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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 209 98 it is the complementary color RGB 126 46 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 209 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 209 98: RGB 134 209 93, RGB 151 227 112, RGB 168 245 131, RGB 185 255 150 and RGB 202 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 209 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 209 98: RGB 129 209 98, RGB 112 191 79, RGB 95 173 60, RGB 78 155 41 and RGB 61 137 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

Complementary color

CMYK 20 / 71 / 0 / 38

HEX #7E2E9D

RGB 126 46 157

HSL 283.24, 0.55%, 0.4%

LAB 35.64, 51.55, -45

 

CMYK 36 / 0 / 56 / 18

HEX #86D15D

RGB 134 209 93

HSL 98.79, 0.56%, 0.59%

LAB 76.96, -43.64, 49.57

 

CMYK 33 / 0 / 51 / 11

HEX #97E370

RGB 151 227 112

HSL 99.65, 0.67%, 0.66%

LAB 83.28, -43.62, 48.45

 

CMYK 31 / 0 / 47 / 4

HEX #A8F583

RGB 168 245 131

HSL 100.53, 0.85%, 0.74%

LAB 89.52, -43.54, 47.3

 

CMYK 27 / 0 / 41 / 0

HEX #B9FF96

RGB 185 255 150

HSL 100, 1%, 0.79%

LAB 93.47, -39.91, 43.33

 

CMYK 21 / 0 / 34 / 0

HEX #CAFFA9

RGB 202 255 169

HSL 96.98, 1%, 0.83%

LAB 94.71, -31.61, 35.8

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 41 / 0 / 59 / 25

HEX #70BF4F

RGB 112 191 79

HSL 102.32, 0.47%, 0.53%

LAB 70.37, -44.7, 48.07

 

CMYK 45 / 0 / 65 / 32

HEX #5FAD3C

RGB 95 173 60

HSL 101.42, 0.48%, 0.46%

LAB 63.87, -44.53, 49.02

 

CMYK 50 / 0 / 74 / 39

HEX #4E9B29

RGB 78 155 41

HSL 100.53, 0.58%, 0.38%

LAB 57.29, -44.14, 49.58

 

CMYK 55 / 0 / 84 / 46

HEX #3D8916

RGB 61 137 22

HSL 99.65, 0.72%, 0.31%

LAB 50.62, -43.38, 49.3

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 48 / 0 / 54 / 18

HEX #6DD160

RGB 109 209 96

HSL 113.1, 0.55%, 0.6%

LAB 75.88, -51.07, 46.63

 

CMYK 54 / 0 / 51 / 18

HEX #60D166

RGB 96 209 102

HSL 123.19, 0.55%, 0.6%

LAB 75.48, -53.79, 43.18

 

CMYK 54 / 0 / 42 / 18

HEX #60D179

RGB 96 209 121

HSL 133.27, 0.55%, 0.6%

LAB 75.74, -50.99, 34.1

 

CMYK 54 / 0 / 33 / 18

HEX #60D18B

RGB 96 209 139

HSL 142.83, 0.55%, 0.6%

LAB 76.04, -47.86, 25.21

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 40 / 0 / 60 / 98

HEX #030502

RGB 3 5 2

HSL 100, 0.43%, 0.01%

LAB 1.19, -0.94, 0.95

 

CMYK 38 / 0 / 54 / 78

HEX #23381A

RGB 35 56 26

HSL 102, 0.37%, 0.16%

LAB 21.06, -15.24, 16.1

 

CMYK 38 / 0 / 53 / 58

HEX #426B32

RGB 66 107 50

HSL 103.16, 0.36%, 0.31%

LAB 41.06, -26.11, 27.3

 

CMYK 38 / 0 / 53 / 38

HEX #629E4A

RGB 98 158 74

HSL 102.86, 0.36%, 0.45%

LAB 59.48, -35.56, 37.49

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 54 / 0 / 5 / 18

HEX #60D1C7

RGB 96 209 199

HSL 174.69, 0.55%, 0.6%

LAB 77.41, -34.49, -4.82

 

CMYK 0 / 54 / 17 / 18

HEX #D160AD

RGB 209 96 173

HSL 319.12, 0.55%, 0.6%

LAB 57.02, 53.69, -20.1

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 54 / 39 / 0 / 18

HEX #6080D1

RGB 96 128 209

HSL 223.01, 0.55%, 0.6%

LAB 54.58, 12.02, -45.32

 

CMYK 0 / 54 / 39 / 18

HEX #D16080

RGB 209 96 128

HSL 343.01, 0.55%, 0.6%

LAB 55.56, 47.77, 4.03

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 54 / 0 / 5 / 18

HEX #60D1C7

RGB 96 209 199

HSL 174.69, 0.55%, 0.6%

LAB 77.41, -34.49, -4.82

 

CMYK 15 / 54 / 0 / 18

HEX #B160D1

RGB 177 96 209

HSL 283.01, 0.55%, 0.6%

LAB 54.36, 51.04, -45.21

 

CMYK 0 / 54 / 49 / 18

HEX #D1606A

RGB 209 96 106

HSL 354.69, 0.55%, 0.6%

LAB 55.03, 45.53, 16.22

 

CMYK 38 / 0 / 53 / 18

HEX #81D162

RGB 129 209 98

HSL 103.24, 0.55%, 0.6%

LAB 76.77, -44.73, 46.96

 

CMYK 54 / 12 / 0 / 18

HEX #60B8D1

RGB 96 184 209

HSL 193.27, 0.55%, 0.6%

LAB 70.44, -19.47, -20.7

 

CMYK 15 / 54 / 0 / 18

HEX #B160D1

RGB 177 96 209

HSL 283.01, 0.55%, 0.6%

LAB 54.36, 51.04, -45.21

 

CMYK 0 / 42 / 54 / 18

HEX #D17960

RGB 209 121 96

HSL 13.27, 0.55%, 0.6%

LAB 59.96, 31.81, 28.53

 

Description

Color code: RGB 129 209 98 | qconv.com Color code: RGB 129 209 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 209 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 209 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 53 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 53% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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