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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 197 40 it is the complementary color RGB 125 58 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 197 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 197 40: RGB 135 197 35, RGB 152 215 54, RGB 169 233 73, RGB 186 251 92 and RGB 203 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 197 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 197 40: RGB 130 197 40, RGB 113 179 21, RGB 96 161 2, RGB 79 143 0 and RGB 62 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

Complementary color

CMYK 42 / 73 / 0 / 16

HEX #7D3AD7

RGB 125 58 215

HSL 265.61, 0.66%, 0.54%

LAB 41.68, 59.48, -69.38

 

CMYK 31 / 0 / 82 / 23

HEX #87C523

RGB 135 197 35

HSL 82.96, 0.7%, 0.45%

LAB 73.03, -42.32, 67.28

 

CMYK 29 / 0 / 75 / 16

HEX #98D736

RGB 152 215 54

HSL 83.48, 0.67%, 0.53%

LAB 79.35, -42.94, 67.95

 

CMYK 27 / 0 / 69 / 9

HEX #A9E949

RGB 169 233 73

HSL 84, 0.78%, 0.6%

LAB 85.6, -43.38, 67.88

 

CMYK 26 / 0 / 63 / 2

HEX #BAFB5C

RGB 186 251 92

HSL 84.53, 0.95%, 0.67%

LAB 91.78, -43.7, 67.37

 

CMYK 20 / 0 / 56 / 0

HEX #CBFF6F

RGB 203 255 111

HSL 81.67, 1%, 0.72%

LAB 94.04, -37.76, 62.27

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 37 / 0 / 88 / 30

HEX #71B315

RGB 113 179 21

HSL 85.06, 0.79%, 0.39%

LAB 66.37, -43.17, 64.24

 

CMYK 40 / 0 / 99 / 37

HEX #60A102

RGB 96 161 2

HSL 84.53, 0.98%, 0.32%

LAB 59.87, -42.15, 61.5

 

CMYK 45 / 0 / 100 / 44

HEX #4F8F00

RGB 79 143 0

HSL 86.85, 1%, 0.28%

LAB 53.28, -40.71, 56.32

 

CMYK 50 / 0 / 100 / 51

HEX #3E7D00

RGB 62 125 0

HSL 90.24, 1%, 0.25%

LAB 46.57, -39.12, 50.75

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 46 / 0 / 80 / 24

HEX #68C227

RGB 104 194 39

HSL 94.84, 0.67%, 0.46%

LAB 70.64, -51.55, 63.49

 

CMYK 60 / 0 / 80 / 24

HEX #4EC227

RGB 78 194 39

HSL 104.9, 0.67%, 0.46%

LAB 69.72, -58.8, 62.29

 

CMYK 73 / 0 / 80 / 24

HEX #34C227

RGB 52 194 39

HSL 114.97, 0.67%, 0.46%

LAB 69.08, -64.11, 61.47

 

CMYK 80 / 0 / 73 / 24

HEX #27C234

RGB 39 194 52

HSL 125.03, 0.67%, 0.46%

LAB 68.94, -65.07, 57.02

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 34 / 0 / 80 / 3

HEX #A4F832

RGB 164 248 50

HSL 85.45, 0.93%, 0.58%

LAB 89.51, -52.65, 78.77

 

CMYK 34 / 0 / 80 / 83

HEX #1D2C09

RGB 29 44 9

HSL 85.71, 0.66%, 0.1%

LAB 15.91, -13.36, 19.09

 

CMYK 34 / 0 / 80 / 63

HEX #3F5F13

RGB 63 95 19

HSL 85.26, 0.67%, 0.22%

LAB 36.53, -24.52, 37.12

 

CMYK 34 / 0 / 79 / 43

HEX #60921E

RGB 96 146 30

HSL 85.86, 0.66%, 0.35%

LAB 55.21, -34.75, 51.71

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 80 / 0 / 30 / 24

HEX #27C287

RGB 39 194 135

HSL 157.16, 0.67%, 0.46%

LAB 70.01, -52.52, 18.88

 

CMYK 0 / 80 / 1 / 24

HEX #C227C0

RGB 194 39 192

HSL 300.77, 0.67%, 0.46%

LAB 47.91, 74.11, -45.52

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 80 / 33 / 0 / 24

HEX #2782C2

RGB 39 130 194

HSL 204.77, 0.67%, 0.46%

LAB 52.17, -3.75, -40.76

 

CMYK 0 / 80 / 33 / 24

HEX #C22782

RGB 194 39 130

HSL 324.77, 0.67%, 0.46%

LAB 44.99, 65.82, -13.09

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 80 / 0 / 30 / 24

HEX #27C287

RGB 39 194 135

HSL 157.16, 0.67%, 0.46%

LAB 70.01, -52.52, 18.88

 

CMYK 46 / 80 / 0 / 24

HEX #6827C2

RGB 104 39 194

HSL 265.16, 0.67%, 0.46%

LAB 34.58, 59.05, -68.91

 

CMYK 0 / 80 / 49 / 24

HEX #C22763

RGB 194 39 99

HSL 336.77, 0.67%, 0.46%

LAB 43.98, 62.81, 4.56

 

CMYK 34 / 0 / 80 / 23

HEX #82C528

RGB 130 197 40

HSL 85.61, 0.66%, 0.46%

LAB 72.78, -43.93, 65.62

 

CMYK 80 / 0 / 7 / 24

HEX #27C2B5

RGB 39 194 181

HSL 174.97, 0.67%, 0.46%

LAB 71.11, -40.94, -4.51

 

CMYK 46 / 80 / 0 / 24

HEX #6827C2

RGB 104 39 194

HSL 265.16, 0.67%, 0.46%

LAB 34.58, 59.05, -68.91

 

CMYK 0 / 80 / 73 / 24

HEX #C22734

RGB 194 39 52

HSL 354.97, 0.67%, 0.46%

LAB 43.02, 59.86, 32.36

 

Description

Color code: RGB 130 197 40 | qconv.com Color code: RGB 130 197 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 197 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 197 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 80 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 80% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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