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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 120 95 it is the complementary color RGB 126 135 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 120 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 129 120 95: RGB 134 120 90, RGB 151 138 109, RGB 168 156 128, RGB 185 174 147 and RGB 202 192 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 120 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 129 120 95: RGB 129 120 95, RGB 112 102 76, RGB 95 84 57, RGB 78 66 38 and RGB 61 48 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

Complementary color

CMYK 21 / 16 / 0 / 37

HEX #7E87A0

RGB 126 135 160

HSL 224.12, 0.15%, 0.56%

LAB 56.39, 2.3, -14.38

 

CMYK 0 / 10 / 33 / 47

HEX #86785A

RGB 134 120 90

HSL 40.91, 0.2%, 0.44%

LAB 50.97, 0.56, 18.47

 

CMYK 0 / 9 / 28 / 41

HEX #978A6D

RGB 151 138 109

HSL 41.43, 0.17%, 0.51%

LAB 57.9, 0.14, 17.33

 

CMYK 0 / 7 / 24 / 34

HEX #A89C80

RGB 168 156 128

HSL 42, 0.19%, 0.58%

LAB 64.69, -0.22, 16.27

 

CMYK 0 / 6 / 21 / 27

HEX #B9AE93

RGB 185 174 147

HSL 42.63, 0.21%, 0.65%

LAB 71.35, -0.52, 15.29

 

CMYK 0 / 5 / 18 / 21

HEX #CAC0A6

RGB 202 192 166

HSL 43.33, 0.25%, 0.72%

LAB 77.88, -0.79, 14.37

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 0 / 9 / 32 / 56

HEX #70664C

RGB 112 102 76

HSL 43.33, 0.19%, 0.37%

LAB 43.46, -0.43, 16.16

 

CMYK 0 / 12 / 40 / 63

HEX #5F5439

RGB 95 84 57

HSL 42.63, 0.25%, 0.3%

LAB 36.12, 0.07, 17.45

 

CMYK 0 / 15 / 51 / 69

HEX #4E4226

RGB 78 66 38

HSL 42, 0.34%, 0.23%

LAB 28.53, 0.76, 18.89

 

CMYK 0 / 21 / 69 / 76

HEX #3D3013

RGB 61 48 19

HSL 41.43, 0.53%, 0.16%

LAB 20.65, 1.77, 20.46

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

CMYK 2 / 0 / 26 / 49

HEX #7E815F

RGB 126 129 95

HSL 65.29, 0.15%, 0.44%

LAB 52.91, -7.15, 18.11

 

CMYK 6 / 0 / 26 / 49

HEX #79815F

RGB 121 129 95

HSL 74.12, 0.15%, 0.44%

LAB 52.5, -9.19, 17.49

 

CMYK 11 / 0 / 26 / 49

HEX #73815F

RGB 115 129 95

HSL 84.71, 0.15%, 0.44%

LAB 52.03, -11.6, 16.77

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 0 / 7 / 26 / 29

HEX #B4A785

RGB 180 167 133

HSL 43.4, 0.24%, 0.61%

LAB 68.78, -0.74, 19.31

 

CMYK 0 / 7 / 26 / 9

HEX #E7D7AA

RGB 231 215 170

HSL 44.26, 0.56%, 0.79%

LAB 86.25, -1.33, 24.24

 

CMYK 0 / 7 / 26 / 89

HEX #1B1914

RGB 27 25 20

HSL 42.86, 0.15%, 0.09%

LAB 8.81, -0.17, 3.72

 

CMYK 0 / 6 / 27 / 69

HEX #4E4939

RGB 78 73 57

HSL 45.71, 0.16%, 0.26%

LAB 31.07, -0.92, 10.35

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 25 / 0 / 26 / 49

HEX #61815F

RGB 97 129 95

HSL 116.47, 0.15%, 0.44%

LAB 50.77, -18.52, 14.84

 

CMYK 18 / 26 / 0 / 49

HEX #6A5F81

RGB 106 95 129

HSL 259.41, 0.15%, 0.44%

LAB 42.51, 11.84, -17.37

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 26 / 0 / 7 / 49

HEX #5F8178

RGB 95 129 120

HSL 164.12, 0.15%, 0.44%

LAB 51.26, -14.05, 0.97

 

CMYK 7 / 26 / 0 / 49

HEX #785F81

RGB 120 95 129

HSL 284.12, 0.15%, 0.44%

LAB 43.89, 16.78, -15.14

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 25 / 0 / 26 / 49

HEX #61815F

RGB 97 129 95

HSL 116.47, 0.15%, 0.44%

LAB 50.77, -18.52, 14.84

 

CMYK 26 / 19 / 0 / 49

HEX #5F6881

RGB 95 104 129

HSL 224.12, 0.15%, 0.44%

LAB 44.12, 2.6, -15.01

 

CMYK 2 / 26 / 0 / 49

HEX #7E5F81

RGB 126 95 129

HSL 294.71, 0.15%, 0.44%

LAB 44.53, 18.93, -14.12

 

CMYK 0 / 7 / 26 / 49

HEX #81785F

RGB 129 120 95

HSL 44.12, 0.15%, 0.44%

LAB 50.6, -0.82, 15

 

CMYK 26 / 0 / 20 / 49

HEX #5F8167

RGB 95 129 103

HSL 134.12, 0.15%, 0.44%

LAB 50.82, -17.7, 10.26

 

CMYK 26 / 19 / 0 / 49

HEX #5F6881

RGB 95 104 129

HSL 224.12, 0.15%, 0.44%

LAB 44.12, 2.6, -15.01

 

CMYK 0 / 26 / 6 / 49

HEX #815F79

RGB 129 95 121

HSL 314.12, 0.15%, 0.44%

LAB 44.56, 18.42, -9.2

 

Description

Color code: RGB 129 120 95 | qconv.com Color code: RGB 129 120 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 120 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 120 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 26 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 26% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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