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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 251 251 it is the complementary color RGB 128 4 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 251 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 251 251: RGB 132 251 246, RGB 149 255 255, RGB 166 255 255, RGB 183 255 255 and RGB 200 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 251 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 251 251: RGB 127 251 251, RGB 110 233 232, RGB 93 215 213, RGB 76 197 194 and RGB 59 179 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

Complementary color

CMYK 0 / 97 / 97 / 50

HEX #800404

RGB 128 4 4

HSL 0, 0.94%, 0.26%

LAB 25.82, 47.37, 36.7

 

CMYK 47 / 0 / 2 / 2

HEX #84FBF6

RGB 132 251 246

HSL 177.48, 0.94%, 0.75%

LAB 91.93, -34.77, -8.02

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 53 / 0 / 0 / 9

HEX #6EE9E8

RGB 110 233 232

HSL 179.51, 0.74%, 0.67%

LAB 85.72, -34.44, -10.01

 

CMYK 57 / 0 / 1 / 16

HEX #5DD7D5

RGB 93 215 213

HSL 179.02, 0.6%, 0.6%

LAB 79.46, -34.22, -9.3

 

CMYK 61 / 0 / 2 / 23

HEX #4CC5C2

RGB 76 197 194

HSL 178.51, 0.51%, 0.54%

LAB 73.13, -33.89, -8.52

 

CMYK 67 / 0 / 2 / 30

HEX #3BB3AF

RGB 59 179 175

HSL 178, 0.5%, 0.47%

LAB 66.72, -33.4, -7.67

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 50 / 8 / 0 / 2

HEX #7EE6FB

RGB 126 230 251

HSL 190.08, 0.94%, 0.74%

LAB 86, -24.75, -19.52

 

CMYK 50 / 17 / 0 / 2

HEX #7ED1FB

RGB 126 209 251

HSL 200.16, 0.94%, 0.74%

LAB 80.18, -14.15, -28.38

 

CMYK 50 / 25 / 0 / 2

HEX #7EBCFB

RGB 126 188 251

HSL 210.24, 0.94%, 0.74%

LAB 74.42, -2.97, -37.26

 

CMYK 50 / 33 / 0 / 2

HEX #7EA7FB

RGB 126 167 251

HSL 220.32, 0.94%, 0.74%

LAB 68.78, 8.75, -46.07

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 49 / 0 / 0 / 82

HEX #182F2F

RGB 24 47 47

HSL 180, 0.32%, 0.14%

LAB 17.61, -9.02, -2.85

 

CMYK 49 / 0 / 0 / 62

HEX #326262

RGB 50 98 98

HSL 180, 0.32%, 0.29%

LAB 38.37, -16.25, -5.06

 

CMYK 50 / 0 / 0 / 42

HEX #4B9595

RGB 75 149 149

HSL 180, 0.33%, 0.44%

LAB 57.23, -22.92, -7.1

 

CMYK 50 / 0 / 0 / 22

HEX #65C8C8

RGB 101 200 200

HSL 180, 0.47%, 0.59%

LAB 74.98, -28.9, -8.94

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 40 / 50 / 0 / 2

HEX #977EFB

RGB 151 126 251

HSL 252, 0.94%, 0.74%

LAB 60.31, 38.25, -59.4

 

CMYK 0 / 20 / 50 / 2

HEX #FBC97E

RGB 251 201 126

HSL 36, 0.94%, 0.74%

LAB 83.86, 8.83, 44

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 0 / 50 / 0 / 2

HEX #FB7EFB

RGB 251 126 251

HSL 300, 0.94%, 0.74%

LAB 71.14, 64.12, -41.56

 

CMYK 0 / 0 / 50 / 2

HEX #FBFB7E

RGB 251 251 126

HSL 60, 0.94%, 0.74%

LAB 96.41, -16.33, 59.21

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 40 / 50 / 0 / 2

HEX #977EFB

RGB 151 126 251

HSL 252, 0.94%, 0.74%

LAB 60.31, 38.25, -59.4

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 10 / 0 / 50 / 2

HEX #E2FB7E

RGB 226 251 126

HSL 72, 0.94%, 0.74%

LAB 94.6, -25.98, 56.62

 

CMYK 49 / 0 / 0 / 2

HEX #7FFBFB

RGB 127 251 251

HSL 180, 0.94%, 0.74%

LAB 91.9, -34.58, -10.69

 

CMYK 25 / 50 / 0 / 2

HEX #BC7EFB

RGB 188 126 251

HSL 269.76, 0.94%, 0.74%

LAB 63.82, 47.42, -53.59

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 25 / 0 / 50 / 2

HEX #BCFB7E

RGB 188 251 126

HSL 90.24, 0.94%, 0.74%

LAB 92.22, -39.93, 53.19

 

Description

Color code: RGB 127 251 251 | qconv.com Color code: RGB 127 251 251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 251 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 251 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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