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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 64 35 it is the complementary color RGB 128 191 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 64 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 64 35: RGB 132 64 30, RGB 149 82 49, RGB 166 100 68, RGB 183 118 87 and RGB 200 136 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 64 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 64 35: RGB 127 64 35, RGB 110 46 16, RGB 93 28 0, RGB 76 10 0 and RGB 59 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

Complementary color

CMYK 42 / 13 / 0 / 14

HEX #80BFDC

RGB 128 191 220

HSL 198.91, 0.57%, 0.68%

LAB 74.2, -12.7, -20.84

 

CMYK 0 / 52 / 77 / 48

HEX #84401E

RGB 132 64 30

HSL 20, 0.63%, 0.32%

LAB 35.33, 26.63, 33.3

 

CMYK 0 / 45 / 67 / 42

HEX #955231

RGB 149 82 49

HSL 19.8, 0.51%, 0.39%

LAB 42.22, 24.91, 31.21

 

CMYK 0 / 40 / 59 / 35

HEX #A66444

RGB 166 100 68

HSL 19.59, 0.42%, 0.46%

LAB 49.05, 23.42, 29.28

 

CMYK 0 / 36 / 52 / 28

HEX #B77657

RGB 183 118 87

HSL 19.38, 0.4%, 0.53%

LAB 55.8, 22.13, 27.55

 

CMYK 0 / 32 / 47 / 22

HEX #C8886A

RGB 200 136 106

HSL 19.15, 0.46%, 0.6%

LAB 62.45, 21.02, 26

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 0 / 58 / 85 / 57

HEX #6E2E10

RGB 110 46 16

HSL 19.15, 0.75%, 0.25%

LAB 27.59, 26.58, 31.67

 

CMYK 0 / 70 / 100 / 64

HEX #5D1C00

RGB 93 28 0

HSL 18.06, 1%, 0.18%

LAB 20.66, 28.42, 30.63

 

CMYK 0 / 87 / 100 / 70

HEX #4C0A00

RGB 76 10 0

HSL 7.89, 1%, 0.15%

LAB 14.14, 29.66, 21.86

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 0 / 39 / 73 / 50

HEX #804E23

RGB 128 78 35

HSL 27.74, 0.57%, 0.32%

LAB 38.13, 17.04, 33.44

 

CMYK 0 / 27 / 73 / 50

HEX #805E23

RGB 128 94 35

HSL 38.06, 0.57%, 0.32%

LAB 42.33, 7.55, 37.91

 

CMYK 0 / 15 / 73 / 50

HEX #806D23

RGB 128 109 35

HSL 47.74, 0.57%, 0.32%

LAB 46.51, -1.21, 42.2

 

CMYK 0 / 2 / 73 / 50

HEX #807D23

RGB 128 125 35

HSL 58.06, 0.57%, 0.32%

LAB 51.13, -10.19, 46.8

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 0 / 49 / 72 / 30

HEX #B25A31

RGB 178 90 49

HSL 19.07, 0.57%, 0.45%

LAB 48.26, 32.65, 39.18

 

CMYK 0 / 50 / 72 / 10

HEX #E5733F

RGB 229 115 63

HSL 18.8, 0.76%, 0.57%

LAB 61.03, 40.61, 48.07

 

CMYK 0 / 48 / 72 / 90

HEX #190D07

RGB 25 13 7

HSL 20, 0.56%, 0.06%

LAB 4.61, 4.04, 4.1

 

CMYK 0 / 50 / 72 / 70

HEX #4C2615

RGB 76 38 21

HSL 18.55, 0.57%, 0.19%

LAB 19.95, 16.14, 18.97

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 37 / 0 / 73 / 50

HEX #518023

RGB 81 128 35

HSL 90.32, 0.57%, 0.32%

LAB 48.65, -31.96, 43.2

 

CMYK 73 / 66 / 0 / 50

HEX #232C80

RGB 35 44 128

HSL 234.19, 0.57%, 0.32%

LAB 22.71, 26.41, -48.53

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 73 / 0 / 52 / 50

HEX #23803E

RGB 35 128 62

HSL 137.42, 0.57%, 0.32%

LAB 47.16, -42, 28.08

 

CMYK 52 / 73 / 0 / 50

HEX #3E2380

RGB 62 35 128

HSL 257.42, 0.57%, 0.32%

LAB 22.95, 36.43, -48.06

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 37 / 0 / 73 / 50

HEX #518023

RGB 81 128 35

HSL 90.32, 0.57%, 0.32%

LAB 48.65, -31.96, 43.2

 

CMYK 73 / 22 / 0 / 50

HEX #236480

RGB 35 100 128

HSL 198.06, 0.57%, 0.32%

LAB 39.63, -10.66, -21.57

 

CMYK 37 / 73 / 0 / 50

HEX #512380

RGB 81 35 128

HSL 269.68, 0.57%, 0.32%

LAB 25.29, 40.14, -44.14

 

CMYK 0 / 50 / 72 / 50

HEX #7F4023

RGB 127 64 35

HSL 18.91, 0.57%, 0.32%

LAB 34.6, 24.74, 29.51

 

CMYK 59 / 0 / 73 / 50

HEX #358023

RGB 53 128 35

HSL 108.39, 0.57%, 0.32%

LAB 47.39, -41.25, 41.5

 

CMYK 73 / 22 / 0 / 50

HEX #236480

RGB 35 100 128

HSL 198.06, 0.57%, 0.32%

LAB 39.63, -10.66, -21.57

 

CMYK 15 / 73 / 0 / 50

HEX #6D2380

RGB 109 35 128

HSL 287.74, 0.57%, 0.32%

LAB 29.44, 46.33, -37.23

 

Description

Color code: RGB 127 64 35 | qconv.com Color code: RGB 127 64 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 64 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 64 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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