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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 122 81 it is the complementary color RGB 126 133 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 122 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 122 81: RGB 134 122 76, RGB 151 140 95, RGB 168 158 114, RGB 185 176 133 and RGB 202 194 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 122 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 122 81: RGB 129 122 81, RGB 112 104 62, RGB 95 86 43, RGB 78 68 24 and RGB 61 50 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

Complementary color

CMYK 28 / 24 / 0 / 32

HEX #7E85AE

RGB 126 133 174

HSL 231.25, 0.23%, 0.59%

LAB 56.35, 6.91, -22.47

 

CMYK 0 / 9 / 43 / 47

HEX #867A4C

RGB 134 122 76

HSL 47.59, 0.28%, 0.41%

LAB 51.28, -2.35, 26.83

 

CMYK 0 / 7 / 37 / 41

HEX #978C5F

RGB 151 140 95

HSL 48.21, 0.23%, 0.48%

LAB 58.19, -2.85, 25.55

 

CMYK 0 / 6 / 32 / 34

HEX #A89E72

RGB 168 158 114

HSL 48.89, 0.24%, 0.55%

LAB 64.96, -3.26, 24.35

 

CMYK 0 / 5 / 28 / 27

HEX #B9B085

RGB 185 176 133

HSL 49.62, 0.27%, 0.62%

LAB 71.59, -3.6, 23.23

 

CMYK 0 / 4 / 25 / 21

HEX #CAC298

RGB 202 194 152

HSL 50.4, 0.32%, 0.69%

LAB 78.11, -3.89, 22.18

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 0 / 7 / 45 / 56

HEX #70683E

RGB 112 104 62

HSL 50.4, 0.29%, 0.34%

LAB 43.79, -3.43, 24.75

 

CMYK 0 / 9 / 55 / 63

HEX #5F562B

RGB 95 86 43

HSL 49.62, 0.38%, 0.27%

LAB 36.49, -2.78, 26.14

 

CMYK 0 / 13 / 69 / 69

HEX #4E4418

RGB 78 68 24

HSL 48.89, 0.53%, 0.2%

LAB 28.95, -1.86, 27.48

 

CMYK 0 / 18 / 92 / 76

HEX #3D3205

RGB 61 50 5

HSL 48.21, 0.85%, 0.13%

LAB 21.15, -0.5, 27.67

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 1 / 0 / 38 / 50

HEX #7F8050

RGB 127 128 80

HSL 61.25, 0.23%, 0.41%

LAB 52.43, -8.26, 25.96

 

CMYK 7 / 0 / 38 / 50

HEX #778050

RGB 119 128 80

HSL 71.25, 0.23%, 0.41%

LAB 51.77, -11.64, 24.97

 

CMYK 13 / 0 / 38 / 50

HEX #6F8050

RGB 111 128 80

HSL 81.25, 0.23%, 0.41%

LAB 51.15, -14.96, 24.04

 

CMYK 20 / 0 / 38 / 50

HEX #678050

RGB 103 128 80

HSL 91.25, 0.23%, 0.41%

LAB 50.57, -18.19, 23.18

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 0 / 6 / 37 / 29

HEX #B4AA71

RGB 180 170 113

HSL 51.04, 0.31%, 0.57%

LAB 69.22, -4.95, 30.7

 

CMYK 0 / 6 / 37 / 9

HEX #E7DA91

RGB 231 218 145

HSL 50.93, 0.64%, 0.74%

LAB 86.59, -5.94, 37.55

 

CMYK 0 / 4 / 37 / 89

HEX #1B1A11

RGB 27 26 17

HSL 54, 0.23%, 0.09%

LAB 9.09, -1.5, 5.99

 

CMYK 0 / 5 / 37 / 69

HEX #4E4A31

RGB 78 74 49

HSL 51.72, 0.23%, 0.25%

LAB 31.21, -2.79, 15.56

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 38 / 0 / 36 / 50

HEX #508052

RGB 80 128 82

HSL 122.5, 0.23%, 0.41%

LAB 49.2, -26.4, 19.97

 

CMYK 20 / 38 / 0 / 50

HEX #665080

RGB 102 80 128

HSL 267.5, 0.23%, 0.41%

LAB 38.06, 19.52, -23.67

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 38 / 0 / 5 / 50

HEX #508079

RGB 80 128 121

HSL 171.25, 0.23%, 0.41%

LAB 50.13, -17.99, -1.36

 

CMYK 5 / 38 / 0 / 50

HEX #795080

RGB 121 80 128

HSL 291.25, 0.23%, 0.41%

LAB 40.18, 25.92, -20.21

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 38 / 0 / 36 / 50

HEX #508052

RGB 80 128 82

HSL 122.5, 0.23%, 0.41%

LAB 49.2, -26.4, 19.97

 

CMYK 38 / 32 / 0 / 50

HEX #505780

RGB 80 87 128

HSL 231.25, 0.23%, 0.41%

LAB 37.99, 8.07, -23.94

 

CMYK 0 / 38 / 2 / 50

HEX #80507E

RGB 128 80 126

HSL 302.5, 0.23%, 0.41%

LAB 40.95, 27.92, -17.74

 

CMYK 0 / 5 / 37 / 49

HEX #817A51

RGB 129 122 81

HSL 51.25, 0.23%, 0.41%

LAB 50.9, -3.91, 23.44

 

CMYK 38 / 0 / 24 / 50

HEX #508061

RGB 80 128 97

HSL 141.25, 0.23%, 0.41%

LAB 49.5, -23.51, 11.78

 

CMYK 38 / 32 / 0 / 50

HEX #505780

RGB 80 87 128

HSL 231.25, 0.23%, 0.41%

LAB 37.99, 8.07, -23.94

 

CMYK 0 / 38 / 13 / 50

HEX #80506F

RGB 128 80 111

HSL 321.25, 0.23%, 0.41%

LAB 40.37, 25.06, -9.4

 

Description

Color code: RGB 129 122 81 | qconv.com Color code: RGB 129 122 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 122 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 122 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 37 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 37% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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