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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 150 193 it is the complementary color RGB 128 105 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 150 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 150 193: RGB 132 150 188, RGB 149 168 207, RGB 166 186 226, RGB 183 204 245 and RGB 200 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 150 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 150 193: RGB 127 150 193, RGB 110 132 174, RGB 93 114 155, RGB 76 96 136 and RGB 59 78 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

Complementary color

CMYK 0 / 18 / 52 / 50

HEX #80693E

RGB 128 105 62

HSL 39.09, 0.35%, 0.37%

LAB 45.69, 3.23, 27.48

 

CMYK 30 / 20 / 0 / 26

HEX #8496BC

RGB 132 150 188

HSL 220.71, 0.29%, 0.63%

LAB 61.95, 2.52, -21.81

 

CMYK 28 / 19 / 0 / 19

HEX #95A8CF

RGB 149 168 207

HSL 220.34, 0.38%, 0.7%

LAB 68.68, 2.24, -22.02

 

CMYK 27 / 18 / 0 / 11

HEX #A6BAE2

RGB 166 186 226

HSL 220, 0.51%, 0.77%

LAB 75.27, 2, -22.25

 

CMYK 25 / 17 / 0 / 4

HEX #B7CCF5

RGB 183 204 245

HSL 219.68, 0.76%, 0.84%

LAB 81.75, 1.77, -22.5

 

CMYK 22 / 13 / 0 / 0

HEX #C8DEFF

RGB 200 222 255

HSL 216, 1%, 0.89%

LAB 87.84, -0.43, -18.47

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 37 / 24 / 0 / 32

HEX #6E84AE

RGB 110 132 174

HSL 219.38, 0.28%, 0.56%

LAB 54.94, 2.7, -24.74

 

CMYK 40 / 26 / 0 / 39

HEX #5D729B

RGB 93 114 155

HSL 219.68, 0.25%, 0.49%

LAB 47.92, 3.13, -24.65

 

CMYK 44 / 29 / 0 / 47

HEX #4C6088

RGB 76 96 136

HSL 220, 0.28%, 0.42%

LAB 40.7, 3.66, -24.6

 

CMYK 50 / 33 / 0 / 54

HEX #3B4E75

RGB 59 78 117

HSL 220.34, 0.33%, 0.35%

LAB 33.27, 4.34, -24.61

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 34 / 34 / 0 / 24

HEX #7F80C1

RGB 127 128 193

HSL 239.09, 0.35%, 0.63%

LAB 55.89, 15.12, -34.04

 

CMYK 29 / 34 / 0 / 24

HEX #897FC1

RGB 137 127 193

HSL 249.09, 0.35%, 0.63%

LAB 56.43, 18.61, -33.13

 

CMYK 23 / 34 / 0 / 24

HEX #947FC1

RGB 148 127 193

HSL 259.09, 0.35%, 0.63%

LAB 57.39, 21.92, -31.57

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 34 / 22 / 0 / 4

HEX #A1BEF4

RGB 161 190 244

HSL 219.04, 0.79%, 0.79%

LAB 76.64, 2.81, -29.91

 

CMYK 35 / 23 / 0 / 84

HEX #1A1F28

RGB 26 31 40

HSL 218.57, 0.21%, 0.13%

LAB 11.64, 0.41, -6.82

 

CMYK 34 / 22 / 0 / 64

HEX #3C475B

RGB 60 71 91

HSL 218.71, 0.21%, 0.3%

LAB 29.97, 1.01, -13.28

 

CMYK 35 / 23 / 0 / 44

HEX #5D6E8E

RGB 93 110 142

HSL 219.18, 0.21%, 0.46%

LAB 46.22, 1.85, -19.57

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 5 / 34 / 0 / 24

HEX #B77FC1

RGB 183 127 193

HSL 290.91, 0.35%, 0.63%

LAB 60.87, 32.92, -25.91

 

CMYK 8 / 0 / 34 / 24

HEX #B1C17F

RGB 177 193 127

HSL 74.55, 0.35%, 0.63%

LAB 75.46, -16.35, 31.46

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 0 / 34 / 22 / 24

HEX #C17F96

RGB 193 127 150

HSL 339.09, 0.35%, 0.63%

LAB 60.53, 28.8, -1.77

 

CMYK 22 / 0 / 34 / 24

HEX #96C17F

RGB 150 193 127

HSL 99.09, 0.35%, 0.63%

LAB 73.65, -26.4, 28.73

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 5 / 34 / 0 / 24

HEX #B77FC1

RGB 183 127 193

HSL 290.91, 0.35%, 0.63%

LAB 60.87, 32.92, -25.91

 

CMYK 0 / 12 / 34 / 24

HEX #C1AA7F

RGB 193 170 127

HSL 39.09, 0.35%, 0.63%

LAB 70.61, 2, 25.25

 

CMYK 29 / 0 / 34 / 24

HEX #89C17F

RGB 137 193 127

HSL 110.91, 0.35%, 0.63%

LAB 72.89, -30.94, 27.58

 

CMYK 34 / 22 / 0 / 24

HEX #7F96C1

RGB 127 150 193

HSL 219.09, 0.35%, 0.63%

LAB 61.8, 2.34, -24.88

 

CMYK 0 / 34 / 5 / 24

HEX #C17FB7

RGB 193 127 183

HSL 309.09, 0.35%, 0.63%

LAB 61.6, 34.28, -19.02

 

CMYK 0 / 12 / 34 / 24

HEX #C1AA7F

RGB 193 170 127

HSL 39.09, 0.35%, 0.63%

LAB 70.61, 2, 25.25

 

CMYK 34 / 0 / 29 / 24

HEX #7FC189

RGB 127 193 137

HSL 129.09, 0.35%, 0.63%

LAB 72.53, -32.56, 21.72

 

Description

Color code: RGB 127 150 193 | qconv.com Color code: RGB 127 150 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 150 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 150 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 22% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Mesto Senica - ofici...
Link: http://www.senica.sk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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