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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 81 169 it is the complementary color RGB 126 174 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 81 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 81 169: RGB 134 81 164, RGB 151 99 183, RGB 168 117 202, RGB 185 135 221 and RGB 202 153 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 81 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 81 169: RGB 129 81 169, RGB 112 63 150, RGB 95 45 131, RGB 78 27 112 and RGB 61 9 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

Complementary color

CMYK 28 / 0 / 51 / 32

HEX #7EAE56

RGB 126 174 86

HSL 92.73, 0.35%, 0.51%

LAB 66.04, -31.49, 39.81

 

CMYK 18 / 51 / 0 / 36

HEX #8651A4

RGB 134 81 164

HSL 278.31, 0.34%, 0.48%

LAB 43.7, 37.43, -36.29

 

CMYK 17 / 46 / 0 / 28

HEX #9763B7

RGB 151 99 183

HSL 277.14, 0.37%, 0.55%

LAB 50.6, 36.57, -36.43

 

CMYK 17 / 42 / 0 / 21

HEX #A875CA

RGB 168 117 202

HSL 276, 0.45%, 0.63%

LAB 57.38, 35.74, -36.55

 

CMYK 16 / 39 / 0 / 13

HEX #B987DD

RGB 185 135 221

HSL 274.88, 0.56%, 0.7%

LAB 64.05, 34.96, -36.67

 

CMYK 16 / 36 / 0 / 6

HEX #CA99F0

RGB 202 153 240

HSL 273.79, 0.74%, 0.77%

LAB 70.62, 34.22, -36.79

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 25 / 58 / 0 / 41

HEX #703F96

RGB 112 63 150

HSL 273.79, 0.41%, 0.42%

LAB 36.37, 38.1, -39.7

 

CMYK 27 / 66 / 0 / 49

HEX #5F2D83

RGB 95 45 131

HSL 274.88, 0.49%, 0.35%

LAB 29.28, 38.91, -39.48

 

CMYK 30 / 76 / 0 / 56

HEX #4E1B70

RGB 78 27 112

HSL 276, 0.61%, 0.27%

LAB 22.21, 39.34, -38.95

 

CMYK 34 / 90 / 0 / 64

HEX #3D095D

RGB 61 9 93

HSL 277.14, 0.82%, 0.2%

LAB 15.37, 38.67, -37.71

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 15 / 52 / 0 / 34

HEX #8E51A8

RGB 142 81 168

HSL 282.07, 0.35%, 0.49%

LAB 44.89, 40.61, -36.72

 

CMYK 7 / 52 / 0 / 34

HEX #9D51A8

RGB 157 81 168

HSL 292.41, 0.35%, 0.49%

LAB 46.82, 44.89, -33.55

 

CMYK 0 / 52 / 2 / 34

HEX #A851A5

RGB 168 81 165

HSL 302.07, 0.35%, 0.49%

LAB 48.17, 47.5, -29.56

 

CMYK 0 / 52 / 10 / 34

HEX #A85197

RGB 168 81 151

HSL 311.72, 0.35%, 0.49%

LAB 47.55, 45.04, -22.21

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 24 / 52 / 0 / 14

HEX #A869DC

RGB 168 105 220

HSL 272.87, 0.62%, 0.64%

LAB 55.68, 46.38, -49.41

 

CMYK 25 / 50 / 0 / 94

HEX #0C0810

RGB 12 8 16

HSL 270, 0.33%, 0.05%

LAB 2.61, 2.34, -3.06

 

CMYK 24 / 52 / 0 / 74

HEX #332043

RGB 51 32 67

HSL 272.57, 0.35%, 0.19%

LAB 16.22, 17.29, -18.7

 

CMYK 24 / 52 / 0 / 54

HEX #5A3976

RGB 90 57 118

HSL 272.46, 0.35%, 0.34%

LAB 30.42, 27.39, -29.54

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 0 / 52 / 38 / 34

HEX #A85168

RGB 168 81 104

HSL 344.14, 0.35%, 0.49%

LAB 45.92, 38.18, 3.71

 

CMYK 52 / 0 / 45 / 34

HEX #51A85C

RGB 81 168 92

HSL 127.59, 0.35%, 0.49%

LAB 62.11, -42.64, 31.38

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 0 / 24 / 52 / 34

HEX #A87F51

RGB 168 127 81

HSL 31.72, 0.35%, 0.49%

LAB 56.19, 10.16, 31.01

 

CMYK 52 / 0 / 24 / 34

HEX #51A87F

RGB 81 168 127

HSL 151.72, 0.35%, 0.49%

LAB 62.75, -36.08, 13.31

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 0 / 52 / 38 / 34

HEX #A85168

RGB 168 81 104

HSL 344.14, 0.35%, 0.49%

LAB 45.92, 38.18, 3.71

 

CMYK 27 / 0 / 52 / 34

HEX #7AA851

RGB 122 168 81

HSL 91.72, 0.35%, 0.49%

LAB 63.95, -30.72, 39.7

 

CMYK 52 / 0 / 14 / 34

HEX #51A891

RGB 81 168 145

HSL 164.14, 0.35%, 0.49%

LAB 63.18, -31.94, 3.9

 

CMYK 24 / 52 / 0 / 34

HEX #8151A9

RGB 129 81 169

HSL 272.73, 0.35%, 0.49%

LAB 43.38, 37.19, -39.79

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 27 / 0 / 52 / 34

HEX #7AA851

RGB 122 168 81

HSL 91.72, 0.35%, 0.49%

LAB 63.95, -30.72, 39.7

 

CMYK 52 / 2 / 0 / 34

HEX #51A5A8

RGB 81 165 168

HSL 182.07, 0.35%, 0.49%

LAB 62.92, -24.49, -9.37

 

Description

Color code: RGB 129 81 169 | qconv.com Color code: RGB 129 81 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 81 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 81 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 52 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 52% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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