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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 201 93 it is the complementary color RGB 125 54 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 201 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 201 93 shade: RGB 135 201 88, RGB 152 219 107, RGB 169 237 126, RGB 186 255 145 and RGB 203 255 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 201 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 201 93 shade: RGB 130 201 93, RGB 113 183 74, RGB 96 165 55, RGB 79 147 36 and RGB 62 129 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 201 93 shade: RGB 131 201 94, RGB 159 201 94, RGB 188 201 94, RGB 201 185 94 and RGB 201 156 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 201 93 shade: RGB 131 201 94, RGB 102 201 94, RGB 94 201 115, RGB 94 201 144 and RGB 94 201 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 201 93 shade matches the following richer shades: RGB 131 201 94, RGB 125 218 77, RGB 120 236 59 and RGB 114 253 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 201 93 shade: RGB 131 201 94, RGB 136 184 111, RGB 141 166 129, RGB 147 149 146 and RGB 152 132 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 201 93 shade: RGB 188 201 94, RGB 160 201 94, RGB 131 201 94, RGB 103 201 94 and RGB 94 201 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 201 93 shade: RGB 89 159 53, RGB 107 190 63, RGB 131 201 94, RGB 154 211 125 and RGB 178 222 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 201 93 shade: RGB 130 201 93, RGB 94 201 185 and RGB 201 94 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 201 93 shade: RGB 130 201 93, RGB 94 131 201 and RGB 201 94 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 201 93 shade: RGB 130 201 93, RGB 94 201 185, RGB 163 94 201 and RGB 201 94 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 201 93 shade: RGB 130 201 93, RGB 94 185 201, RGB 163 94 201 and RGB 201 110 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

Complementary color

CMYK 23 / 67 / 0 / 36

HEX #7D36A2

RGB 125 54 162

HSL 279.44, 0.5%, 0.42%

LAB 37.13, 48.78, -45.64

 

CMYK 33 / 0 / 56 / 21

HEX #87C958

RGB 135 201 88

HSL 95.04, 0.51%, 0.57%

LAB 74.59, -40.34, 49.12

 

CMYK 31 / 0 / 51 / 14

HEX #98DB6B

RGB 152 219 107

HSL 95.89, 0.61%, 0.64%

LAB 80.96, -40.34, 48.02

 

CMYK 29 / 0 / 47 / 7

HEX #A9ED7E

RGB 169 237 126

HSL 96.76, 0.76%, 0.71%

LAB 87.25, -40.29, 46.88

 

CMYK 27 / 0 / 43 / 0

HEX #BAFF91

RGB 186 255 145

HSL 97.64, 1%, 0.78%

LAB 93.45, -40.2, 45.73

 

CMYK 20 / 0 / 36 / 0

HEX #CBFFA4

RGB 203 255 164

HSL 94.29, 1%, 0.82%

LAB 94.69, -31.94, 38.26

 

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

CMYK 38 / 0 / 60 / 28

HEX #71B74A

RGB 113 183 74

HSL 98.53, 0.43%, 0.5%

LAB 67.93, -41.48, 47.57

 

CMYK 42 / 0 / 67 / 35

HEX #60A537

RGB 96 165 55

HSL 97.64, 0.5%, 0.43%

LAB 61.37, -41.3, 48.45

 

CMYK 46 / 0 / 76 / 42

HEX #4F9324

RGB 79 147 36

HSL 96.76, 0.61%, 0.36%

LAB 54.72, -40.9, 48.88

 

CMYK 52 / 0 / 87 / 49

HEX #3E8111

RGB 62 129 17

HSL 95.89, 0.77%, 0.29%

LAB 47.96, -40.15, 48.29

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 21 / 0 / 53 / 21

HEX #9FC95E

RGB 159 201 94

HSL 83.55, 0.5%, 0.58%

LAB 76.04, -30.97, 48.38

 

CMYK 6 / 0 / 53 / 21

HEX #BCC95E

RGB 188 201 94

HSL 67.29, 0.5%, 0.58%

LAB 78.04, -19.58, 51.21

 

CMYK 0 / 8 / 53 / 21

HEX #C9B95E

RGB 201 185 94

HSL 51.03, 0.5%, 0.58%

LAB 74.78, -6.09, 47.67

 

CMYK 0 / 22 / 53 / 21

HEX #C99C5E

RGB 201 156 94

HSL 34.77, 0.5%, 0.58%

LAB 67.28, 9.37, 38.64

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 49 / 0 / 53 / 21

HEX #66C95E

RGB 102 201 94

HSL 115.51, 0.5%, 0.58%

LAB 73.16, -50.09, 44.25

 

CMYK 53 / 0 / 43 / 21

HEX #5EC973

RGB 94 201 115

HSL 131.78, 0.5%, 0.58%

LAB 73.15, -49.22, 33.78

 

CMYK 53 / 0 / 28 / 21

HEX #5EC990

RGB 94 201 144

HSL 148.04, 0.5%, 0.58%

LAB 73.65, -43.99, 19.31

 

CMYK 53 / 0 / 14 / 21

HEX #5EC9AD

RGB 94 201 173

HSL 164.3, 0.5%, 0.58%

LAB 74.3, -37.63, 4.65

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 43 / 0 / 65 / 15

HEX #7DDA4D

RGB 125 218 77

HSL 99.57, 0.66%, 0.58%

LAB 79.06, -51.82, 58.79

 

CMYK 49 / 0 / 75 / 7

HEX #78EC3B

RGB 120 236 59

HSL 99.32, 0.82%, 0.58%

LAB 84.12, -61.51, 70.45

 

CMYK 55 / 0 / 83 / 1

HEX #72FD2A

RGB 114 253 42

HSL 99.53, 0.98%, 0.58%

LAB 88.92, -69.95, 79.39

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 26 / 0 / 40 / 28

HEX #88B86F

RGB 136 184 111

HSL 99.45, 0.34%, 0.58%

LAB 69.94, -29.38, 32.07

 

CMYK 15 / 0 / 22 / 35

HEX #8DA681

RGB 141 166 129

HSL 100.54, 0.17%, 0.58%

LAB 65.37, -15.76, 16.34

 

CMYK 1 / 0 / 2 / 42

HEX #939592

RGB 147 149 146

HSL 100, 0.01%, 0.58%

LAB 61.46, -1.3, 1.32

 

CMYK 7 / 19 / 0 / 36

HEX #9884A3

RGB 152 132 163

HSL 278.71, 0.14%, 0.58%

LAB 57.87, 13.55, -13.66

 

CMYK 6 / 0 / 53 / 21

HEX #BCC95E

RGB 188 201 94

HSL 67.29, 0.5%, 0.58%

LAB 78.04, -19.58, 51.21

 

CMYK 20 / 0 / 53 / 21

HEX #A0C95E

RGB 160 201 94

HSL 82.99, 0.5%, 0.58%

LAB 76.1, -30.59, 48.47

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 49 / 0 / 53 / 21

HEX #67C95E

RGB 103 201 94

HSL 114.95, 0.5%, 0.58%

LAB 73.2, -49.81, 44.3

 

CMYK 53 / 0 / 44 / 21

HEX #5EC971

RGB 94 201 113

HSL 130.65, 0.5%, 0.58%

LAB 73.12, -49.54, 34.76

 

CMYK 44 / 0 / 67 / 38

HEX #599F35

RGB 89 159 53

HSL 99.62, 0.5%, 0.42%

LAB 59.14, -41.27, 46.81

 

CMYK 44 / 0 / 67 / 25

HEX #6BBE3F

RGB 107 190 63

HSL 99.21, 0.5%, 0.5%

LAB 69.69, -47.41, 54.18

 

CMYK 35 / 0 / 53 / 21

HEX #83C95E

RGB 131 201 94

HSL 99.25, 0.5%, 0.58%

LAB 74.45, -41.07, 46.1

 

CMYK 27 / 0 / 41 / 17

HEX #9AD37D

RGB 154 211 125

HSL 99.77, 0.49%, 0.66%

LAB 79.01, -33.81, 36.8

 

CMYK 20 / 0 / 30 / 13

HEX #B2DE9C

RGB 178 222 156

HSL 100, 0.5%, 0.74%

LAB 84.02, -26.21, 27.83

 

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

CMYK 53 / 0 / 8 / 21

HEX #5EC9B9

RGB 94 201 185

HSL 171.03, 0.5%, 0.58%

LAB 74.61, -34.71, -1.4

 

CMYK 0 / 53 / 13 / 21

HEX #C95EAE

RGB 201 94 174

HSL 315.14, 0.5%, 0.58%

LAB 55.56, 52.4, -23

 

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

CMYK 53 / 35 / 0 / 21

HEX #5E83C9

RGB 94 131 201

HSL 219.25, 0.5%, 0.58%

LAB 54.9, 7.23, -40.3

 

CMYK 0 / 53 / 35 / 21

HEX #C95E83

RGB 201 94 131

HSL 339.25, 0.5%, 0.58%

LAB 54.09, 46.39, -0.02

 

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

CMYK 53 / 0 / 8 / 21

HEX #5EC9B9

RGB 94 201 185

HSL 171.03, 0.5%, 0.58%

LAB 74.61, -34.71, -1.4

 

CMYK 19 / 53 / 0 / 21

HEX #A35EC9

RGB 163 94 201

HSL 278.69, 0.5%, 0.58%

LAB 51.85, 46.66, -44.73

 

CMYK 0 / 53 / 45 / 21

HEX #C95E6E

RGB 201 94 110

HSL 351.03, 0.5%, 0.58%

LAB 53.54, 44.06, 11.62

 

CMYK 35 / 0 / 54 / 21

HEX #82C95D

RGB 130 201 93

HSL 99.44, 0.5%, 0.58%

LAB 74.39, -41.52, 46.49

 

CMYK 53 / 8 / 0 / 21

HEX #5EB9C9

RGB 94 185 201

HSL 188.97, 0.5%, 0.58%

LAB 70.38, -22.67, -16.4

 

CMYK 19 / 53 / 0 / 21

HEX #A35EC9

RGB 163 94 201

HSL 278.69, 0.5%, 0.58%

LAB 51.85, 46.66, -44.73

 

CMYK 0 / 45 / 53 / 21

HEX #C96E5E

RGB 201 110 94

HSL 8.97, 0.5%, 0.58%

LAB 56.46, 34.34, 24.9

 

Description

Color code: RGB 130 201 93 | qconv.com Color code: RGB 130 201 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 201 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 201 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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