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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 222 43 it is the complementary color RGB 126 33 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 222 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 222 43: RGB 134 222 38, RGB 151 240 57, RGB 168 255 76, RGB 185 255 95 and RGB 202 255 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 222 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 222 43: RGB 129 222 43, RGB 112 204 24, RGB 95 186 5, RGB 78 168 0 and RGB 61 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

Complementary color

CMYK 41 / 84 / 0 / 17

HEX #7E21D4

RGB 126 33 212

HSL 271.17, 0.73%, 0.48%

LAB 38.33, 68.22, -73.12

 

CMYK 40 / 0 / 83 / 13

HEX #86DE26

RGB 134 222 38

HSL 88.7, 0.74%, 0.51%

LAB 80.43, -52.88, 73.09

 

CMYK 37 / 0 / 76 / 6

HEX #97F039

RGB 151 240 57

HSL 89.18, 0.86%, 0.58%

LAB 86.6, -53.53, 73.9

 

CMYK 34 / 0 / 70 / 0

HEX #A8FF4C

RGB 168 255 76

HSL 89.16, 1%, 0.65%

LAB 91.85, -52.77, 73.13

 

CMYK 27 / 0 / 63 / 0

HEX #B9FF5F

RGB 185 255 95

HSL 86.25, 1%, 0.69%

LAB 92.87, -45.56, 67.34

 

CMYK 21 / 0 / 55 / 0

HEX #CAFF72

RGB 202 255 114

HSL 82.55, 1%, 0.72%

LAB 94.01, -37.87, 60.91

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 45 / 0 / 88 / 20

HEX #70CC18

RGB 112 204 24

HSL 90.67, 0.79%, 0.45%

LAB 74, -53.48, 70.1

 

CMYK 49 / 0 / 97 / 27

HEX #5FBA05

RGB 95 186 5

HSL 90.17, 0.95%, 0.37%

LAB 67.7, -52.35, 67.29

 

CMYK 54 / 0 / 100 / 34

HEX #4EA800

RGB 78 168 0

HSL 92.14, 1%, 0.33%

LAB 61.33, -50.81, 62.6

 

CMYK 59 / 0 / 100 / 41

HEX #3D9600

RGB 61 150 0

HSL 95.6, 1%, 0.29%

LAB 54.87, -48.98, 57.26

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 55 / 0 / 81 / 13

HEX #63DD2B

RGB 99 221 43

HSL 101.12, 0.72%, 0.52%

LAB 78.78, -62.73, 69.82

 

CMYK 68 / 0 / 81 / 13

HEX #46DD2B

RGB 70 221 43

HSL 110.9, 0.72%, 0.52%

LAB 77.99, -69.21, 68.8

 

CMYK 81 / 0 / 79 / 13

HEX #2BDD2E

RGB 43 221 46

HSL 121.01, 0.72%, 0.52%

LAB 77.53, -73.08, 67.38

 

CMYK 81 / 0 / 66 / 13

HEX #2BDD4C

RGB 43 221 76

HSL 131.12, 0.72%, 0.52%

LAB 77.73, -70.68, 57.09

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 44 / 0 / 83 / 93

HEX #0A1203

RGB 10 18 3

HSL 92, 0.71%, 0.04%

LAB 4.55, -4.95, 5.49

 

CMYK 42 / 0 / 81 / 73

HEX #28450D

RGB 40 69 13

HSL 91.07, 0.68%, 0.16%

LAB 25.97, -21.57, 28.7

 

CMYK 42 / 0 / 81 / 53

HEX #467817

RGB 70 120 23

HSL 90.93, 0.68%, 0.28%

LAB 45.35, -33.26, 44.25

 

CMYK 42 / 0 / 81 / 33

HEX #63AB21

RGB 99 171 33

HSL 91.3, 0.68%, 0.4%

LAB 63.25, -44.29, 58.31

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 81 / 0 / 23 / 13

HEX #2BDDAB

RGB 43 221 171

HSL 163.15, 0.72%, 0.52%

LAB 79.14, -54.43, 12.48

 

CMYK 0 / 81 / 9 / 13

HEX #DD2BC9

RGB 221 43 201

HSL 306.74, 0.72%, 0.52%

LAB 53.29, 79.8, -41.9

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 81 / 42 / 0 / 13

HEX #2B81DD

RGB 43 129 221

HSL 211.01, 0.72%, 0.52%

LAB 53.42, 7.29, -54.06

 

CMYK 0 / 81 / 42 / 13

HEX #DD2B81

RGB 221 43 129

HSL 331.01, 0.72%, 0.52%

LAB 50.32, 71.32, -3.99

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 81 / 0 / 23 / 13

HEX #2BDDAB

RGB 43 221 171

HSL 163.15, 0.72%, 0.52%

LAB 79.14, -54.43, 12.48

 

CMYK 39 / 81 / 0 / 13

HEX #872BDD

RGB 135 43 221

HSL 271.01, 0.72%, 0.52%

LAB 41.37, 68.32, -73.27

 

CMYK 0 / 81 / 58 / 13

HEX #DD2B5D

RGB 221 43 93

HSL 343.15, 0.72%, 0.52%

LAB 49.36, 68.47, 16.57

 

CMYK 42 / 0 / 81 / 13

HEX #81DE2B

RGB 129 222 43

HSL 91.17, 0.73%, 0.52%

LAB 80.23, -54.32, 71.57

 

CMYK 81 / 1 / 0 / 13

HEX #2BDADD

RGB 43 218 221

HSL 181.01, 0.72%, 0.52%

LAB 79.54, -39.9, -13.56

 

CMYK 39 / 81 / 0 / 13

HEX #872BDD

RGB 135 43 221

HSL 271.01, 0.72%, 0.52%

LAB 41.37, 68.32, -73.27

 

CMYK 0 / 79 / 81 / 13

HEX #DD2E2B

RGB 221 46 43

HSL 1.01, 0.72%, 0.52%

LAB 48.88, 65.35, 45.29

 

Description

Color code: RGB 129 222 43 | qconv.com Color code: RGB 129 222 43 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 222 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 222 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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