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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 148 22 it is the complementary color RGB 125 107 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 148 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 148 22: RGB 135 148 17, RGB 152 166 36, RGB 169 184 55, RGB 186 202 74 and RGB 203 220 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 148 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 148 22: RGB 130 148 22, RGB 113 130 3, RGB 96 112 0, RGB 79 94 0 and RGB 62 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

Complementary color

CMYK 46 / 54 / 0 / 9

HEX #7D6BE9

RGB 125 107 233

HSL 248.57, 0.74%, 0.67%

LAB 52.68, 38.31, -61.75

 

CMYK 9 / 0 / 89 / 42

HEX #879411

RGB 135 148 17

HSL 65.95, 0.79%, 0.32%

LAB 58.39, -19.9, 58.95

 

CMYK 8 / 0 / 78 / 35

HEX #98A624

RGB 152 166 36

HSL 66.46, 0.64%, 0.4%

LAB 65.02, -20.94, 60.23

 

CMYK 8 / 0 / 70 / 28

HEX #A9B837

RGB 169 184 55

HSL 66.98, 0.54%, 0.47%

LAB 71.55, -21.76, 60.38

 

CMYK 8 / 0 / 63 / 21

HEX #BACA4A

RGB 186 202 74

HSL 67.5, 0.55%, 0.54%

LAB 77.98, -22.42, 59.91

 

CMYK 8 / 0 / 58 / 14

HEX #CBDC5D

RGB 203 220 93

HSL 68.03, 0.64%, 0.61%

LAB 84.32, -22.94, 59.1

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 13 / 0 / 98 / 49

HEX #718203

RGB 113 130 3

HSL 68.03, 0.95%, 0.26%

LAB 51.25, -20.81, 55.1

 

CMYK 14 / 0 / 100 / 56

HEX #607000

RGB 96 112 0

HSL 68.57, 1%, 0.22%

LAB 44.34, -19.28, 49.92

 

CMYK 16 / 0 / 100 / 63

HEX #4F5E00

RGB 79 94 0

HSL 69.57, 1%, 0.18%

LAB 37.24, -17.65, 44.01

 

CMYK 18 / 0 / 100 / 70

HEX #3E4C00

RGB 62 76 0

HSL 71.05, 1%, 0.15%

LAB 29.89, -15.99, 37.89

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 25 / 0 / 86 / 43

HEX #6D9215

RGB 109 146 21

HSL 77.76, 0.75%, 0.33%

LAB 55.95, -29.97, 55.24

 

CMYK 40 / 0 / 86 / 43

HEX #589215

RGB 88 146 21

HSL 87.84, 0.75%, 0.33%

LAB 54.75, -38.16, 53.73

 

CMYK 54 / 0 / 86 / 43

HEX #439215

RGB 67 146 21

HSL 97.92, 0.75%, 0.33%

LAB 53.82, -45.13, 52.55

 

CMYK 68 / 0 / 86 / 43

HEX #2E9215

RGB 46 146 21

HSL 108, 0.75%, 0.33%

LAB 53.16, -50.51, 51.71

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 12 / 0 / 85 / 22

HEX #AFC71E

RGB 175 199 30

HSL 68.52, 0.74%, 0.45%

LAB 76.1, -27.57, 72.1

 

CMYK 12 / 0 / 85 / 2

HEX #DCFA25

RGB 220 250 37

HSL 68.45, 0.96%, 0.56%

LAB 93.33, -32.92, 86.28

 

CMYK 13 / 0 / 85 / 82

HEX #282E07

RGB 40 46 7

HSL 69.23, 0.74%, 0.1%

LAB 17.55, -9.16, 22.13

 

CMYK 12 / 0 / 86 / 62

HEX #55610E

RGB 85 97 14

HSL 68.67, 0.75%, 0.22%

LAB 38.75, -15.94, 41.47

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 86 / 0 / 57 / 43

HEX #15923F

RGB 21 146 63

HSL 140.16, 0.75%, 0.33%

LAB 53.03, -50.36, 34.68

 

CMYK 23 / 86 / 0 / 43

HEX #711592

RGB 113 21 146

HSL 284.16, 0.75%, 0.33%

LAB 29.72, 55.61, -47.95

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 86 / 12 / 0 / 43

HEX #158192

RGB 21 129 146

HSL 188.16, 0.75%, 0.33%

LAB 49.42, -22.08, -17.28

 

CMYK 0 / 86 / 12 / 43

HEX #921581

RGB 146 21 129

HSL 308.16, 0.75%, 0.33%

LAB 34.46, 59.05, -29.48

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 86 / 0 / 57 / 43

HEX #15923F

RGB 21 146 63

HSL 140.16, 0.75%, 0.33%

LAB 53.03, -50.36, 34.68

 

CMYK 74 / 86 / 0 / 43

HEX #261592

RGB 38 21 146

HSL 248.16, 0.75%, 0.33%

LAB 20.14, 46.11, -64.03

 

CMYK 0 / 86 / 29 / 43

HEX #921568

RGB 146 21 104

HSL 320.16, 0.75%, 0.33%

LAB 33.24, 55.68, -15.58

 

CMYK 12 / 0 / 85 / 42

HEX #829416

RGB 130 148 22

HSL 68.57, 0.74%, 0.33%

LAB 58.02, -21.96, 57.35

 

CMYK 86 / 0 / 32 / 43

HEX #159264

RGB 21 146 100

HSL 157.92, 0.75%, 0.33%

LAB 53.64, -43.3, 15.52

 

CMYK 74 / 86 / 0 / 43

HEX #261592

RGB 38 21 146

HSL 248.16, 0.75%, 0.33%

LAB 20.14, 46.11, -64.03

 

CMYK 0 / 86 / 54 / 43

HEX #921543

RGB 146 21 67

HSL 337.92, 0.75%, 0.33%

LAB 31.93, 51.93, 6.61

 

Description

Color code: RGB 130 148 22 | qconv.com Color code: RGB 130 148 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 148 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 148 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 85 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 85% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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