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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 112 249 it is the complementary color RGB 127 143 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 112 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 128 112 249: RGB 133 112 244, RGB 150 130 255, RGB 167 148 255, RGB 184 166 255 and RGB 201 184 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 112 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 128 112 249: RGB 128 112 249, RGB 111 94 230, RGB 94 76 211, RGB 77 58 192 and RGB 60 40 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

Complementary color

CMYK 11 / 0 / 96 / 44

HEX #7F8F06

RGB 127 143 6

HSL 67.01, 0.92%, 0.29%

LAB 56.26, -21.13, 58.9

 

CMYK 45 / 54 / 0 / 4

HEX #8570F4

RGB 133 112 244

HSL 249.55, 0.86%, 0.7%

LAB 55.18, 40.28, -63.83

 

CMYK 41 / 49 / 0 / 0

HEX #9682FF

RGB 150 130 255

HSL 249.6, 1%, 0.75%

LAB 61.37, 36.82, -59.91

 

CMYK 35 / 42 / 0 / 0

HEX #A794FF

RGB 167 148 255

HSL 250.65, 1%, 0.79%

LAB 66.99, 30.77, -50.89

 

CMYK 28 / 35 / 0 / 0

HEX #B8A6FF

RGB 184 166 255

HSL 252.13, 1%, 0.83%

LAB 72.68, 25.25, -41.84

 

CMYK 21 / 28 / 0 / 0

HEX #C9B8FF

RGB 201 184 255

HSL 254.37, 1%, 0.86%

LAB 78.41, 20.23, -32.84

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 52 / 59 / 0 / 10

HEX #6F5EE6

RGB 111 94 230

HSL 247.5, 0.73%, 0.64%

LAB 48.38, 42.16, -67.07

 

CMYK 55 / 64 / 0 / 17

HEX #5E4CD3

RGB 94 76 211

HSL 248, 0.61%, 0.56%

LAB 41.61, 43.81, -67.32

 

CMYK 60 / 70 / 0 / 25

HEX #4D3AC0

RGB 77 58 192

HSL 248.51, 0.54%, 0.49%

LAB 34.82, 45.55, -67.44

 

CMYK 65 / 77 / 0 / 32

HEX #3C28AD

RGB 60 40 173

HSL 249.02, 0.62%, 0.42%

LAB 28.1, 47.24, -67.27

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 39 / 55 / 0 / 2

HEX #9771F9

RGB 151 113 249

HSL 256.76, 0.92%, 0.71%

LAB 57.3, 45.04, -63.12

 

CMYK 30 / 55 / 0 / 2

HEX #AE71F9

RGB 174 113 249

HSL 266.91, 0.92%, 0.71%

LAB 59.57, 50.39, -59.35

 

CMYK 21 / 55 / 0 / 2

HEX #C471F9

RGB 196 113 249

HSL 276.62, 0.92%, 0.71%

LAB 61.99, 55.76, -55.35

 

CMYK 12 / 55 / 0 / 2

HEX #DB71F9

RGB 219 113 249

HSL 286.76, 0.92%, 0.71%

LAB 64.73, 61.53, -50.82

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 49 / 56 / 0 / 82

HEX #17142D

RGB 23 20 45

HSL 247.2, 0.38%, 0.13%

LAB 7.88, 9.4, -16.38

 

CMYK 49 / 55 / 0 / 62

HEX #312B60

RGB 49 43 96

HSL 246.79, 0.38%, 0.27%

LAB 20.92, 18.2, -30.78

 

CMYK 48 / 55 / 0 / 42

HEX #4C4293

RGB 76 66 147

HSL 247.41, 0.38%, 0.42%

LAB 33, 26.34, -43.48

 

CMYK 48 / 55 / 0 / 22

HEX #6659C6

RGB 102 89 198

HSL 247.16, 0.49%, 0.56%

LAB 44.3, 33.69, -55.43

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 0 / 55 / 18 / 2

HEX #F971CD

RGB 249 113 205

HSL 319.41, 0.92%, 0.71%

LAB 66.79, 62.28, -22.87

 

CMYK 39 / 0 / 55 / 2

HEX #97F971

RGB 151 249 113

HSL 103.24, 0.92%, 0.71%

LAB 89.64, -52.73, 55.58

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 0 / 49 / 55 / 2

HEX #F98071

RGB 249 128 113

HSL 6.62, 0.92%, 0.71%

LAB 67.1, 44.79, 29.41

 

CMYK 55 / 0 / 49 / 2

HEX #71F980

RGB 113 249 128

HSL 126.62, 0.92%, 0.71%

LAB 88.36, -61.35, 46.79

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 0 / 55 / 18 / 2

HEX #F971CD

RGB 249 113 205

HSL 319.41, 0.92%, 0.71%

LAB 66.79, 62.28, -22.87

 

CMYK 6 / 0 / 55 / 2

HEX #E9F971

RGB 233 249 113

HSL 67.06, 0.92%, 0.71%

LAB 94.43, -23.45, 62.36

 

CMYK 55 / 0 / 37 / 2

HEX #71F99C

RGB 113 249 156

HSL 138.97, 0.92%, 0.71%

LAB 88.76, -57.06, 33.65

 

CMYK 49 / 55 / 0 / 2

HEX #8070F9

RGB 128 112 249

HSL 247.01, 0.92%, 0.71%

LAB 55.09, 40.67, -66.77

 

CMYK 0 / 55 / 34 / 2

HEX #F971A5

RGB 249 113 165

HSL 337.06, 0.92%, 0.71%

LAB 65.49, 57.08, -2.22

 

CMYK 6 / 0 / 55 / 2

HEX #E9F971

RGB 233 249 113

HSL 67.06, 0.92%, 0.71%

LAB 94.43, -23.45, 62.36

 

CMYK 55 / 0 / 21 / 2

HEX #71F9C4

RGB 113 249 196

HSL 156.62, 0.92%, 0.71%

LAB 89.51, -49.41, 14.31

 

Description

Color code: RGB 128 112 249 | qconv.com Color code: RGB 128 112 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 112 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 112 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 55 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 55% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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