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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 19 177 it is the complementary color RGB 128 236 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 19 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 19 177: RGB 132 19 172, RGB 149 37 191, RGB 166 55 210, RGB 183 73 229 and RGB 200 91 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 19 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 19 177: RGB 127 19 177, RGB 110 1 158, RGB 93 0 139, RGB 76 0 120 and RGB 59 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

Complementary color

CMYK 46 / 0 / 67 / 7

HEX #80EC4E

RGB 128 236 78

HSL 101.01, 0.81%, 0.62%

LAB 84.55, -57.86, 64.3

 

CMYK 23 / 89 / 0 / 33

HEX #8413AC

RGB 132 19 172

HSL 284.31, 0.8%, 0.37%

LAB 34.7, 64.25, -55.51

 

CMYK 22 / 81 / 0 / 25

HEX #9525BF

RGB 149 37 191

HSL 283.64, 0.68%, 0.45%

LAB 40.37, 66.15, -57.44

 

CMYK 21 / 74 / 0 / 18

HEX #A637D2

RGB 166 55 210

HSL 282.97, 0.63%, 0.52%

LAB 46.3, 67, -58.75

 

CMYK 20 / 68 / 0 / 10

HEX #B749E5

RGB 183 73 229

HSL 282.31, 0.75%, 0.59%

LAB 52.39, 67.18, -59.65

 

CMYK 19 / 63 / 0 / 3

HEX #C85BF8

RGB 200 91 248

HSL 281.66, 0.92%, 0.66%

LAB 58.55, 66.95, -60.27

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 30 / 99 / 0 / 38

HEX #6E019E

RGB 110 1 158

HSL 281.66, 0.99%, 0.31%

LAB 28.92, 61.43, -56.63

 

CMYK 33 / 100 / 0 / 45

HEX #5D008B

RGB 93 0 139

HSL 280.14, 1%, 0.27%

LAB 24.29, 55.68, -52.59

 

CMYK 37 / 100 / 0 / 53

HEX #4C0078

RGB 76 0 120

HSL 278, 1%, 0.24%

LAB 19.61, 49.62, -48.36

 

CMYK 42 / 100 / 0 / 60

HEX #3B0065

RGB 59 0 101

HSL 275.05, 1%, 0.2%

LAB 14.79, 43.4, -44

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 14 / 90 / 0 / 31

HEX #9712AF

RGB 151 18 175

HSL 290.83, 0.81%, 0.38%

LAB 38.03, 68, -51.75

 

CMYK 0 / 90 / 2 / 31

HEX #AF12AC

RGB 175 18 172

HSL 301.15, 0.81%, 0.38%

LAB 42.04, 71.65, -43.31

 

CMYK 0 / 90 / 17 / 31

HEX #AF1292

RGB 175 18 146

HSL 311.08, 0.81%, 0.38%

LAB 40.61, 67.95, -29.92

 

CMYK 0 / 90 / 31 / 31

HEX #AF1278

RGB 175 18 120

HSL 321.02, 0.81%, 0.38%

LAB 39.42, 64.77, -15.73

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 28 / 89 / 0 / 11

HEX #A418E4

RGB 164 24 228

HSL 281.18, 0.81%, 0.49%

LAB 44.44, 78.53, -72.08

 

CMYK 29 / 88 / 0 / 91

HEX #110318

RGB 17 3 24

HSL 280, 0.78%, 0.05%

LAB 2.26, 7.81, -8.83

 

CMYK 28 / 89 / 0 / 71

HEX #36084B

RGB 54 8 75

HSL 281.19, 0.81%, 0.16%

LAB 12.39, 33.48, -30.35

 

CMYK 29 / 89 / 0 / 51

HEX #5A0E7E

RGB 90 14 126

HSL 280.71, 0.8%, 0.27%

LAB 23.65, 49.47, -45.48

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 0 / 90 / 79 / 31

HEX #AF1224

RGB 175 18 36

HSL 353.12, 0.81%, 0.38%

LAB 37.25, 58.74, 34.39

 

CMYK 90 / 0 / 65 / 31

HEX #12AF3E

RGB 18 175 62

HSL 136.82, 0.81%, 0.38%

LAB 62.62, -60.25, 46.23

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 0 / 29 / 90 / 31

HEX #AF7D12

RGB 175 125 18

HSL 40.89, 0.81%, 0.38%

LAB 55.91, 10.91, 58.36

 

CMYK 90 / 0 / 29 / 31

HEX #12AF7D

RGB 18 175 125

HSL 160.89, 0.81%, 0.38%

LAB 63.56, -49.16, 15.35

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 0 / 90 / 79 / 31

HEX #AF1224

RGB 175 18 36

HSL 353.12, 0.81%, 0.38%

LAB 37.25, 58.74, 34.39

 

CMYK 61 / 0 / 90 / 31

HEX #44AF12

RGB 68 175 18

HSL 100.89, 0.81%, 0.38%

LAB 63.29, -55.57, 61.46

 

CMYK 90 / 0 / 10 / 31

HEX #12AF9D

RGB 18 175 157

HSL 173.12, 0.81%, 0.38%

LAB 64.34, -40.87, -1.26

 

CMYK 28 / 89 / 0 / 31

HEX #7F13B1

RGB 127 19 177

HSL 281.01, 0.81%, 0.38%

LAB 34.3, 64.48, -59.19

 

CMYK 0 / 73 / 90 / 31

HEX #AF2F12

RGB 175 47 18

HSL 11.08, 0.81%, 0.38%

LAB 39.9, 50.4, 45.99

 

CMYK 61 / 0 / 90 / 31

HEX #44AF12

RGB 68 175 18

HSL 100.89, 0.81%, 0.38%

LAB 63.29, -55.57, 61.46

 

CMYK 90 / 17 / 0 / 31

HEX #1292AF

RGB 18 146 175

HSL 191.08, 0.81%, 0.38%

LAB 55.87, -21.24, -24.16

 

Description

Color code: RGB 127 19 177 | qconv.com Color code: RGB 127 19 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 19 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 19 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 89 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 89% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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