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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 22 216 it is the complementary color RGB 126 233 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 22 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 22 216: RGB 134 22 211, RGB 151 40 230, RGB 168 58 249, RGB 185 76 255 and RGB 202 94 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 22 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 22 216: RGB 129 22 216, RGB 112 4 197, RGB 95 0 178, RGB 78 0 159 and RGB 61 0 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

Complementary color

CMYK 46 / 0 / 83 / 9

HEX #7EE927

RGB 126 233 39

HSL 93.09, 0.82%, 0.53%

LAB 83.37, -59.62, 75.32

 

CMYK 36 / 90 / 0 / 17

HEX #8616D3

RGB 134 22 211

HSL 275.56, 0.81%, 0.46%

LAB 38.46, 71.7, -72.3

 

CMYK 34 / 83 / 0 / 10

HEX #9728E6

RGB 151 40 230

HSL 275.05, 0.79%, 0.53%

LAB 43.96, 73.47, -74.08

 

CMYK 33 / 77 / 0 / 2

HEX #A83AF9

RGB 168 58 249

HSL 274.55, 0.94%, 0.6%

LAB 49.73, 74.26, -75.28

 

CMYK 27 / 70 / 0 / 0

HEX #B94CFF

RGB 185 76 255

HSL 276.54, 1%, 0.65%

LAB 54.77, 71.67, -70.33

 

CMYK 21 / 63 / 0 / 0

HEX #CA5EFF

RGB 202 94 255

HSL 280.25, 1%, 0.68%

LAB 59.69, 67.47, -62.29

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 43 / 98 / 0 / 23

HEX #7004C5

RGB 112 4 197

HSL 273.58, 0.96%, 0.39%

LAB 33.06, 69.18, -73.14

 

CMYK 47 / 100 / 0 / 30

HEX #5F00B2

RGB 95 0 178

HSL 272.02, 1%, 0.35%

LAB 28.5, 64.16, -69.47

 

CMYK 51 / 100 / 0 / 38

HEX #4E009F

RGB 78 0 159

HSL 269.43, 1%, 0.31%

LAB 24.07, 58.49, -65.39

 

CMYK 56 / 100 / 0 / 45

HEX #3D008C

RGB 61 0 140

HSL 266.14, 1%, 0.27%

LAB 19.58, 52.75, -61.15

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 26 / 90 / 0 / 15

HEX #A215DA

RGB 162 21 218

HSL 282.94, 0.82%, 0.47%

LAB 43.18, 76.9, -68.43

 

CMYK 11 / 90 / 0 / 15

HEX #C315DA

RGB 195 21 218

HSL 292.99, 0.82%, 0.47%

LAB 48.51, 81.77, -59.54

 

CMYK 0 / 90 / 5 / 15

HEX #DA15D0

RGB 218 21 208

HSL 303.05, 0.82%, 0.47%

LAB 51.83, 84.07, -48.28

 

CMYK 0 / 90 / 20 / 15

HEX #DA15AF

RGB 218 21 175

HSL 313.1, 0.82%, 0.47%

LAB 50.14, 79.73, -31.77

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 42 / 92 / 0 / 95

HEX #07010C

RGB 7 1 12

HSL 272.73, 0.85%, 0.03%

LAB 0.84, 3.11, -3.65

 

CMYK 40 / 90 / 0 / 75

HEX #26063F

RGB 38 6 63

HSL 273.68, 0.83%, 0.14%

LAB 8.14, 28.27, -28.95

 

CMYK 40 / 89 / 0 / 55

HEX #440C72

RGB 68 12 114

HSL 272.94, 0.81%, 0.25%

LAB 18.83, 43.88, -45.82

 

CMYK 40 / 90 / 0 / 35

HEX #6311A5

RGB 99 17 165

HSL 273.24, 0.81%, 0.36%

LAB 28.83, 58.58, -61.1

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 0 / 90 / 68 / 15

HEX #DA1546

RGB 218 21 70

HSL 345.08, 0.82%, 0.47%

LAB 46.82, 70.73, 27.2

 

CMYK 90 / 0 / 77 / 15

HEX #15DA33

RGB 21 218 51

HSL 129.14, 0.82%, 0.47%

LAB 76.4, -73.79, 64.72

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 0 / 41 / 90 / 15

HEX #DA8115

RGB 218 129 21

HSL 32.89, 0.82%, 0.47%

LAB 62.22, 27.6, 64.79

 

CMYK 90 / 0 / 41 / 15

HEX #15DA81

RGB 21 218 129

HSL 152.89, 0.82%, 0.47%

LAB 77.21, -63.85, 31.68

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 0 / 90 / 68 / 15

HEX #DA1546

RGB 218 21 70

HSL 345.08, 0.82%, 0.47%

LAB 46.82, 70.73, 27.2

 

CMYK 50 / 0 / 90 / 15

HEX #6EDA15

RGB 110 218 21

HSL 92.89, 0.82%, 0.47%

LAB 78.18, -59.42, 74.07

 

CMYK 90 / 0 / 23 / 15

HEX #15DAA8

RGB 21 218 168

HSL 164.77, 0.82%, 0.47%

LAB 77.95, -55.51, 12.36

 

CMYK 40 / 90 / 0 / 15

HEX #8116D8

RGB 129 22 216

HSL 273.09, 0.82%, 0.47%

LAB 38.2, 72.15, -75.64

 

CMYK 0 / 86 / 90 / 15

HEX #DA1F15

RGB 218 31 21

HSL 3.05, 0.82%, 0.47%

LAB 46.9, 67.58, 53.73

 

CMYK 50 / 0 / 90 / 15

HEX #6EDA15

RGB 110 218 21

HSL 92.89, 0.82%, 0.47%

LAB 78.18, -59.42, 74.07

 

CMYK 90 / 5 / 0 / 15

HEX #15D0DA

RGB 21 208 218

HSL 183.05, 0.82%, 0.47%

LAB 76.27, -37.58, -16.89

 

Description

Color code: RGB 129 22 216 | qconv.com Color code: RGB 129 22 216 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 22 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 22 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 90 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 90% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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