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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 166 221 it is the complementary color RGB 127 89 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 166 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 128 166 221: RGB 133 166 216, RGB 150 184 235, RGB 167 202 254, RGB 184 220 255 and RGB 201 238 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 166 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 128 166 221: RGB 128 166 221, RGB 111 148 202, RGB 94 130 183, RGB 77 112 164 and RGB 60 94 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

Complementary color

CMYK 0 / 30 / 73 / 50

HEX #7F5922

RGB 127 89 34

HSL 35.48, 0.58%, 0.32%

LAB 40.85, 9.99, 36.81

 

CMYK 38 / 23 / 0 / 15

HEX #85A6D8

RGB 133 166 216

HSL 216.14, 0.52%, 0.68%

LAB 67.44, 1.12, -28.97

 

CMYK 36 / 22 / 0 / 8

HEX #96B8EB

RGB 150 184 235

HSL 216, 0.68%, 0.75%

LAB 74.04, 0.77, -29.11

 

CMYK 34 / 20 / 0 / 0

HEX #A7CAFE

RGB 167 202 254

HSL 215.86, 0.98%, 0.83%

LAB 80.52, 0.47, -29.27

 

CMYK 28 / 14 / 0 / 0

HEX #B8DCFF

RGB 184 220 255

HSL 209.58, 1%, 0.86%

LAB 86.3, -4.07, -20.9

 

CMYK 21 / 7 / 0 / 0

HEX #C9EEFF

RGB 201 238 255

HSL 198.89, 1%, 0.89%

LAB 92.04, -8.38, -12.18

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 45 / 27 / 0 / 21

HEX #6F94CA

RGB 111 148 202

HSL 215.6, 0.46%, 0.61%

LAB 60.63, 1.64, -31.83

 

CMYK 49 / 29 / 0 / 28

HEX #5E82B7

RGB 94 130 183

HSL 215.73, 0.38%, 0.54%

LAB 53.78, 2.21, -31.79

 

CMYK 53 / 32 / 0 / 36

HEX #4D70A4

RGB 77 112 164

HSL 215.86, 0.36%, 0.47%

LAB 46.77, 2.93, -31.79

 

CMYK 59 / 35 / 0 / 43

HEX #3C5E91

RGB 60 94 145

HSL 216, 0.41%, 0.4%

LAB 39.6, 3.85, -31.83

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 43 / 32 / 0 / 14

HEX #7E95DC

RGB 126 149 220

HSL 225.32, 0.57%, 0.68%

LAB 62.59, 10.06, -38.75

 

CMYK 43 / 40 / 0 / 14

HEX #7E85DC

RGB 126 133 220

HSL 235.53, 0.57%, 0.68%

LAB 58.39, 19.43, -45.35

 

CMYK 40 / 43 / 0 / 14

HEX #857EDC

RGB 133 126 220

HSL 244.47, 0.57%, 0.68%

LAB 57.15, 25.33, -47.29

 

CMYK 32 / 43 / 0 / 14

HEX #957EDC

RGB 149 126 220

HSL 254.68, 0.57%, 0.68%

LAB 58.49, 29.54, -45.08

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 41 / 24 / 0 / 93

HEX #0A0D11

RGB 10 13 17

HSL 214.29, 0.26%, 0.05%

LAB 3.55, -0.13, -2.27

 

CMYK 43 / 25 / 0 / 73

HEX #273344

RGB 39 51 68

HSL 215.17, 0.27%, 0.21%

LAB 20.89, 0.12, -12.2

 

CMYK 42 / 25 / 0 / 53

HEX #455977

RGB 69 89 119

HSL 216, 0.27%, 0.37%

LAB 37.38, 0.8, -19.42

 

CMYK 42 / 25 / 0 / 33

HEX #6280AA

RGB 98 128 170

HSL 215, 0.3%, 0.53%

LAB 52.88, 0.55, -25.68

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 9 / 43 / 0 / 14

HEX #C87EDC

RGB 200 126 220

HSL 287.23, 0.57%, 0.68%

LAB 63.65, 44.07, -36.62

 

CMYK 8 / 0 / 43 / 14

HEX #CBDC7E

RGB 203 220 126

HSL 70.85, 0.57%, 0.68%

LAB 84.68, -19.9, 44.16

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 0 / 43 / 25 / 14

HEX #DC7EA5

RGB 220 126 165

HSL 335.11, 0.57%, 0.68%

LAB 64.04, 41.1, -4.79

 

CMYK 25 / 0 / 43 / 14

HEX #A5DC7E

RGB 165 220 126

HSL 95.11, 0.57%, 0.68%

LAB 82.21, -33.99, 40.52

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 9 / 43 / 0 / 14

HEX #C87EDC

RGB 200 126 220

HSL 287.23, 0.57%, 0.68%

LAB 63.65, 44.07, -36.62

 

CMYK 0 / 18 / 43 / 14

HEX #DCB57E

RGB 220 181 126

HSL 35.11, 0.57%, 0.68%

LAB 75.93, 6.86, 33.28

 

CMYK 34 / 0 / 43 / 14

HEX #92DC7E

RGB 146 220 126

HSL 107.23, 0.57%, 0.68%

LAB 81.18, -40.45, 39

 

CMYK 42 / 25 / 0 / 13

HEX #80A6DD

RGB 128 166 221

HSL 215.48, 0.58%, 0.68%

LAB 67.34, 1.17, -31.91

 

CMYK 0 / 43 / 4 / 14

HEX #DC7ED4

RGB 220 126 212

HSL 305.11, 0.57%, 0.68%

LAB 65.66, 48.54, -28.84

 

CMYK 0 / 18 / 43 / 14

HEX #DCB57E

RGB 220 181 126

HSL 35.11, 0.57%, 0.68%

LAB 75.93, 6.86, 33.28

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC85

RGB 126 220 133

HSL 124.47, 0.57%, 0.68%

LAB 80.36, -45.6, 34.24

 

Description

Color code: RGB 128 166 221 | qconv.com Color code: RGB 128 166 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 166 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 166 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 25 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 25% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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