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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 137 152 it is the complementary color RGB 124 118 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 137 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 137 152: RGB 136 137 147, RGB 153 155 166, RGB 170 173 185, RGB 187 191 204 and RGB 204 209 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 137 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 137 152: RGB 131 137 152, RGB 114 119 133, RGB 97 101 114, RGB 80 83 95 and RGB 63 65 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

Complementary color

CMYK 0 / 5 / 17 / 51

HEX #7C7667

RGB 124 118 103

HSL 42.86, 0.09%, 0.45%

LAB 49.76, -0.44, 9.09

 

CMYK 7 / 7 / 0 / 42

HEX #888993

RGB 136 137 147

HSL 234.55, 0.05%, 0.55%

LAB 57.3, 1.67, -5.46

 

CMYK 8 / 7 / 0 / 35

HEX #999BA6

RGB 153 155 166

HSL 230.77, 0.07%, 0.63%

LAB 64.14, 1.49, -5.99

 

CMYK 8 / 6 / 0 / 27

HEX #AAADB9

RGB 170 173 185

HSL 228, 0.1%, 0.7%

LAB 70.83, 1.31, -6.5

 

CMYK 8 / 6 / 0 / 20

HEX #BBBFCC

RGB 187 191 204

HSL 225.88, 0.14%, 0.77%

LAB 77.39, 1.14, -7

 

CMYK 9 / 6 / 0 / 13

HEX #CCD1DF

RGB 204 209 223

HSL 224.21, 0.23%, 0.84%

LAB 83.84, 0.98, -7.5

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 14 / 11 / 0 / 48

HEX #727785

RGB 114 119 133

HSL 224.21, 0.08%, 0.48%

LAB 50.05, 1.18, -8.28

 

CMYK 15 / 11 / 0 / 55

HEX #616572

RGB 97 101 114

HSL 225.88, 0.08%, 0.41%

LAB 42.86, 1.38, -7.83

 

CMYK 16 / 13 / 0 / 63

HEX #50535F

RGB 80 83 95

HSL 228, 0.09%, 0.34%

LAB 35.44, 1.6, -7.37

 

CMYK 17 / 14 / 0 / 70

HEX #3F414C

RGB 63 65 76

HSL 230.77, 0.09%, 0.27%

LAB 27.73, 1.84, -6.93

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 14 / 12 / 0 / 41

HEX #818496

RGB 129 132 150

HSL 231.43, 0.09%, 0.55%

LAB 55.45, 2.73, -10

 

CMYK 13 / 14 / 0 / 41

HEX #828196

RGB 130 129 150

HSL 242.86, 0.09%, 0.55%

LAB 54.71, 4.81, -11.11

 

CMYK 11 / 14 / 0 / 41

HEX #868196

RGB 134 129 150

HSL 254.29, 0.09%, 0.55%

LAB 55.04, 6.2, -10.58

 

CMYK 9 / 14 / 0 / 41

HEX #898196

RGB 137 129 150

HSL 262.86, 0.09%, 0.55%

LAB 55.3, 7.26, -10.16

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 14 / 10 / 0 / 20

HEX #AFB7CB

RGB 175 183 203

HSL 222.86, 0.21%, 0.74%

LAB 74.38, 1.27, -11.04

 

CMYK 14 / 10 / 0 / 0

HEX #DBE5FE

RGB 219 229 254

HSL 222.86, 0.95%, 0.93%

LAB 90.9, 1.53, -13.23

 

CMYK 14 / 10 / 0 / 80

HEX #2B2D32

RGB 43 45 50

HSL 222.86, 0.08%, 0.18%

LAB 18.46, 0.39, -3.52

 

CMYK 14 / 10 / 0 / 60

HEX #575B65

RGB 87 91 101

HSL 222.86, 0.07%, 0.37%

LAB 38.63, 0.71, -6.27

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 1 / 14 / 0 / 41

HEX #948196

RGB 148 129 150

HSL 294.29, 0.09%, 0.55%

LAB 56.29, 11.19, -8.59

 

CMYK 4 / 0 / 14 / 41

HEX #909681

RGB 144 150 129

HSL 77.14, 0.09%, 0.55%

LAB 61.07, -6.09, 10.34

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 0 / 14 / 9 / 41

HEX #968188

RGB 150 129 136

HSL 340, 0.09%, 0.55%

LAB 56.05, 9.25, -0.81

 

CMYK 9 / 0 / 14 / 41

HEX #889681

RGB 136 150 129

HSL 100, 0.09%, 0.55%

LAB 60.46, -9.1, 9.39

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 1 / 14 / 0 / 41

HEX #948196

RGB 148 129 150

HSL 294.29, 0.09%, 0.55%

LAB 56.29, 11.19, -8.59

 

CMYK 0 / 4 / 14 / 41

HEX #969081

RGB 150 144 129

HSL 42.86, 0.09%, 0.55%

LAB 59.9, -0.47, 8.76

 

CMYK 13 / 0 / 14 / 41

HEX #839681

RGB 131 150 129

HSL 114.29, 0.09%, 0.55%

LAB 60.09, -10.94, 8.82

 

CMYK 14 / 10 / 0 / 40

HEX #838998

RGB 131 137 152

HSL 222.86, 0.09%, 0.55%

LAB 57.06, 1, -8.74

 

CMYK 0 / 14 / 3 / 41

HEX #968192

RGB 150 129 146

HSL 311.43, 0.09%, 0.55%

LAB 56.35, 11.13, -6.16

 

CMYK 0 / 4 / 14 / 41

HEX #969081

RGB 150 144 129

HSL 42.86, 0.09%, 0.55%

LAB 59.9, -0.47, 8.76

 

CMYK 14 / 0 / 11 / 41

HEX #819686

RGB 129 150 134

HSL 134.29, 0.09%, 0.55%

LAB 60.07, -10.71, 5.94

 

Description

Color code: RGB 131 137 152 | qconv.com Color code: RGB 131 137 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 137 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 137 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 10 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 10% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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