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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 71 125 it is the complementary color RGB 125 184 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 71 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 71 125: RGB 135 71 120, RGB 152 89 139, RGB 169 107 158, RGB 186 125 177 and RGB 203 143 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 71 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 71 125: RGB 130 71 125, RGB 113 53 106, RGB 96 35 87, RGB 79 17 68 and RGB 62 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

Complementary color

CMYK 32 / 0 / 29 / 28

HEX #7DB882

RGB 125 184 130

HSL 125.08, 0.29%, 0.61%

LAB 69.65, -30.16, 21.51

 

CMYK 0 / 47 / 11 / 47

HEX #874778

RGB 135 71 120

HSL 314.06, 0.31%, 0.4%

LAB 39.6, 34.29, -16.03

 

CMYK 0 / 41 / 9 / 40

HEX #98598B

RGB 152 89 139

HSL 312.38, 0.26%, 0.47%

LAB 46.56, 33.5, -16.76

 

CMYK 0 / 37 / 7 / 34

HEX #A96B9E

RGB 169 107 158

HSL 310.65, 0.26%, 0.54%

LAB 53.41, 32.7, -17.36

 

CMYK 0 / 33 / 5 / 27

HEX #BA7DB1

RGB 186 125 177

HSL 308.85, 0.31%, 0.61%

LAB 60.14, 31.95, -17.9

 

CMYK 0 / 30 / 3 / 20

HEX #CB8FC4

RGB 203 143 196

HSL 307, 0.37%, 0.68%

LAB 66.77, 31.24, -18.39

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 53 / 6 / 56

HEX #71356A

RGB 113 53 106

HSL 307, 0.36%, 0.33%

LAB 32.03, 34.29, -19.19

 

CMYK 0 / 64 / 9 / 62

HEX #602357

RGB 96 35 87

HSL 308.85, 0.47%, 0.26%

LAB 24.88, 34.81, -18.18

 

CMYK 0 / 78 / 14 / 69

HEX #4F1144

RGB 79 17 68

HSL 310.65, 0.65%, 0.19%

LAB 17.83, 34.64, -16.54

 

CMYK 0 / 100 / 21 / 76

HEX #3E0031

RGB 62 0 49

HSL 312.58, 1%, 0.12%

LAB 10.89, 33.59, -14.12

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 45 / 12 / 50

HEX #804671

RGB 128 70 113

HSL 315.52, 0.29%, 0.39%

LAB 38.13, 31.19, -14.03

 

CMYK 0 / 45 / 19 / 50

HEX #804668

RGB 128 70 104

HSL 324.83, 0.29%, 0.39%

LAB 37.79, 29.62, -8.94

 

CMYK 0 / 45 / 27 / 50

HEX #80465E

RGB 128 70 94

HSL 335.17, 0.29%, 0.39%

LAB 37.44, 28.01, -3.18

 

CMYK 0 / 45 / 34 / 50

HEX #804655

RGB 128 70 85

HSL 344.48, 0.29%, 0.39%

LAB 37.16, 26.69, 2.09

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 45 / 4 / 29

HEX #B563AE

RGB 181 99 174

HSL 305.12, 0.36%, 0.55%

LAB 53.82, 43.82, -25.91

 

CMYK 0 / 45 / 4 / 9

HEX #E87FDF

RGB 232 127 223

HSL 305.14, 0.7%, 0.7%

LAB 67.77, 53.51, -31.59

 

CMYK 0 / 46 / 4 / 89

HEX #1C0F1B

RGB 28 15 27

HSL 304.62, 0.3%, 0.08%

LAB 6.03, 8.72, -5.53

 

CMYK 0 / 46 / 4 / 69

HEX #4F2B4C

RGB 79 43 76

HSL 305, 0.3%, 0.24%

LAB 23.38, 22.4, -13.39

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 33 / 45 / 50

HEX #805646

RGB 128 86 70

HSL 16.55, 0.29%, 0.39%

LAB 40.71, 15.35, 16.36

 

CMYK 45 / 0 / 14 / 50

HEX #46806E

RGB 70 128 110

HSL 161.38, 0.29%, 0.39%

LAB 49.33, -23.6, 3.88

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 4 / 0 / 45 / 50

HEX #7B8046

RGB 123 128 70

HSL 65.17, 0.29%, 0.39%

LAB 51.94, -11.17, 30.74

 

CMYK 45 / 4 / 0 / 50

HEX #467B80

RGB 70 123 128

HSL 185.17, 0.29%, 0.39%

LAB 48.29, -16.22, -8.25

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 33 / 45 / 50

HEX #805646

RGB 128 86 70

HSL 16.55, 0.29%, 0.39%

LAB 40.71, 15.35, 16.36

 

CMYK 45 / 0 / 41 / 50

HEX #46804B

RGB 70 128 75

HSL 125.17, 0.29%, 0.39%

LAB 48.57, -30.92, 23

 

CMYK 45 / 13 / 0 / 50

HEX #466F80

RGB 70 111 128

HSL 197.59, 0.29%, 0.39%

LAB 44.56, -9.46, -13.88

 

CMYK 0 / 45 / 4 / 49

HEX #82477D

RGB 130 71 125

HSL 305.08, 0.29%, 0.39%

LAB 39.13, 33.55, -19.91

 

CMYK 0 / 19 / 45 / 50

HEX #806846

RGB 128 104 70

HSL 35.17, 0.29%, 0.39%

LAB 45.54, 4.69, 22.73

 

CMYK 45 / 0 / 41 / 50

HEX #46804B

RGB 70 128 75

HSL 125.17, 0.29%, 0.39%

LAB 48.57, -30.92, 23

 

CMYK 45 / 27 / 0 / 50

HEX #465E80

RGB 70 94 128

HSL 215.17, 0.29%, 0.39%

LAB 39.35, 0.74, -21.87

 

Description

Color code: RGB 130 71 125 | qconv.com Color code: RGB 130 71 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 71 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 71 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 4 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 4% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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