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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 155 177 it is the complementary color RGB 126 100 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 155 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 155 177: RGB 134 155 172, RGB 151 173 191, RGB 168 191 210, RGB 185 209 229 and RGB 202 227 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 155 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 155 177: RGB 129 155 177, RGB 112 137 158, RGB 95 119 139, RGB 78 101 120 and RGB 61 83 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

Complementary color

CMYK 0 / 21 / 38 / 51

HEX #7E644E

RGB 126 100 78

HSL 27.5, 0.24%, 0.4%

LAB 44.38, 7.15, 16.45

 

CMYK 22 / 10 / 0 / 33

HEX #869BAC

RGB 134 155 172

HSL 206.84, 0.19%, 0.6%

LAB 62.92, -3.56, -11.32

 

CMYK 21 / 9 / 0 / 25

HEX #97ADBF

RGB 151 173 191

HSL 207, 0.24%, 0.67%

LAB 69.63, -3.66, -11.74

 

CMYK 20 / 9 / 0 / 18

HEX #A8BFD2

RGB 168 191 210

HSL 207.14, 0.32%, 0.74%

LAB 76.22, -3.75, -12.15

 

CMYK 19 / 9 / 0 / 10

HEX #B9D1E5

RGB 185 209 229

HSL 207.27, 0.46%, 0.81%

LAB 82.69, -3.84, -12.56

 

CMYK 19 / 8 / 0 / 3

HEX #CAE3F8

RGB 202 227 248

HSL 207.39, 0.77%, 0.88%

LAB 89.05, -3.93, -12.97

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 29 / 13 / 0 / 38

HEX #70899E

RGB 112 137 158

HSL 207.39, 0.19%, 0.53%

LAB 55.89, -3.82, -14.08

 

CMYK 32 / 14 / 0 / 45

HEX #5F778B

RGB 95 119 139

HSL 207.27, 0.19%, 0.46%

LAB 48.87, -3.68, -13.74

 

CMYK 35 / 16 / 0 / 53

HEX #4E6578

RGB 78 101 120

HSL 207.14, 0.21%, 0.39%

LAB 41.66, -3.52, -13.41

 

CMYK 40 / 18 / 0 / 60

HEX #3D5365

RGB 61 83 101

HSL 207, 0.25%, 0.32%

LAB 34.23, -3.32, -13.11

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 28 / 17 / 0 / 31

HEX #8093B1

RGB 128 147 177

HSL 216.73, 0.24%, 0.6%

LAB 60.45, 0.24, -17.91

 

CMYK 28 / 21 / 0 / 31

HEX #808BB1

RGB 128 139 177

HSL 226.53, 0.24%, 0.6%

LAB 58.25, 4.81, -21.26

 

CMYK 28 / 27 / 0 / 31

HEX #8082B1

RGB 128 130 177

HSL 237.55, 0.24%, 0.6%

LAB 55.82, 10.04, -25.01

 

CMYK 24 / 28 / 0 / 31

HEX #8680B1

RGB 134 128 177

HSL 247.35, 0.24%, 0.6%

LAB 55.77, 13.08, -25.04

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 27 / 12 / 0 / 11

HEX #A6C8E4

RGB 166 200 228

HSL 207.1, 0.53%, 0.77%

LAB 79.05, -5.05, -17.61

 

CMYK 29 / 13 / 0 / 91

HEX #111518

RGB 17 21 24

HSL 205.71, 0.17%, 0.08%

LAB 6.52, -0.88, -2.62

 

CMYK 27 / 12 / 0 / 71

HEX #37424B

RGB 55 66 75

HSL 207, 0.15%, 0.25%

LAB 27.34, -2.09, -6.93

 

CMYK 27 / 13 / 0 / 51

HEX #5C6E7E

RGB 92 110 126

HSL 208.24, 0.16%, 0.43%

LAB 45.54, -2.76, -11.07

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 10 / 28 / 0 / 31

HEX #A080B1

RGB 160 128 177

HSL 279.18, 0.24%, 0.6%

LAB 58.12, 21.53, -21.23

 

CMYK 1 / 0 / 28 / 31

HEX #AFB180

RGB 175 177 128

HSL 62.45, 0.24%, 0.6%

LAB 70.95, -8.73, 24.91

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 0 / 28 / 12 / 31

HEX #B1809B

RGB 177 128 155

HSL 326.94, 0.24%, 0.6%

LAB 59.11, 23.22, -6.94

 

CMYK 12 / 0 / 28 / 31

HEX #9BB180

RGB 155 177 128

HSL 86.94, 0.24%, 0.6%

LAB 69.45, -16.41, 22.63

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 10 / 28 / 0 / 31

HEX #A080B1

RGB 160 128 177

HSL 279.18, 0.24%, 0.6%

LAB 58.12, 21.53, -21.23

 

CMYK 0 / 15 / 28 / 31

HEX #B19680

RGB 177 150 128

HSL 26.94, 0.24%, 0.6%

LAB 63.93, 6.65, 15.34

 

CMYK 18 / 0 / 28 / 31

HEX #91B180

RGB 145 177 128

HSL 99.18, 0.24%, 0.6%

LAB 68.77, -20.11, 21.59

 

CMYK 27 / 12 / 0 / 31

HEX #819BB1

RGB 129 155 177

HSL 207.5, 0.24%, 0.6%

LAB 62.75, -3.94, -14.43

 

CMYK 1 / 28 / 0 / 31

HEX #AF80B1

RGB 175 128 177

HSL 297.55, 0.24%, 0.6%

LAB 59.64, 26.57, -18.77

 

CMYK 0 / 15 / 28 / 31

HEX #B19680

RGB 177 150 128

HSL 26.94, 0.24%, 0.6%

LAB 63.93, 6.65, 15.34

 

CMYK 27 / 0 / 28 / 31

HEX #82B180

RGB 130 177 128

HSL 117.55, 0.24%, 0.6%

LAB 67.83, -25.43, 20.16

 

Description

Color code: RGB 129 155 177 | qconv.com Color code: RGB 129 155 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 155 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 155 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 12 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 12% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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