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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 171 210 it is the complementary color RGB 125 84 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 171 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 171 210: RGB 135 171 205, RGB 152 189 224, RGB 169 207 243, RGB 186 225 255 and RGB 203 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 171 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 171 210: RGB 130 171 210, RGB 113 153 191, RGB 96 135 172, RGB 79 117 153 and RGB 62 99 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

Complementary color

CMYK 0 / 33 / 64 / 51

HEX #7D542D

RGB 125 84 45

HSL 29.25, 0.47%, 0.33%

LAB 39.39, 12.77, 29.32

 

CMYK 34 / 17 / 0 / 20

HEX #87ABCD

RGB 135 171 205

HSL 209.14, 0.41%, 0.67%

LAB 68.52, -3.99, -21.24

 

CMYK 32 / 16 / 0 / 12

HEX #98BDE0

RGB 152 189 224

HSL 209.17, 0.54%, 0.74%

LAB 75.11, -4.17, -21.5

 

CMYK 30 / 15 / 0 / 5

HEX #A9CFF3

RGB 169 207 243

HSL 209.19, 0.76%, 0.81%

LAB 81.58, -4.33, -21.78

 

CMYK 27 / 12 / 0 / 0

HEX #BAE1FF

RGB 186 225 255

HSL 206.09, 1%, 0.86%

LAB 87.73, -6.1, -18.73

 

CMYK 20 / 5 / 0 / 0

HEX #CBF3FF

RGB 203 243 255

HSL 193.85, 1%, 0.9%

LAB 93.46, -10.32, -10.05

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 41 / 20 / 0 / 25

HEX #7199BF

RGB 113 153 191

HSL 209.23, 0.38%, 0.6%

LAB 61.7, -3.8, -23.99

 

CMYK 44 / 22 / 0 / 33

HEX #6087AC

RGB 96 135 172

HSL 209.21, 0.31%, 0.53%

LAB 54.86, -3.47, -23.79

 

CMYK 48 / 24 / 0 / 40

HEX #4F7599

RGB 79 117 153

HSL 209.19, 0.32%, 0.45%

LAB 47.86, -3.06, -23.62

 

CMYK 54 / 26 / 0 / 47

HEX #3E6386

RGB 62 99 134

HSL 209.17, 0.37%, 0.38%

LAB 40.69, -2.52, -23.48

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 38 / 25 / 0 / 18

HEX #839ED2

RGB 131 158 210

HSL 219.49, 0.47%, 0.67%

LAB 64.91, 3.46, -29.57

 

CMYK 38 / 31 / 0 / 18

HEX #8391D2

RGB 131 145 210

HSL 229.37, 0.47%, 0.67%

LAB 61.42, 10.9, -34.98

 

CMYK 38 / 37 / 0 / 18

HEX #8384D2

RGB 131 132 210

HSL 239.24, 0.47%, 0.67%

LAB 58.02, 18.5, -40.3

 

CMYK 32 / 38 / 0 / 18

HEX #8F83D2

RGB 143 131 210

HSL 249.11, 0.47%, 0.67%

LAB 58.72, 22.39, -39.14

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 33 / 17 / 0 / 98

HEX #040506

RGB 4 5 6

HSL 210, 0.2%, 0.02%

LAB 1.33, -0.12, -0.47

 

CMYK 39 / 19 / 0 / 78

HEX #232E39

RGB 35 46 57

HSL 210, 0.24%, 0.18%

LAB 18.39, -1.39, -8.53

 

CMYK 38 / 19 / 0 / 58

HEX #43586C

RGB 67 88 108

HSL 209.27, 0.23%, 0.34%

LAB 36.47, -2.48, -14.02

 

CMYK 38 / 19 / 0 / 38

HEX #62819F

RGB 98 129 159

HSL 209.51, 0.24%, 0.5%

LAB 52.73, -3.15, -19.55

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 12 / 38 / 0 / 18

HEX #B983D2

RGB 185 131 210

HSL 281.01, 0.47%, 0.67%

LAB 62.68, 34.81, -32.67

 

CMYK 3 / 0 / 38 / 18

HEX #CBD283

RGB 203 210 131

HSL 65.32, 0.47%, 0.67%

LAB 82.07, -14.38, 38.36

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 0 / 38 / 18 / 18

HEX #D283AC

RGB 210 131 172

HSL 328.86, 0.47%, 0.67%

LAB 64.09, 36.05, -8.83

 

CMYK 18 / 0 / 38 / 18

HEX #ACD283

RGB 172 210 131

HSL 88.86, 0.47%, 0.67%

LAB 79.9, -26.11, 35.13

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 12 / 38 / 0 / 18

HEX #B983D2

RGB 185 131 210

HSL 281.01, 0.47%, 0.67%

LAB 62.68, 34.81, -32.67

 

CMYK 0 / 20 / 38 / 18

HEX #D2A983

RGB 210 169 131

HSL 28.86, 0.47%, 0.67%

LAB 72.04, 9.83, 25.3

 

CMYK 26 / 0 / 38 / 18

HEX #9CD283

RGB 156 210 131

HSL 101.01, 0.47%, 0.67%

LAB 78.93, -31.82, 33.67

 

CMYK 38 / 19 / 0 / 18

HEX #82ABD2

RGB 130 171 210

HSL 209.25, 0.47%, 0.67%

LAB 68.41, -4.07, -24.2

 

CMYK 0 / 38 / 0 / 18

HEX #D183D2

RGB 209 131 210

HSL 299.24, 0.47%, 0.67%

LAB 65.31, 42.21, -28.38

 

CMYK 0 / 20 / 38 / 18

HEX #D2A983

RGB 210 169 131

HSL 28.86, 0.47%, 0.67%

LAB 72.04, 9.83, 25.3

 

CMYK 37 / 0 / 38 / 18

HEX #84D283

RGB 132 210 131

HSL 119.24, 0.47%, 0.67%

LAB 77.66, -39.75, 31.78

 

Description

Color code: RGB 130 171 210 | qconv.com Color code: RGB 130 171 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 171 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 171 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 19 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 19% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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