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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 206 216 it is the complementary color RGB 125 49 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 206 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 206 216: RGB 135 206 211, RGB 152 224 230, RGB 169 242 249, RGB 186 255 255 and RGB 203 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 206 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 206 216: RGB 130 206 216, RGB 113 188 197, RGB 96 170 178, RGB 79 152 159 and RGB 62 134 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

Complementary color

CMYK 0 / 61 / 69 / 51

HEX #7D3127

RGB 125 49 39

HSL 6.98, 0.52%, 0.32%

LAB 31.12, 32.32, 22.99

 

CMYK 36 / 2 / 0 / 17

HEX #87CED3

RGB 135 206 211

HSL 183.95, 0.46%, 0.68%

LAB 78.46, -20.89, -9.54

 

CMYK 34 / 3 / 0 / 10

HEX #98E0E6

RGB 152 224 230

HSL 184.62, 0.61%, 0.75%

LAB 84.84, -20.84, -10.07

 

CMYK 32 / 3 / 0 / 2

HEX #A9F2F9

RGB 169 242 249

HSL 185.25, 0.87%, 0.82%

LAB 91.13, -20.79, -10.59

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 43 / 5 / 0 / 23

HEX #71BCC5

RGB 113 188 197

HSL 186.43, 0.42%, 0.61%

LAB 71.9, -20.93, -11.86

 

CMYK 46 / 4 / 0 / 30

HEX #60AAB2

RGB 96 170 178

HSL 185.85, 0.35%, 0.54%

LAB 65.32, -20.88, -11.3

 

CMYK 50 / 4 / 0 / 38

HEX #4F989F

RGB 79 152 159

HSL 185.25, 0.34%, 0.47%

LAB 58.62, -20.77, -10.71

 

CMYK 56 / 4 / 0 / 45

HEX #3E868C

RGB 62 134 140

HSL 184.62, 0.39%, 0.4%

LAB 51.8, -20.58, -10.08

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 40 / 10 / 0 / 16

HEX #82C1D7

RGB 130 193 215

HSL 195.53, 0.52%, 0.68%

LAB 74.69, -14.54, -17.37

 

CMYK 40 / 17 / 0 / 16

HEX #82B3D7

RGB 130 179 215

HSL 205.41, 0.52%, 0.68%

LAB 70.8, -7.1, -23.29

 

CMYK 40 / 24 / 0 / 16

HEX #82A4D7

RGB 130 164 215

HSL 216, 0.52%, 0.68%

LAB 66.67, 1.16, -29.62

 

CMYK 40 / 30 / 0 / 16

HEX #8296D7

RGB 130 150 215

HSL 225.88, 0.52%, 0.68%

LAB 62.9, 9.12, -35.47

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 42 / 8 / 0 / 95

HEX #070B0C

RGB 7 11 12

HSL 192, 0.26%, 0.04%

LAB 2.81, -0.9, -0.78

 

CMYK 40 / 5 / 0 / 75

HEX #263C3F

RGB 38 60 63

HSL 187.2, 0.25%, 0.2%

LAB 23.68, -7.72, -4.61

 

CMYK 39 / 4 / 0 / 55

HEX #456D72

RGB 69 109 114

HSL 186.67, 0.25%, 0.36%

LAB 43.39, -12.6, -7.24

 

CMYK 40 / 5 / 0 / 35

HEX #639DA5

RGB 99 157 165

HSL 187.27, 0.27%, 0.52%

LAB 61.21, -16.78, -10.15

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 27 / 40 / 0 / 16

HEX #9C82D7

RGB 156 130 215

HSL 258.35, 0.52%, 0.68%

LAB 59.83, 27.92, -40.12

 

CMYK 0 / 12 / 40 / 16

HEX #D7BE82

RGB 215 190 130

HSL 42.35, 0.52%, 0.68%

LAB 77.81, 0.54, 33.55

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 0 / 40 / 4 / 16

HEX #D782CF

RGB 215 130 207

HSL 305.65, 0.52%, 0.68%

LAB 65.68, 44.05, -26.07

 

CMYK 4 / 0 / 40 / 16

HEX #CFD782

RGB 207 215 130

HSL 65.65, 0.52%, 0.68%

LAB 83.69, -15.44, 40.99

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 27 / 40 / 0 / 16

HEX #9C82D7

RGB 156 130 215

HSL 258.35, 0.52%, 0.68%

LAB 59.83, 27.92, -40.12

 

CMYK 0 / 35 / 40 / 16

HEX #D78B82

RGB 215 139 130

HSL 6.35, 0.52%, 0.68%

LAB 65.38, 27.91, 16.85

 

CMYK 12 / 0 / 40 / 16

HEX #BED782

RGB 190 215 130

HSL 77.65, 0.52%, 0.68%

LAB 82.46, -21.96, 39.18

 

CMYK 40 / 5 / 0 / 15

HEX #82CED8

RGB 130 206 216

HSL 186.98, 0.52%, 0.68%

LAB 78.37, -20.95, -12.38

 

CMYK 16 / 40 / 0 / 16

HEX #B582D7

RGB 181 130 215

HSL 276, 0.52%, 0.68%

LAB 62.25, 35.23, -36.16

 

CMYK 0 / 35 / 40 / 16

HEX #D78B82

RGB 215 139 130

HSL 6.35, 0.52%, 0.68%

LAB 65.38, 27.91, 16.85

 

CMYK 24 / 0 / 40 / 16

HEX #A4D782

RGB 164 215 130

HSL 96, 0.52%, 0.68%

LAB 80.8, -31.5, 36.7

 

Description

Color code: RGB 130 206 216 | qconv.com Color code: RGB 130 206 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 206 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 206 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 5 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 5% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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