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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 215 115 it is the complementary color RGB 128 40 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 215 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 215 115: RGB 132 215 110, RGB 149 233 129, RGB 166 251 148, RGB 183 255 167 and RGB 200 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 215 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 215 115: RGB 127 215 115, RGB 110 197 96, RGB 93 179 77, RGB 76 161 58 and RGB 59 143 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

Complementary color

CMYK 9 / 71 / 0 / 45

HEX #80288C

RGB 128 40 140

HSL 292.8, 0.56%, 0.35%

LAB 33.98, 51.07, -37.26

 

CMYK 39 / 0 / 49 / 16

HEX #84D76E

RGB 132 215 110

HSL 107.43, 0.57%, 0.64%

LAB 78.83, -44.88, 43.76

 

CMYK 36 / 0 / 45 / 9

HEX #95E981

RGB 149 233 129

HSL 108.46, 0.7%, 0.71%

LAB 85.12, -44.76, 42.56

 

CMYK 34 / 0 / 41 / 2

HEX #A6FB94

RGB 166 251 148

HSL 109.51, 0.93%, 0.78%

LAB 91.34, -44.6, 41.38

 

CMYK 28 / 0 / 35 / 0

HEX #B7FFA7

RGB 183 255 167

HSL 109.09, 1%, 0.83%

LAB 93.61, -38.23, 35.14

 

CMYK 22 / 0 / 27 / 0

HEX #C8FFBA

RGB 200 255 186

HSL 107.83, 1%, 0.86%

LAB 94.88, -29.79, 27.48

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 44 / 0 / 51 / 23

HEX #6EC560

RGB 110 197 96

HSL 111.68, 0.47%, 0.57%

LAB 72.29, -45.87, 42.31

 

CMYK 48 / 0 / 57 / 30

HEX #5DB34D

RGB 93 179 77

HSL 110.59, 0.4%, 0.5%

LAB 65.83, -45.84, 43.52

 

CMYK 53 / 0 / 64 / 37

HEX #4CA13A

RGB 76 161 58

HSL 109.51, 0.47%, 0.43%

LAB 59.28, -45.62, 44.62

 

CMYK 59 / 0 / 73 / 44

HEX #3B8F27

RGB 59 143 39

HSL 108.46, 0.57%, 0.36%

LAB 52.64, -45.1, 45.39

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 47 / 0 / 45 / 16

HEX #73D777

RGB 115 215 119

HSL 122.4, 0.56%, 0.65%

LAB 78.21, -48.74, 38.41

 

CMYK 47 / 0 / 37 / 16

HEX #73D787

RGB 115 215 135

HSL 132, 0.56%, 0.65%

LAB 78.46, -46.25, 30.64

 

CMYK 47 / 0 / 29 / 16

HEX #73D798

RGB 115 215 152

HSL 142.2, 0.56%, 0.65%

LAB 78.76, -43.24, 22.23

 

CMYK 47 / 0 / 21 / 16

HEX #73D7A9

RGB 115 215 169

HSL 152.4, 0.56%, 0.65%

LAB 79.1, -39.88, 13.75

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 45 / 0 / 45 / 96

HEX #060B06

RGB 6 11 6

HSL 120, 0.29%, 0.03%

LAB 2.63, -2.01, 1.44

 

CMYK 40 / 0 / 47 / 76

HEX #253E21

RGB 37 62 33

HSL 111.72, 0.31%, 0.19%

LAB 23.5, -16.57, 14.85

 

CMYK 41 / 0 / 47 / 56

HEX #43713C

RGB 67 113 60

HSL 112.08, 0.31%, 0.34%

LAB 43.26, -27.22, 24.52

 

CMYK 41 / 0 / 46 / 36

HEX #61A458

RGB 97 164 88

HSL 112.89, 0.3%, 0.49%

LAB 61.48, -36.73, 32.8

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 47 / 3 / 0 / 16

HEX #73D1D7

RGB 115 209 215

HSL 183.6, 0.56%, 0.65%

LAB 78.55, -26.29, -11.64

 

CMYK 0 / 47 / 21 / 16

HEX #D773A9

RGB 215 115 169

HSL 327.6, 0.56%, 0.65%

LAB 61.28, 45.64, -11.25

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 47 / 40 / 0 / 16

HEX #7381D7

RGB 115 129 215

HSL 231.6, 0.56%, 0.65%

LAB 56.34, 17.63, -45.84

 

CMYK 0 / 47 / 40 / 16

HEX #D77381

RGB 215 115 129

HSL 351.6, 0.56%, 0.65%

LAB 60.15, 40.48, 10.12

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 47 / 3 / 0 / 16

HEX #73D1D7

RGB 115 209 215

HSL 183.6, 0.56%, 0.65%

LAB 78.55, -26.29, -11.64

 

CMYK 6 / 47 / 0 / 16

HEX #CA73D7

RGB 202 115 215

HSL 292.2, 0.56%, 0.65%

LAB 61.42, 49.41, -37.29

 

CMYK 0 / 43 / 47 / 16

HEX #D77A73

RGB 215 122 115

HSL 4.2, 0.56%, 0.65%

LAB 61.31, 35.36, 19.74

 

CMYK 41 / 0 / 47 / 16

HEX #7FD773

RGB 127 215 115

HSL 112.8, 0.56%, 0.65%

LAB 78.67, -45.79, 41.07

 

CMYK 47 / 17 / 0 / 16

HEX #73B3D7

RGB 115 179 215

HSL 201.6, 0.56%, 0.65%

LAB 70.03, -10.88, -24.53

 

CMYK 6 / 47 / 0 / 16

HEX #CA73D7

RGB 202 115 215

HSL 292.2, 0.56%, 0.65%

LAB 61.42, 49.41, -37.29

 

CMYK 0 / 29 / 47 / 16

HEX #D79873

RGB 215 152 115

HSL 22.2, 0.56%, 0.65%

LAB 68.12, 19.28, 28.85

 

Description

Color code: RGB 127 215 115 | qconv.com Color code: RGB 127 215 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 215 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 215 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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