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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 179 79 it is the complementary color RGB 125 76 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 179 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 179 79: RGB 135 179 74, RGB 152 197 93, RGB 169 215 112, RGB 186 233 131 and RGB 203 251 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 179 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 179 79: RGB 130 179 79, RGB 113 161 60, RGB 96 143 41, RGB 79 125 22 and RGB 62 107 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

Complementary color

CMYK 29 / 57 / 0 / 31

HEX #7D4CB0

RGB 125 76 176

HSL 269.4, 0.4%, 0.49%

LAB 42.25, 40.64, -45.76

 

CMYK 25 / 0 / 59 / 30

HEX #87B34A

RGB 135 179 74

HSL 85.14, 0.42%, 0.5%

LAB 67.94, -31.7, 47.91

 

CMYK 23 / 0 / 53 / 23

HEX #98C55D

RGB 152 197 93

HSL 85.96, 0.47%, 0.57%

LAB 74.44, -31.83, 46.86

 

CMYK 21 / 0 / 48 / 16

HEX #A9D770

RGB 169 215 112

HSL 86.8, 0.56%, 0.64%

LAB 80.85, -31.89, 45.73

 

CMYK 20 / 0 / 44 / 9

HEX #BAE983

RGB 186 233 131

HSL 87.65, 0.7%, 0.71%

LAB 87.17, -31.91, 44.59

 

CMYK 19 / 0 / 40 / 2

HEX #CBFB96

RGB 203 251 150

HSL 88.51, 0.93%, 0.79%

LAB 93.4, -31.89, 43.46

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 30 / 0 / 63 / 37

HEX #71A13C

RGB 113 161 60

HSL 88.51, 0.46%, 0.43%

LAB 61.07, -32.97, 46.2

 

CMYK 33 / 0 / 71 / 44

HEX #608F29

RGB 96 143 41

HSL 87.65, 0.55%, 0.36%

LAB 54.34, -32.69, 46.86

 

CMYK 37 / 0 / 82 / 51

HEX #4F7D16

RGB 79 125 22

HSL 86.8, 0.7%, 0.29%

LAB 47.48, -32.17, 46.73

 

CMYK 42 / 0 / 97 / 58

HEX #3E6B03

RGB 62 107 3

HSL 85.96, 0.95%, 0.22%

LAB 40.49, -31.32, 45.22

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 36 / 0 / 56 / 29

HEX #73B450

RGB 115 180 80

HSL 99, 0.4%, 0.51%

LAB 67.18, -38.85, 43.94

 

CMYK 46 / 0 / 56 / 29

HEX #62B450

RGB 98 180 80

HSL 109.2, 0.4%, 0.51%

LAB 66.38, -44.39, 42.8

 

CMYK 55 / 0 / 56 / 29

HEX #51B450

RGB 81 180 80

HSL 119.4, 0.4%, 0.51%

LAB 65.73, -49.22, 41.86

 

CMYK 56 / 0 / 47 / 29

HEX #50B45F

RGB 80 180 95

HSL 129, 0.4%, 0.51%

LAB 65.88, -47.38, 34.61

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 27 / 0 / 56 / 10

HEX #A7E666

RGB 167 230 102

HSL 89.53, 0.72%, 0.65%

LAB 84.88, -40.47, 55.15

 

CMYK 27 / 0 / 58 / 90

HEX #131A0B

RGB 19 26 11

HSL 88, 0.41%, 0.07%

LAB 8.14, -6.48, 7.55

 

CMYK 27 / 0 / 56 / 70

HEX #384D22

RGB 56 77 34

HSL 89.3, 0.39%, 0.22%

LAB 30.07, -16.71, 22.73

 

CMYK 27 / 0 / 56 / 50

HEX #5D8038

RGB 93 128 56

HSL 89.17, 0.39%, 0.36%

LAB 49.56, -25.31, 34.69

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 56 / 0 / 18 / 29

HEX #50B494

RGB 80 180 148

HSL 160.8, 0.4%, 0.51%

LAB 66.89, -37.03, 7.57

 

CMYK 0 / 56 / 5 / 29

HEX #B450AB

RGB 180 80 171

HSL 305.4, 0.4%, 0.51%

LAB 49.95, 52.48, -30.17

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 56 / 27 / 0 / 29

HEX #5083B4

RGB 80 131 180

HSL 209.4, 0.4%, 0.51%

LAB 53.2, -2.58, -31.02

 

CMYK 0 / 56 / 27 / 29

HEX #B45083

RGB 180 80 131

HSL 329.4, 0.4%, 0.51%

LAB 48.36, 46.28, -8.85

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 56 / 0 / 18 / 29

HEX #50B494

RGB 80 180 148

HSL 160.8, 0.4%, 0.51%

LAB 66.89, -37.03, 7.57

 

CMYK 29 / 56 / 0 / 29

HEX #8050B4

RGB 128 80 180

HSL 268.8, 0.4%, 0.51%

LAB 43.69, 40.17, -45.8

 

CMYK 0 / 56 / 38 / 29

HEX #B4506F

RGB 180 80 111

HSL 341.4, 0.4%, 0.51%

LAB 47.74, 43.74, 2.31

 

CMYK 27 / 0 / 56 / 30

HEX #82B34F

RGB 130 179 79

HSL 89.4, 0.4%, 0.51%

LAB 67.69, -33.11, 45.22

 

CMYK 56 / 0 / 1 / 29

HEX #50B4B2

RGB 80 180 178

HSL 178.8, 0.4%, 0.51%

LAB 67.7, -29.4, -7.82

 

CMYK 29 / 56 / 0 / 29

HEX #8050B4

RGB 128 80 180

HSL 268.8, 0.4%, 0.51%

LAB 43.69, 40.17, -45.8

 

CMYK 0 / 56 / 55 / 29

HEX #B45051

RGB 180 80 81

HSL 359.4, 0.4%, 0.51%

LAB 47.02, 40.73, 19.46

 

Description

Color code: RGB 130 179 79 | qconv.com Color code: RGB 130 179 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 179 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 179 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 56 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 56% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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