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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 80 121 it is the complementary color RGB 128 175 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 80 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 80 121: RGB 132 80 116, RGB 149 98 135, RGB 166 116 154, RGB 183 134 173 and RGB 200 152 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 80 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 80 121: RGB 127 80 121, RGB 110 62 102, RGB 93 44 83, RGB 76 26 64 and RGB 59 8 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

Complementary color

CMYK 27 / 0 / 23 / 31

HEX #80AF86

RGB 128 175 134

HSL 127.66, 0.23%, 0.59%

LAB 67.25, -24.06, 16.08

 

CMYK 0 / 39 / 12 / 48

HEX #845074

RGB 132 80 116

HSL 318.46, 0.25%, 0.42%

LAB 41.06, 27.43, -11.39

 

CMYK 0 / 34 / 9 / 42

HEX #956287

RGB 149 98 135

HSL 316.47, 0.21%, 0.48%

LAB 48.1, 26.62, -12.05

 

CMYK 0 / 30 / 7 / 35

HEX #A6749A

RGB 166 116 154

HSL 314.4, 0.22%, 0.55%

LAB 55, 25.88, -12.65

 

CMYK 0 / 27 / 5 / 28

HEX #B786AD

RGB 183 134 173

HSL 312.24, 0.25%, 0.62%

LAB 61.77, 25.19, -13.19

 

CMYK 0 / 24 / 4 / 22

HEX #C898C0

RGB 200 152 192

HSL 310, 0.3%, 0.69%

LAB 68.42, 24.56, -13.69

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 44 / 7 / 57

HEX #6E3E66

RGB 110 62 102

HSL 310, 0.28%, 0.34%

LAB 33.39, 27.41, -14.58

 

CMYK 0 / 53 / 11 / 64

HEX #5D2C53

RGB 93 44 83

HSL 312.24, 0.36%, 0.27%

LAB 26.02, 28.23, -13.81

 

CMYK 0 / 66 / 16 / 70

HEX #4C1A40

RGB 76 26 64

HSL 314.4, 0.49%, 0.2%

LAB 18.56, 28.84, -12.67

 

CMYK 0 / 86 / 24 / 77

HEX #3B082D

RGB 59 8 45

HSL 316.47, 0.76%, 0.13%

LAB 11.23, 28.6, -10.71

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 38 / 11 / 50

HEX #805072

RGB 128 80 114

HSL 317.5, 0.23%, 0.41%

LAB 40.48, 25.6, -11.09

 

CMYK 0 / 38 / 17 / 50

HEX #80506A

RGB 128 80 106

HSL 327.5, 0.23%, 0.41%

LAB 40.19, 24.17, -6.58

 

CMYK 0 / 38 / 23 / 50

HEX #805062

RGB 128 80 98

HSL 337.5, 0.23%, 0.41%

LAB 39.93, 22.83, -2.01

 

CMYK 0 / 38 / 30 / 50

HEX #80505A

RGB 128 80 90

HSL 347.5, 0.23%, 0.41%

LAB 39.69, 21.58, 2.61

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 37 / 4 / 30

HEX #B270AA

RGB 178 112 170

HSL 307.27, 0.3%, 0.57%

LAB 56.04, 35.15, -20.21

 

CMYK 0 / 37 / 5 / 10

HEX #E590DA

RGB 229 144 218

HSL 307.76, 0.62%, 0.73%

LAB 70.64, 43.06, -24.44

 

CMYK 0 / 36 / 4 / 90

HEX #191018

RGB 25 16 24

HSL 306.67, 0.22%, 0.08%

LAB 5.81, 5.72, -3.55

 

CMYK 0 / 37 / 5 / 70

HEX #4C3048

RGB 76 48 72

HSL 308.57, 0.23%, 0.24%

LAB 24.06, 17.23, -9.7

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 26 / 38 / 50

HEX #805F50

RGB 128 95 80

HSL 18.75, 0.23%, 0.41%

LAB 43.29, 11.25, 13.81

 

CMYK 38 / 0 / 11 / 50

HEX #508072

RGB 80 128 114

HSL 162.5, 0.23%, 0.41%

LAB 49.93, -19.71, 2.46

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 5 / 0 / 38 / 50

HEX #7A8050

RGB 122 128 80

HSL 67.5, 0.23%, 0.41%

LAB 52.01, -10.38, 25.33

 

CMYK 38 / 5 / 0 / 50

HEX #507A80

RGB 80 122 128

HSL 187.5, 0.23%, 0.41%

LAB 48.49, -12.89, -7.91

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 26 / 38 / 50

HEX #805F50

RGB 128 95 80

HSL 18.75, 0.23%, 0.41%

LAB 43.29, 11.25, 13.81

 

CMYK 38 / 0 / 33 / 50

HEX #508056

RGB 80 128 86

HSL 127.5, 0.23%, 0.41%

LAB 49.27, -25.68, 17.8

 

CMYK 38 / 12 / 0 / 50

HEX #507180

RGB 80 113 128

HSL 198.75, 0.23%, 0.41%

LAB 45.74, -7.76, -12.05

 

CMYK 0 / 37 / 5 / 50

HEX #7F5079

RGB 127 80 121

HSL 307.66, 0.23%, 0.41%

LAB 40.62, 26.58, -15.19

 

CMYK 0 / 14 / 38 / 50

HEX #806E50

RGB 128 110 80

HSL 37.5, 0.23%, 0.41%

LAB 47.39, 2.41, 19.36

 

CMYK 38 / 0 / 33 / 50

HEX #508056

RGB 80 128 86

HSL 127.5, 0.23%, 0.41%

LAB 49.27, -25.68, 17.8

 

CMYK 38 / 23 / 0 / 50

HEX #506280

RGB 80 98 128

HSL 217.5, 0.23%, 0.41%

LAB 41.22, 1.2, -18.94

 

Description

Color code: RGB 127 80 121 | qconv.com Color code: RGB 127 80 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 80 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 80 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 5 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 5% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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