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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 76 102 it is the complementary color RGB 128 179 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 76 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 76 102: RGB 132 76 97, RGB 149 94 116, RGB 166 112 135, RGB 183 130 154 and RGB 200 148 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 76 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 76 102: RGB 127 76 102, RGB 110 58 83, RGB 93 40 64, RGB 76 22 45 and RGB 59 4 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

Complementary color

CMYK 28 / 0 / 15 / 30

HEX #80B399

RGB 128 179 153

HSL 149.41, 0.25%, 0.6%

LAB 68.84, -22.38, 7.9

 

CMYK 0 / 42 / 27 / 48

HEX #844C61

RGB 132 76 97

HSL 337.5, 0.27%, 0.41%

LAB 39.47, 26.55, -1.99

 

CMYK 0 / 37 / 22 / 42

HEX #955E74

RGB 149 94 116

HSL 336, 0.23%, 0.48%

LAB 46.52, 25.66, -3.01

 

CMYK 0 / 33 / 19 / 35

HEX #A67087

RGB 166 112 135

HSL 334.44, 0.23%, 0.55%

LAB 53.43, 24.85, -3.88

 

CMYK 0 / 29 / 16 / 28

HEX #B7829A

RGB 183 130 154

HSL 332.83, 0.27%, 0.61%

LAB 60.22, 24.11, -4.66

 

CMYK 0 / 26 / 14 / 22

HEX #C894AD

RGB 200 148 173

HSL 331.15, 0.32%, 0.68%

LAB 66.88, 23.44, -5.37

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 47 / 25 / 57

HEX #6E3A53

RGB 110 58 83

HSL 331.15, 0.31%, 0.33%

LAB 31.73, 26.35, -4.92

 

CMYK 0 / 57 / 31 / 64

HEX #5D2840

RGB 93 40 64

HSL 332.83, 0.4%, 0.26%

LAB 24.37, 27.25, -3.59

 

CMYK 0 / 71 / 41 / 70

HEX #4C162D

RGB 76 22 45

HSL 334.44, 0.55%, 0.19%

LAB 16.99, 27.89, -1.66

 

CMYK 0 / 93 / 56 / 77

HEX #3B041A

RGB 59 4 26

HSL 336, 0.87%, 0.12%

LAB 9.73, 27.9, 1.38

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 40 / 26 / 50

HEX #7F4C5E

RGB 127 76 94

HSL 338.82, 0.25%, 0.4%

LAB 38.71, 24.15, -1.33

 

CMYK 0 / 40 / 33 / 50

HEX #7F4C55

RGB 127 76 85

HSL 349.41, 0.25%, 0.4%

LAB 38.44, 22.8, 3.91

 

CMYK 0 / 40 / 39 / 50

HEX #7F4C4D

RGB 127 76 77

HSL 358.82, 0.25%, 0.4%

LAB 38.23, 21.72, 8.61

 

CMYK 0 / 34 / 40 / 50

HEX #7F544C

RGB 127 84 76

HSL 9.41, 0.25%, 0.4%

LAB 40.2, 16.85, 11.98

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 40 / 20 / 30

HEX #B26B8F

RGB 178 107 143

HSL 329.58, 0.32%, 0.56%

LAB 53.99, 33.28, -7.59

 

CMYK 0 / 40 / 20 / 10

HEX #E589B8

RGB 229 137 184

HSL 329.35, 0.64%, 0.72%

LAB 68.03, 41.2, -9.48

 

CMYK 0 / 40 / 20 / 90

HEX #190F14

RGB 25 15 20

HSL 330, 0.25%, 0.08%

LAB 5.41, 5.28, -1.27

 

CMYK 0 / 41 / 20 / 70

HEX #4C2D3D

RGB 76 45 61

HSL 329.03, 0.26%, 0.24%

LAB 22.83, 16.95, -4.14

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 13 / 40 / 50

HEX #7F6F4C

RGB 127 111 76

HSL 41.18, 0.25%, 0.4%

LAB 47.5, 0.88, 21.8

 

CMYK 40 / 3 / 0 / 50

HEX #4C7B7F

RGB 76 123 127

HSL 184.71, 0.25%, 0.4%

LAB 48.55, -14.86, -7.24

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 20 / 0 / 40 / 50

HEX #667F4C

RGB 102 127 76

HSL 89.41, 0.25%, 0.4%

LAB 50.13, -18.65, 24.82

 

CMYK 40 / 20 / 0 / 50

HEX #4C667F

RGB 76 102 127

HSL 209.41, 0.25%, 0.4%

LAB 42.11, -2.73, -16.98

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 13 / 40 / 50

HEX #7F6F4C

RGB 127 111 76

HSL 41.18, 0.25%, 0.4%

LAB 47.5, 0.88, 21.8

 

CMYK 40 / 0 / 20 / 50

HEX #4C7F65

RGB 76 127 101

HSL 149.41, 0.25%, 0.4%

LAB 49.07, -23.42, 8.82

 

CMYK 40 / 28 / 0 / 50

HEX #4C5C7F

RGB 76 92 127

HSL 221.18, 0.25%, 0.4%

LAB 39.11, 3.42, -21.6

 

CMYK 0 / 40 / 20 / 50

HEX #7F4C66

RGB 127 76 102

HSL 329.41, 0.25%, 0.4%

LAB 38.97, 25.45, -5.93

 

CMYK 0 / 1 / 40 / 50

HEX #7F7E4C

RGB 127 126 76

HSL 58.82, 0.25%, 0.4%

LAB 51.79, -7.64, 27.35

 

CMYK 40 / 0 / 20 / 50

HEX #4C7F65

RGB 76 127 101

HSL 149.41, 0.25%, 0.4%

LAB 49.07, -23.42, 8.82

 

CMYK 40 / 39 / 0 / 50

HEX #4C4D7F

RGB 76 77 127

HSL 238.82, 0.25%, 0.4%

LAB 34.76, 12.98, -28.4

 

Description

Color code: RGB 127 76 102 | qconv.com Color code: RGB 127 76 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 76 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 76 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 20 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 20% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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