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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 170 89 it is the complementary color RGB 127 85 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 170 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 128 170 89: RGB 133 170 84, RGB 150 188 103, RGB 167 206 122, RGB 184 224 141 and RGB 201 242 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 170 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 128 170 89: RGB 128 170 89, RGB 111 152 70, RGB 94 134 51, RGB 77 116 32 and RGB 60 98 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

Complementary color

CMYK 23 / 49 / 0 / 35

HEX #7F55A6

RGB 127 85 166

HSL 271.11, 0.32%, 0.49%

LAB 43.89, 33.61, -37.23

 

CMYK 22 / 0 / 51 / 33

HEX #85AA54

RGB 133 170 84

HSL 85.81, 0.34%, 0.5%

LAB 65.26, -27.16, 39.96

 

CMYK 20 / 0 / 45 / 26

HEX #96BC67

RGB 150 188 103

HSL 86.82, 0.39%, 0.57%

LAB 71.85, -27.19, 38.77

 

CMYK 19 / 0 / 41 / 19

HEX #A7CE7A

RGB 167 206 122

HSL 87.86, 0.46%, 0.64%

LAB 78.32, -27.18, 37.6

 

CMYK 18 / 0 / 37 / 12

HEX #B8E08D

RGB 184 224 141

HSL 88.92, 0.57%, 0.72%

LAB 84.7, -27.15, 36.45

 

CMYK 17 / 0 / 34 / 5

HEX #C9F2A0

RGB 201 242 160

HSL 90, 0.76%, 0.79%

LAB 90.99, -27.1, 35.35

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 27 / 0 / 54 / 40

HEX #6F9846

RGB 111 152 70

HSL 90, 0.37%, 0.44%

LAB 58.3, -28.47, 38.26

 

CMYK 30 / 0 / 62 / 47

HEX #5E8633

RGB 94 134 51

HSL 88.92, 0.45%, 0.36%

LAB 51.46, -28.37, 39.35

 

CMYK 34 / 0 / 72 / 55

HEX #4D7420

RGB 77 116 32

HSL 87.86, 0.57%, 0.29%

LAB 44.48, -28.11, 40.1

 

CMYK 39 / 0 / 87 / 62

HEX #3C620D

RGB 60 98 13

HSL 86.82, 0.77%, 0.22%

LAB 37.34, -27.54, 39.87

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 32 / 0 / 47 / 33

HEX #73AA5A

RGB 115 170 90

HSL 101.25, 0.32%, 0.51%

LAB 64.27, -33.1, 35.47

 

CMYK 40 / 0 / 47 / 33

HEX #66AA5A

RGB 102 170 90

HSL 111, 0.32%, 0.51%

LAB 63.6, -37.51, 34.49

 

CMYK 47 / 0 / 46 / 33

HEX #5AAA5B

RGB 90 170 91

HSL 120.75, 0.32%, 0.51%

LAB 63.08, -41.09, 33.2

 

CMYK 47 / 0 / 39 / 33

HEX #5AAA68

RGB 90 170 104

HSL 130.5, 0.32%, 0.51%

LAB 63.28, -39.02, 26.62

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 25 / 0 / 48 / 13

HEX #A6DD74

RGB 166 221 116

HSL 91.43, 0.61%, 0.66%

LAB 82.42, -35.3, 45.69

 

CMYK 24 / 0 / 47 / 93

HEX #0D1109

RGB 13 17 9

HSL 90, 0.31%, 0.05%

LAB 4.57, -2.68, 3.1

 

CMYK 25 / 0 / 47 / 73

HEX #334424

RGB 51 68 36

HSL 91.88, 0.31%, 0.2%

LAB 26.64, -13.55, 17.2

 

CMYK 24 / 0 / 48 / 53

HEX #5A773E

RGB 90 119 62

HSL 90.53, 0.31%, 0.35%

LAB 46.6, -21.22, 27.9

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 47 / 0 / 14 / 33

HEX #5AAA93

RGB 90 170 147

HSL 162.75, 0.32%, 0.51%

LAB 64.18, -30.22, 4.29

 

CMYK 0 / 47 / 6 / 33

HEX #AA5AA0

RGB 170 90 160

HSL 307.5, 0.32%, 0.51%

LAB 49.97, 42.6, -23.79

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 47 / 25 / 0 / 33

HEX #5A80AA

RGB 90 128 170

HSL 211.5, 0.32%, 0.51%

LAB 52.41, -1.56, -26.44

 

CMYK 0 / 47 / 25 / 33

HEX #AA5A80

RGB 170 90 128

HSL 331.5, 0.32%, 0.51%

LAB 48.78, 37.37, -6.57

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 47 / 0 / 14 / 33

HEX #5AAA93

RGB 90 170 147

HSL 162.75, 0.32%, 0.51%

LAB 64.18, -30.22, 4.29

 

CMYK 23 / 47 / 0 / 33

HEX #835AAA

RGB 131 90 170

HSL 270.75, 0.32%, 0.51%

LAB 45.69, 32.84, -36.72

 

CMYK 0 / 47 / 34 / 33

HEX #AA5A70

RGB 170 90 112

HSL 343.5, 0.32%, 0.51%

LAB 48.3, 35.16, 2.33

 

CMYK 25 / 0 / 48 / 33

HEX #80AA59

RGB 128 170 89

HSL 91.11, 0.32%, 0.51%

LAB 65.01, -28.48, 37.06

 

CMYK 47 / 1 / 0 / 33

HEX #5AA8AA

RGB 90 168 170

HSL 181.5, 0.32%, 0.51%

LAB 64.23, -23.43, -8.5

 

CMYK 23 / 47 / 0 / 33

HEX #835AAA

RGB 131 90 170

HSL 270.75, 0.32%, 0.51%

LAB 45.69, 32.84, -36.72

 

CMYK 0 / 46 / 47 / 33

HEX #AA5B5A

RGB 170 91 90

HSL 0.75, 0.32%, 0.51%

LAB 47.96, 32.05, 15.09

 

Description

Color code: RGB 128 170 89 | qconv.com Color code: RGB 128 170 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 170 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 170 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 48 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 48% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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