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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 181 124 it is the complementary color RGB 126 74 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 181 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 181 124: RGB 134 181 119, RGB 151 199 138, RGB 168 217 157, RGB 185 235 176 and RGB 202 253 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 181 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 181 124: RGB 129 181 124, RGB 112 163 105, RGB 95 145 86, RGB 78 127 67 and RGB 61 109 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

Complementary color

CMYK 4 / 44 / 0 / 49

HEX #7E4A83

RGB 126 74 131

HSL 294.74, 0.28%, 0.4%

LAB 39.53, 31.73, -23

 

CMYK 26 / 0 / 34 / 29

HEX #86B577

RGB 134 181 119

HSL 105.48, 0.3%, 0.59%

LAB 69.07, -27.46, 26.71

 

CMYK 24 / 0 / 31 / 22

HEX #97C78A

RGB 151 199 138

HSL 107.21, 0.35%, 0.66%

LAB 75.61, -27.28, 25.59

 

CMYK 23 / 0 / 28 / 15

HEX #A8D99D

RGB 168 217 157

HSL 109, 0.44%, 0.73%

LAB 82.05, -27.1, 24.54

 

CMYK 21 / 0 / 25 / 8

HEX #B9EBB0

RGB 185 235 176

HSL 110.85, 0.6%, 0.81%

LAB 88.38, -26.92, 23.54

 

CMYK 20 / 0 / 23 / 1

HEX #CAFDC3

RGB 202 253 195

HSL 112.76, 0.94%, 0.88%

LAB 94.63, -26.76, 22.58

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 0 / 36 / 36

HEX #70A369

RGB 112 163 105

HSL 112.76, 0.24%, 0.53%

LAB 62.22, -28.63, 24.88

 

CMYK 34 / 0 / 41 / 43

HEX #5F9156

RGB 95 145 86

HSL 110.85, 0.26%, 0.45%

LAB 55.44, -28.86, 26.12

 

CMYK 39 / 0 / 47 / 50

HEX #4E7F43

RGB 78 127 67

HSL 109, 0.31%, 0.38%

LAB 48.52, -29.05, 27.43

 

CMYK 44 / 0 / 56 / 57

HEX #3D6D30

RGB 61 109 48

HSL 107.21, 0.39%, 0.31%

LAB 41.44, -29.14, 28.77

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 0 / 29 / 29

HEX #7CB580

RGB 124 181 128

HSL 124.21, 0.28%, 0.6%

LAB 68.67, -29.4, 21.25

 

CMYK 31 / 0 / 24 / 29

HEX #7CB589

RGB 124 181 137

HSL 133.68, 0.28%, 0.6%

LAB 68.85, -27.78, 16.63

 

CMYK 31 / 0 / 19 / 29

HEX #7CB593

RGB 124 181 147

HSL 144.21, 0.28%, 0.6%

LAB 69.07, -25.85, 11.48

 

CMYK 31 / 0 / 14 / 29

HEX #7CB59C

RGB 124 181 156

HSL 153.68, 0.28%, 0.6%

LAB 69.28, -24.01, 6.85

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 29 / 0 / 31 / 9

HEX #A5E89F

RGB 165 232 159

HSL 115.07, 0.61%, 0.77%

LAB 86.11, -34.83, 28.98

 

CMYK 29 / 0 / 32 / 89

HEX #141C13

RGB 20 28 19

HSL 113.33, 0.19%, 0.09%

LAB 9.21, -6.05, 4.85

 

CMYK 29 / 0 / 32 / 69

HEX #384F36

RGB 56 79 54

HSL 115.2, 0.19%, 0.26%

LAB 31.11, -14.57, 12

 

CMYK 28 / 0 / 32 / 49

HEX #5D8259

RGB 93 130 89

HSL 114.15, 0.19%, 0.43%

LAB 50.7, -21.58, 18.15

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 3 / 0 / 29

HEX #7CAFB5

RGB 124 175 181

HSL 186.32, 0.28%, 0.6%

LAB 68.23, -15.28, -8.48

 

CMYK 0 / 31 / 15 / 29

HEX #B57C99

RGB 181 124 153

HSL 329.47, 0.28%, 0.6%

LAB 58.55, 26.57, -6.59

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 28 / 0 / 29

HEX #7C82B5

RGB 124 130 181

HSL 233.68, 0.28%, 0.6%

LAB 55.67, 9.87, -27.55

 

CMYK 0 / 31 / 28 / 29

HEX #B57C82

RGB 181 124 130

HSL 353.68, 0.28%, 0.6%

LAB 57.9, 23.02, 5.74

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 3 / 0 / 29

HEX #7CAFB5

RGB 124 175 181

HSL 186.32, 0.28%, 0.6%

LAB 68.23, -15.28, -8.48

 

CMYK 3 / 31 / 0 / 29

HEX #AF7CB5

RGB 175 124 181

HSL 293.68, 0.28%, 0.6%

LAB 58.85, 29.6, -22.26

 

CMYK 0 / 28 / 31 / 29

HEX #B5827C

RGB 181 130 124

HSL 6.32, 0.28%, 0.6%

LAB 59.2, 18.84, 11.05

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 13 / 0 / 29

HEX #7C9EB5

RGB 124 158 181

HSL 204.21, 0.28%, 0.6%

LAB 63.4, -6.12, -15.72

 

CMYK 3 / 31 / 0 / 29

HEX #AF7CB5

RGB 175 124 181

HSL 293.68, 0.28%, 0.6%

LAB 58.85, 29.6, -22.26

 

CMYK 0 / 19 / 31 / 29

HEX #B5937C

RGB 181 147 124

HSL 24.21, 0.28%, 0.6%

LAB 63.46, 9.36, 16.99

 

Description

Color code: RGB 129 181 124 | qconv.com Color code: RGB 129 181 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 181 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 181 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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