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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 124 90 it is the complementary color RGB 125 131 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 124 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 130 124 90: RGB 135 124 85, RGB 152 142 104, RGB 169 160 123, RGB 186 178 142 and RGB 203 196 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 124 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 130 124 90: RGB 130 124 90, RGB 113 106 71, RGB 96 88 52, RGB 79 70 33 and RGB 62 52 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

 

Complementary color

CMYK 24 / 21 / 0 / 35

HEX #7D83A5

RGB 125 131 165

HSL 231, 0.18%, 0.57%

LAB 55.39, 5.51, -18.79

 

CMYK 0 / 8 / 37 / 47

HEX #877C55

RGB 135 124 85

HSL 46.8, 0.23%, 0.43%

LAB 52.09, -1.95, 22.84

 

CMYK 0 / 7 / 32 / 40

HEX #988E68

RGB 152 142 104

HSL 47.5, 0.19%, 0.5%

LAB 58.99, -2.38, 21.63

 

CMYK 0 / 5 / 27 / 34

HEX #A9A07B

RGB 169 160 123

HSL 48.26, 0.21%, 0.57%

LAB 65.75, -2.72, 20.51

 

CMYK 0 / 4 / 24 / 27

HEX #BAB28E

RGB 186 178 142

HSL 49.09, 0.24%, 0.64%

LAB 72.38, -3.01, 19.46

 

CMYK 0 / 3 / 21 / 20

HEX #CBC4A1

RGB 203 196 161

HSL 50, 0.29%, 0.71%

LAB 78.9, -3.27, 18.48

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 0 / 6 / 37 / 56

HEX #716A47

RGB 113 106 71

HSL 50, 0.23%, 0.36%

LAB 44.62, -3.02, 20.67

 

CMYK 0 / 8 / 46 / 62

HEX #605834

RGB 96 88 52

HSL 49.09, 0.3%, 0.29%

LAB 37.32, -2.51, 22.02

 

CMYK 0 / 11 / 58 / 69

HEX #4F4621

RGB 79 70 33

HSL 48.26, 0.41%, 0.22%

LAB 29.79, -1.8, 23.46

 

CMYK 0 / 16 / 77 / 76

HEX #3E340E

RGB 62 52 14

HSL 47.5, 0.63%, 0.15%

LAB 21.99, -0.72, 24.75

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 1 / 0 / 31 / 49

HEX #808159

RGB 128 129 89

HSL 61.5, 0.18%, 0.43%

LAB 52.96, -7.19, 21.62

 

CMYK 5 / 0 / 31 / 49

HEX #7A8159

RGB 122 129 89

HSL 70.5, 0.18%, 0.43%

LAB 52.46, -9.69, 20.87

 

CMYK 11 / 0 / 31 / 49

HEX #738159

RGB 115 129 89

HSL 81, 0.18%, 0.43%

LAB 51.91, -12.55, 20.04

 

CMYK 16 / 0 / 31 / 49

HEX #6C8159

RGB 108 129 89

HSL 91.5, 0.18%, 0.43%

LAB 51.39, -15.35, 19.25

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 0 / 4 / 31 / 29

HEX #B5AD7D

RGB 181 173 125

HSL 51.43, 0.27%, 0.6%

LAB 70.31, -4.65, 25.75

 

CMYK 0 / 5 / 31 / 9

HEX #E8DDA1

RGB 232 221 161

HSL 50.7, 0.61%, 0.77%

LAB 87.7, -5.18, 30.87

 

CMYK 0 / 4 / 32 / 89

HEX #1C1B13

RGB 28 27 19

HSL 53.33, 0.19%, 0.09%

LAB 9.62, -1.31, 5.55

 

CMYK 0 / 5 / 30 / 69

HEX #4F4B37

RGB 79 75 55

HSL 50, 0.18%, 0.26%

LAB 31.74, -2.04, 12.55

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 31 / 0 / 29 / 49

HEX #59815B

RGB 89 129 91

HSL 123, 0.18%, 0.43%

LAB 50.19, -22.14, 16.27

 

CMYK 17 / 31 / 0 / 49

HEX #6B5981

RGB 107 89 129

HSL 267, 0.18%, 0.43%

LAB 40.99, 15.88, -19.71

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 31 / 0 / 5 / 49

HEX #59817B

RGB 89 129 123

HSL 171, 0.18%, 0.43%

LAB 50.98, -15.29, -1.22

 

CMYK 5 / 31 / 0 / 49

HEX #7B5981

RGB 123 89 129

HSL 291, 0.18%, 0.43%

LAB 42.67, 21.46, -16.97

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 31 / 0 / 29 / 49

HEX #59815B

RGB 89 129 91

HSL 123, 0.18%, 0.43%

LAB 50.19, -22.14, 16.27

 

CMYK 31 / 26 / 0 / 49

HEX #595F81

RGB 89 95 129

HSL 231, 0.18%, 0.43%

LAB 41.05, 6.15, -19.75

 

CMYK 0 / 31 / 2 / 49

HEX #81597F

RGB 129 89 127

HSL 303, 0.18%, 0.43%

LAB 43.28, 23.17, -14.78

 

CMYK 0 / 5 / 31 / 49

HEX #827C5A

RGB 130 124 90

HSL 51, 0.18%, 0.43%

LAB 51.72, -3.41, 19.43

SW® 7729

CMYK 31 / 0 / 20 / 49

HEX #598167

RGB 89 129 103

HSL 141, 0.18%, 0.43%

LAB 50.46, -19.79, 9.7

 

CMYK 31 / 26 / 0 / 49

HEX #595F81

RGB 89 95 129

HSL 231, 0.18%, 0.43%

LAB 41.05, 6.15, -19.75

 

CMYK 0 / 31 / 11 / 49

HEX #815973

RGB 129 89 115

HSL 321, 0.18%, 0.43%

LAB 42.84, 20.85, -8.14

 

Description

Color code: RGB 130 124 90 | qconv.com Color code: RGB 130 124 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 124 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 124 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 31 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 31% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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