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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 129 35 it is the complementary color RGB 125 126 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 129 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 129 35: RGB 135 129 30, RGB 152 147 49, RGB 169 165 68, RGB 186 183 87 and RGB 203 201 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 129 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 129 35: RGB 130 129 35, RGB 113 111 16, RGB 96 93 0, RGB 79 75 0 and RGB 62 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

Complementary color

CMYK 43 / 43 / 0 / 14

HEX #7D7EDC

RGB 125 126 220

HSL 239.37, 0.58%, 0.68%

LAB 56.53, 23.32, -48.3

 

CMYK 0 / 4 / 78 / 47

HEX #87811E

RGB 135 129 30

HSL 56.57, 0.64%, 0.32%

LAB 52.89, -9.4, 50.57

 

CMYK 0 / 3 / 68 / 40

HEX #989331

RGB 152 147 49

HSL 57.09, 0.51%, 0.39%

LAB 59.68, -10.43, 50.34

 

CMYK 0 / 2 / 60 / 34

HEX #A9A544

RGB 169 165 68

HSL 57.62, 0.43%, 0.46%

LAB 66.34, -11.25, 49.54

 

CMYK 0 / 2 / 53 / 27

HEX #BAB757

RGB 186 183 87

HSL 58.18, 0.42%, 0.54%

LAB 72.89, -11.9, 48.49

 

CMYK 0 / 1 / 48 / 20

HEX #CBC96A

RGB 203 201 106

HSL 58.76, 0.48%, 0.61%

LAB 79.33, -12.43, 47.34

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 0 / 2 / 86 / 56

HEX #716F10

RGB 113 111 16

HSL 58.76, 0.75%, 0.25%

LAB 45.52, -10.31, 47.7

 

CMYK 0 / 3 / 100 / 62

HEX #605D00

RGB 96 93 0

HSL 58.13, 1%, 0.19%

LAB 38.4, -8.83, 45.53

 

CMYK 0 / 5 / 100 / 69

HEX #4F4B00

RGB 79 75 0

HSL 56.96, 1%, 0.15%

LAB 31.1, -6.85, 39.47

 

CMYK 0 / 8 / 100 / 76

HEX #3E3900

RGB 62 57 0

HSL 55.16, 1%, 0.12%

LAB 23.51, -4.74, 32.22

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 11 / 0 / 73 / 50

HEX #728022

RGB 114 128 34

HSL 68.94, 0.58%, 0.32%

LAB 50.84, -18.22, 46.52

 

CMYK 23 / 0 / 73 / 50

HEX #628022

RGB 98 128 34

HSL 79.15, 0.58%, 0.32%

LAB 49.68, -25.18, 44.98

 

CMYK 35 / 0 / 73 / 50

HEX #538022

RGB 83 128 34

HSL 88.72, 0.58%, 0.32%

LAB 48.75, -31.26, 43.74

 

CMYK 48 / 0 / 73 / 50

HEX #438022

RGB 67 128 34

HSL 98.94, 0.58%, 0.32%

LAB 47.94, -37.05, 42.66

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 0 / 1 / 73 / 29

HEX #B5B431

RGB 181 180 49

HSL 59.55, 0.57%, 0.45%

LAB 71.34, -14.94, 62.67

 

CMYK 0 / 1 / 73 / 9

HEX #E8E63E

RGB 232 230 62

HSL 59.29, 0.79%, 0.58%

LAB 88.97, -17.78, 76.4

 

CMYK 0 / 0 / 71 / 89

HEX #1C1C08

RGB 28 28 8

HSL 60, 0.56%, 0.07%

LAB 9.76, -3.78, 11.22

 

CMYK 0 / 1 / 73 / 69

HEX #4F4E15

RGB 79 78 21

HSL 58.97, 0.58%, 0.2%

LAB 32.18, -7.66, 32.39

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 73 / 0 / 60 / 50

HEX #228033

RGB 34 128 51

HSL 130.85, 0.58%, 0.32%

LAB 47, -43.84, 33.58

 

CMYK 30 / 73 / 0 / 50

HEX #592280

RGB 89 34 128

HSL 275.11, 0.58%, 0.32%

LAB 26.23, 42.32, -42.55

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 73 / 0 / 1 / 50

HEX #22807F

RGB 34 128 127

HSL 179.36, 0.58%, 0.32%

LAB 48.65, -26.38, -7.26

 

CMYK 1 / 73 / 0 / 50

HEX #7F2280

RGB 127 34 128

HSL 299.36, 0.58%, 0.32%

LAB 32.29, 50.92, -32.51

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 73 / 0 / 60 / 50

HEX #228033

RGB 34 128 51

HSL 130.85, 0.58%, 0.32%

LAB 47, -43.84, 33.58

 

CMYK 73 / 73 / 0 / 50

HEX #222380

RGB 34 35 128

HSL 239.36, 0.58%, 0.32%

LAB 20.44, 32.21, -52.26

 

CMYK 0 / 73 / 13 / 50

HEX #80226F

RGB 128 34 111

HSL 310.85, 0.58%, 0.32%

LAB 31.53, 48.31, -22.96

 

CMYK 0 / 1 / 73 / 49

HEX #828123

RGB 130 129 35

HSL 59.37, 0.58%, 0.32%

LAB 52.47, -11.46, 48.17

 

CMYK 73 / 0 / 38 / 50

HEX #228050

RGB 34 128 80

HSL 149.36, 0.58%, 0.32%

LAB 47.44, -38.78, 18.46

 

CMYK 73 / 73 / 0 / 50

HEX #222380

RGB 34 35 128

HSL 239.36, 0.58%, 0.32%

LAB 20.44, 32.21, -52.26

 

CMYK 0 / 73 / 35 / 50

HEX #802253

RGB 128 34 83

HSL 328.72, 0.58%, 0.32%

LAB 30.3, 44.36, -6.74

 

Description

Color code: RGB 130 129 35 | qconv.com Color code: RGB 130 129 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 129 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 129 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 73 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 73% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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