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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 21 197 it is the complementary color RGB 125 234 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 21 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 21 197: RGB 135 21 192, RGB 152 39 211, RGB 169 57 230, RGB 186 75 249 and RGB 203 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 21 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 21 197: RGB 130 21 197, RGB 113 3 178, RGB 96 0 159, RGB 79 0 140 and RGB 62 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

Complementary color

CMYK 47 / 0 / 75 / 8

HEX #7DEA3A

RGB 125 234 58

HSL 97.16, 0.81%, 0.57%

LAB 83.71, -59.38, 70.43

 

CMYK 30 / 89 / 0 / 25

HEX #8715C0

RGB 135 21 192

HSL 280, 0.8%, 0.42%

LAB 36.92, 68.18, -63.74

 

CMYK 28 / 82 / 0 / 17

HEX #9827D3

RGB 152 39 211

HSL 279.42, 0.69%, 0.49%

LAB 42.51, 70.02, -65.58

 

CMYK 27 / 75 / 0 / 10

HEX #A939E6

RGB 169 57 230

HSL 278.84, 0.78%, 0.56%

LAB 48.35, 70.84, -66.82

 

CMYK 25 / 70 / 0 / 2

HEX #BA4BF9

RGB 186 75 249

HSL 278.28, 0.94%, 0.64%

LAB 54.36, 71.02, -67.66

 

CMYK 20 / 64 / 0 / 0

HEX #CB5DFF

RGB 203 93 255

HSL 280.74, 1%, 0.68%

LAB 59.66, 68.13, -62.33

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 37 / 98 / 0 / 30

HEX #7103B2

RGB 113 3 178

HSL 277.71, 0.97%, 0.35%

LAB 31.32, 65.49, -64.74

 

CMYK 40 / 100 / 0 / 38

HEX #60009F

RGB 96 0 159

HSL 276.23, 1%, 0.31%

LAB 26.71, 60.19, -60.96

 

CMYK 44 / 100 / 0 / 45

HEX #4F008C

RGB 79 0 140

HSL 273.86, 1%, 0.27%

LAB 22.14, 54.32, -56.83

 

CMYK 49 / 100 / 0 / 53

HEX #3E0079

RGB 62 0 121

HSL 270.74, 1%, 0.24%

LAB 17.48, 48.35, -52.58

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 20 / 90 / 0 / 22

HEX #9F14C6

RGB 159 20 198

HSL 286.85, 0.82%, 0.43%

LAB 41.13, 72.98, -60.22

 

CMYK 5 / 90 / 0 / 22

HEX #BD14C6

RGB 189 20 198

HSL 296.97, 0.82%, 0.43%

LAB 46.17, 77.77, -51.84

 

CMYK 0 / 90 / 11 / 22

HEX #C614B1

RGB 198 20 177

HSL 307.08, 0.82%, 0.43%

LAB 46.55, 76.3, -38.84

 

CMYK 0 / 90 / 25 / 22

HEX #C61494

RGB 198 20 148

HSL 316.85, 0.82%, 0.43%

LAB 45.14, 72.61, -23.73

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 34 / 90 / 0 / 3

HEX #A41AF8

RGB 164 26 248

HSL 277.3, 0.94%, 0.54%

LAB 46.19, 82.02, -80.52

 

CMYK 34 / 89 / 0 / 83

HEX #1D052C

RGB 29 5 44

HSL 276.92, 0.8%, 0.1%

LAB 4.98, 19.69, -20.18

 

CMYK 34 / 89 / 0 / 63

HEX #3F0A5F

RGB 63 10 95

HSL 277.41, 0.81%, 0.21%

LAB 16, 39.16, -38

 

CMYK 34 / 89 / 0 / 43

HEX #601092

RGB 96 16 146

HSL 276.92, 0.8%, 0.32%

LAB 26.54, 54.21, -53.24

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 0 / 90 / 73 / 22

HEX #C61435

RGB 198 20 53

HSL 348.88, 0.82%, 0.43%

LAB 42.4, 65.08, 31.26

 

CMYK 90 / 0 / 70 / 22

HEX #14C63B

RGB 20 198 59

HSL 133.15, 0.82%, 0.43%

LAB 70.07, -67.43, 55.53

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 90 / 0 / 34 / 22

HEX #14C682

RGB 20 198 130

HSL 157.08, 0.82%, 0.43%

LAB 70.97, -56.62, 22.83

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 0 / 90 / 73 / 22

HEX #C61435

RGB 198 20 53

HSL 348.88, 0.82%, 0.43%

LAB 42.4, 65.08, 31.26

 

CMYK 56 / 0 / 90 / 22

HEX #58C614

RGB 88 198 20

HSL 97.08, 0.82%, 0.43%

LAB 71.22, -58.43, 68.09

 

CMYK 90 / 0 / 17 / 22

HEX #14C6A5

RGB 20 198 165

HSL 168.88, 0.82%, 0.43%

LAB 71.73, -48.34, 5.08

 

CMYK 34 / 89 / 0 / 23

HEX #8215C5

RGB 130 21 197

HSL 277.16, 0.81%, 0.43%

LAB 36.58, 68.52, -67.25

 

CMYK 0 / 79 / 90 / 22

HEX #C62914

RGB 198 41 20

HSL 7.08, 0.82%, 0.43%

LAB 43.72, 59.55, 50.02

 

CMYK 56 / 0 / 90 / 22

HEX #58C614

RGB 88 198 20

HSL 97.08, 0.82%, 0.43%

LAB 71.22, -58.43, 68.09

 

CMYK 90 / 11 / 0 / 22

HEX #14B1C6

RGB 20 177 198

HSL 187.08, 0.82%, 0.43%

LAB 66.27, -29.18, -21.15

 

Description

Color code: RGB 130 21 197 | qconv.com Color code: RGB 130 21 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 21 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 21 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 89 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 89% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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