RGB 129 147 160

HSL 205.16, 0.14%, 0.57%

LAB 59.95, -3.51, -9

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 19 / 0 / 4 / 17

HEX #ACD4CB

RGB 172 212 203

HSL 166.5, 0.32%, 0.75%

LAB 81.93, -14.92, 0.09

 

CMYK 13 / 0 / 0 / 97

HEX #070808

RGB 7 8 8

HSL 180, 0.07%, 0.03%

LAB 2.14, -0.26, -0.09

 

CMYK 19 / 0 / 5 / 77

HEX #303B38

RGB 48 59 56

HSL 163.64, 0.1%, 0.21%

LAB 23.81, -5.3, 0.33

 

CMYK 18 / 0 / 5 / 57

HEX #5A6E69

RGB 90 110 105

HSL 165, 0.1%, 0.39%

LAB 44.72, -8.55, 0.31

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 19 / 18 / 0 / 37

HEX #8183A0

RGB 129 131 160

HSL 236.13, 0.14%, 0.57%

LAB 55.52, 5.61, -15.68

 

CMYK 0 / 12 / 19 / 37

HEX #A08D81

RGB 160 141 129

HSL 23.23, 0.14%, 0.57%

LAB 59.99, 5.1, 9

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 4 / 19 / 0 / 37

HEX #9981A0

RGB 153 129 160

HSL 286.45, 0.14%, 0.57%

LAB 57.09, 15, -13.11

 

CMYK 0 / 4 / 19 / 37

HEX #A09981

RGB 160 153 129

HSL 46.45, 0.14%, 0.57%

LAB 63.21, -1.56, 13.55

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 19 / 18 / 0 / 37

HEX #8183A0

RGB 129 131 160

HSL 236.13, 0.14%, 0.57%

LAB 55.52, 5.61, -15.68

 

CMYK 0 / 19 / 14 / 37

HEX #A08189

RGB 160 129 137

HSL 344.52, 0.14%, 0.57%

LAB 57.06, 13.23, 0.2

 

CMYK 0 / 1 / 19 / 37

HEX #A09F81

RGB 160 159 129

HSL 58.06, 0.14%, 0.57%

LAB 64.85, -4.83, 15.83

 

CMYK 19 / 0 / 4 / 37

HEX #83A19A

RGB 131 161 154

HSL 166, 0.14%, 0.57%

LAB 63.87, -11.84, 0.19

 

CMYK 14 / 19 / 0 / 37

HEX #8A81A0

RGB 138 129 160

HSL 257.42, 0.14%, 0.57%

LAB 55.73, 9.8, -15.29

 

CMYK 0 / 19 / 14 / 37

HEX #A08189

RGB 160 129 137

HSL 344.52, 0.14%, 0.57%

LAB 57.06, 13.23, 0.2

 

CMYK 5 / 0 / 19 / 37

HEX #98A081

RGB 152 160 129

HSL 75.48, 0.14%, 0.57%

LAB 64.49, -8.46, 15.23

 

Description

Color code: RGB 131 161 154 | qconv.com Color code: RGB 131 161 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 161 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 161 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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