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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 171 174 it is the complementary color RGB 125 84 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 171 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 171 174: RGB 135 171 169, RGB 152 189 188, RGB 169 207 207, RGB 186 225 226 and RGB 203 243 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 171 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 171 174: RGB 130 171 174, RGB 113 153 155, RGB 96 135 136, RGB 79 117 117 and RGB 62 99 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

Complementary color

CMYK 0 / 33 / 35 / 51

HEX #7D5451

RGB 125 84 81

HSL 4.09, 0.21%, 0.4%

LAB 40.07, 16.67, 8.68

 

CMYK 21 / 0 / 1 / 33

HEX #87ABA9

RGB 135 171 169

HSL 176.67, 0.18%, 0.6%

LAB 67.38, -12.61, -3.01

 

CMYK 20 / 0 / 1 / 26

HEX #98BDBC

RGB 152 189 188

HSL 178.38, 0.22%, 0.67%

LAB 74, -12.53, -3.6

 

CMYK 18 / 0 / 0 / 19

HEX #A9CFCF

RGB 169 207 207

HSL 180, 0.28%, 0.74%

LAB 80.5, -12.48, -4.17

 

CMYK 18 / 0 / 0 / 11

HEX #BAE1E2

RGB 186 225 226

HSL 181.5, 0.41%, 0.81%

LAB 86.89, -12.43, -4.72

 

CMYK 17 / 1 / 0 / 4

HEX #CBF3F5

RGB 203 243 245

HSL 182.86, 0.68%, 0.88%

LAB 93.19, -12.4, -5.26

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 27 / 1 / 0 / 39

HEX #71999B

RGB 113 153 155

HSL 182.86, 0.17%, 0.53%

LAB 60.48, -13.11, -5.49

 

CMYK 29 / 1 / 0 / 47

HEX #608788

RGB 96 135 136

HSL 181.5, 0.17%, 0.45%

LAB 53.59, -13.2, -4.91

 

CMYK 32 / 0 / 0 / 54

HEX #4F7575

RGB 79 117 117

HSL 180, 0.19%, 0.38%

LAB 46.54, -13.29, -4.29

 

CMYK 37 / 0 / 1 / 61

HEX #3E6362

RGB 62 99 98

HSL 178.38, 0.23%, 0.32%

LAB 39.29, -13.4, -3.63

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 25 / 6 / 0 / 32

HEX #83A4AE

RGB 131 164 174

HSL 193.95, 0.21%, 0.6%

LAB 65.3, -8.98, -8.9

 

CMYK 25 / 10 / 0 / 32

HEX #839DAE

RGB 131 157 174

HSL 203.72, 0.21%, 0.6%

LAB 63.34, -5.15, -11.84

 

CMYK 25 / 14 / 0 / 32

HEX #8396AE

RGB 131 150 174

HSL 213.49, 0.21%, 0.6%

LAB 61.39, -1.25, -14.77

 

CMYK 25 / 18 / 0 / 32

HEX #838FAE

RGB 131 143 174

HSL 223.26, 0.21%, 0.6%

LAB 59.46, 2.71, -17.7

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 25 / 2 / 0 / 12

HEX #A8DDE1

RGB 168 221 225

HSL 184.21, 0.49%, 0.77%

LAB 84.73, -16.01, -7.51

 

CMYK 24 / 0 / 0 / 92

HEX #101515

RGB 16 21 21

HSL 180, 0.14%, 0.07%

LAB 6.33, -2, -0.71

 

CMYK 25 / 1 / 0 / 72

HEX #364748

RGB 54 71 72

HSL 183.33, 0.14%, 0.25%

LAB 28.8, -6.43, -2.82

 

CMYK 25 / 2 / 0 / 52

HEX #5C797B

RGB 92 121 123

HSL 183.87, 0.14%, 0.42%

LAB 48.74, -9.88, -4.51

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 18 / 25 / 0 / 32

HEX #8F83AE

RGB 143 131 174

HSL 256.74, 0.21%, 0.6%

LAB 57.2, 13.51, -21.06

 

CMYK 0 / 8 / 25 / 32

HEX #AEA083

RGB 174 160 131

HSL 40.47, 0.21%, 0.6%

LAB 66.35, 0.4, 16.99

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 0 / 25 / 2 / 32

HEX #AE83AB

RGB 174 131 171

HSL 304.19, 0.21%, 0.6%

LAB 60.04, 23.37, -14.74

 

CMYK 2 / 0 / 25 / 32

HEX #ABAE83

RGB 171 174 131

HSL 64.19, 0.21%, 0.6%

LAB 69.87, -8.29, 21.78

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 18 / 25 / 0 / 32

HEX #8F83AE

RGB 143 131 174

HSL 256.74, 0.21%, 0.6%

LAB 57.2, 13.51, -21.06

 

CMYK 0 / 23 / 25 / 32

HEX #AE8683

RGB 174 134 131

HSL 4.19, 0.21%, 0.6%

LAB 59.61, 14.84, 7.51

 

CMYK 7 / 0 / 25 / 32

HEX #A2AE83

RGB 162 174 131

HSL 76.74, 0.21%, 0.6%

LAB 69.18, -11.75, 20.72

 

CMYK 25 / 2 / 0 / 32

HEX #82ABAE

RGB 130 171 174

HSL 184.09, 0.21%, 0.6%

LAB 67.22, -13.04, -6.06

 

CMYK 11 / 25 / 0 / 32

HEX #9B83AE

RGB 155 131 174

HSL 273.49, 0.21%, 0.6%

LAB 58.28, 17.49, -19.31

 

CMYK 0 / 23 / 25 / 32

HEX #AE8683

RGB 174 134 131

HSL 4.19, 0.21%, 0.6%

LAB 59.61, 14.84, 7.51

 

CMYK 14 / 0 / 25 / 32

HEX #96AE83

RGB 150 174 131

HSL 93.49, 0.21%, 0.6%

LAB 68.31, -16.26, 19.39

 

Description

Color code: RGB 130 171 174 | qconv.com Color code: RGB 130 171 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 171 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 171 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 2 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 2% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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