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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 126 99 it is the complementary color RGB 124 129 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 126 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 126 99: RGB 136 126 94, RGB 153 144 113, RGB 170 162 132, RGB 187 180 151 and RGB 204 198 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 126 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 126 99: RGB 131 126 99, RGB 114 108 80, RGB 97 90 61, RGB 80 72 42 and RGB 63 54 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

Complementary color

CMYK 21 / 17 / 0 / 39

HEX #7C819C

RGB 124 129 156

HSL 230.63, 0.14%, 0.55%

LAB 54.43, 4.16, -15.05

 

CMYK 0 / 7 / 31 / 47

HEX #887E5E

RGB 136 126 94

HSL 45.71, 0.18%, 0.45%

LAB 52.91, -1.45, 18.83

 

CMYK 0 / 6 / 26 / 40

HEX #999071

RGB 153 144 113

HSL 46.5, 0.16%, 0.52%

LAB 59.81, -1.81, 17.71

 

CMYK 0 / 5 / 22 / 33

HEX #AAA284

RGB 170 162 132

HSL 47.37, 0.18%, 0.59%

LAB 66.56, -2.1, 16.67

 

CMYK 0 / 4 / 19 / 27

HEX #BBB497

RGB 187 180 151

HSL 48.33, 0.21%, 0.66%

LAB 73.18, -2.36, 15.7

 

CMYK 0 / 3 / 17 / 20

HEX #CCC6AA

RGB 204 198 170

HSL 49.41, 0.25%, 0.73%

LAB 79.69, -2.58, 14.79

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 0 / 5 / 30 / 55

HEX #726C50

RGB 114 108 80

HSL 49.41, 0.18%, 0.38%

LAB 45.47, -2.49, 16.55

 

CMYK 0 / 7 / 37 / 62

HEX #615A3D

RGB 97 90 61

HSL 48.33, 0.23%, 0.31%

LAB 38.18, -2.09, 17.8

 

CMYK 0 / 10 / 48 / 69

HEX #50482A

RGB 80 72 42

HSL 47.37, 0.31%, 0.24%

LAB 30.66, -1.55, 19.19

 

CMYK 0 / 14 / 63 / 75

HEX #3F3617

RGB 63 54 23

HSL 46.5, 0.47%, 0.17%

LAB 22.85, -0.74, 20.69

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 0 / 0 / 25 / 49

HEX #828262

RGB 130 130 98

HSL 60, 0.14%, 0.45%

LAB 53.59, -5.61, 17.38

 

CMYK 4 / 0 / 25 / 49

HEX #7D8262

RGB 125 130 98

HSL 69.38, 0.14%, 0.45%

LAB 53.18, -7.65, 16.75

 

CMYK 8 / 0 / 25 / 49

HEX #788262

RGB 120 130 98

HSL 78.75, 0.14%, 0.45%

LAB 52.77, -9.67, 16.13

 

CMYK 12 / 0 / 25 / 49

HEX #728262

RGB 114 130 98

HSL 90, 0.14%, 0.45%

LAB 52.31, -12.05, 15.43

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 0 / 4 / 24 / 29

HEX #B6AF8A

RGB 182 175 138

HSL 50.45, 0.23%, 0.63%

LAB 71.17, -3.54, 19.91

 

CMYK 0 / 4 / 24 / 9

HEX #E9E0B0

RGB 233 224 176

HSL 50.53, 0.56%, 0.8%

LAB 88.81, -4.38, 24.66

 

CMYK 0 / 3 / 24 / 89

HEX #1D1C16

RGB 29 28 22

HSL 51.43, 0.14%, 0.1%

LAB 10.18, -0.9, 4.33

 

CMYK 0 / 4 / 25 / 69

HEX #504D3C

RGB 80 77 60

HSL 51, 0.14%, 0.27%

LAB 32.57, -2, 10.56

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 25 / 0 / 24 / 49

HEX #628263

RGB 98 130 99

HSL 121.88, 0.14%, 0.45%

LAB 51.22, -17.94, 13.17

 

CMYK 14 / 25 / 0 / 49

HEX #706282

RGB 112 98 130

HSL 266.25, 0.14%, 0.45%

LAB 43.93, 12.34, -15.76

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 25 / 0 / 4 / 49

HEX #62827D

RGB 98 130 125

HSL 170.63, 0.14%, 0.45%

LAB 51.89, -12.44, -1

 

CMYK 4 / 25 / 0 / 49

HEX #7D6282

RGB 125 98 130

HSL 290.63, 0.14%, 0.45%

LAB 45.23, 16.98, -13.66

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 25 / 0 / 24 / 49

HEX #628263

RGB 98 130 99

HSL 121.88, 0.14%, 0.45%

LAB 51.22, -17.94, 13.17

 

CMYK 25 / 20 / 0 / 49

HEX #626882

RGB 98 104 130

HSL 228.75, 0.14%, 0.45%

LAB 44.39, 3.87, -15.17

 

CMYK 0 / 25 / 1 / 49

HEX #826281

RGB 130 98 129

HSL 301.88, 0.14%, 0.45%

LAB 45.72, 18.59, -12.26

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 25 / 0 / 16 / 49

HEX #62826D

RGB 98 130 109

HSL 140.63, 0.14%, 0.45%

LAB 51.46, -15.96, 7.71

 

CMYK 25 / 20 / 0 / 49

HEX #626882

RGB 98 104 130

HSL 228.75, 0.14%, 0.45%

LAB 44.39, 3.87, -15.17

 

CMYK 0 / 25 / 8 / 49

HEX #826278

RGB 130 98 120

HSL 318.75, 0.14%, 0.45%

LAB 45.41, 16.81, -7.31

 

Description

Color code: RGB 131 126 99 | qconv.com Color code: RGB 131 126 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 126 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 126 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 24 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 24% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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