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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 146 208 it is the complementary color RGB 128 109 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 146 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 146 208: RGB 132 146 203, RGB 149 164 222, RGB 166 182 241, RGB 183 200 255 and RGB 200 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 146 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 146 208: RGB 127 146 208, RGB 110 128 189, RGB 93 110 170, RGB 76 92 151 and RGB 59 74 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

Complementary color

CMYK 0 / 15 / 63 / 50

HEX #806D2F

RGB 128 109 47

HSL 45.93, 0.46%, 0.34%

LAB 46.62, -0.41, 36.63

 

CMYK 35 / 28 / 0 / 20

HEX #8492CB

RGB 132 146 203

HSL 228.17, 0.41%, 0.66%

LAB 61.46, 8.71, -30.99

 

CMYK 33 / 26 / 0 / 13

HEX #95A4DE

RGB 149 164 222

HSL 227.67, 0.53%, 0.73%

LAB 68.18, 8.25, -31.05

 

CMYK 31 / 24 / 0 / 5

HEX #A6B6F1

RGB 166 182 241

HSL 227.2, 0.73%, 0.8%

LAB 74.77, 7.83, -31.14

 

CMYK 28 / 22 / 0 / 0

HEX #B7C8FF

RGB 183 200 255

HSL 225.83, 1%, 0.86%

LAB 81.07, 6.26, -28.87

 

CMYK 22 / 15 / 0 / 0

HEX #C8DAFF

RGB 200 218 255

HSL 220.36, 1%, 0.89%

LAB 86.82, 1.66, -20.02

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 42 / 32 / 0 / 26

HEX #6E80BD

RGB 110 128 189

HSL 226.33, 0.37%, 0.59%

LAB 54.48, 9.3, -34.06

 

CMYK 45 / 35 / 0 / 33

HEX #5D6EAA

RGB 93 110 170

HSL 226.75, 0.31%, 0.52%

LAB 47.47, 10.03, -34.14

 

CMYK 50 / 39 / 0 / 41

HEX #4C5C97

RGB 76 92 151

HSL 227.2, 0.33%, 0.45%

LAB 40.29, 10.93, -34.28

 

CMYK 55 / 44 / 0 / 48

HEX #3B4A84

RGB 59 74 132

HSL 227.67, 0.38%, 0.37%

LAB 32.9, 12.07, -34.5

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 38 / 35 / 0 / 18

HEX #8087D0

RGB 128 135 208

HSL 234.75, 0.46%, 0.66%

LAB 58.48, 15.38, -38.47

 

CMYK 35 / 38 / 0 / 18

HEX #8780D0

RGB 135 128 208

HSL 245.25, 0.46%, 0.66%

LAB 57.21, 21.4, -40.42

 

CMYK 29 / 38 / 0 / 18

HEX #9480D0

RGB 148 128 208

HSL 255, 0.46%, 0.66%

LAB 58.31, 25.04, -38.62

 

CMYK 23 / 38 / 0 / 18

HEX #A180D0

RGB 161 128 208

HSL 264.75, 0.46%, 0.66%

LAB 59.5, 28.83, -36.68

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 50 / 25 / 0 / 98

HEX #020304

RGB 2 3 4

HSL 210, 0.33%, 0.01%

LAB 0.78, -0.12, -0.47

 

CMYK 38 / 29 / 0 / 78

HEX #222737

RGB 34 39 55

HSL 225.71, 0.24%, 0.17%

LAB 15.83, 2.52, -11.06

 

CMYK 39 / 30 / 0 / 58

HEX #414A6A

RGB 65 74 106

HSL 226.83, 0.24%, 0.34%

LAB 31.95, 5.19, -19.74

 

CMYK 39 / 30 / 0 / 38

HEX #606E9D

RGB 96 110 157

HSL 226.23, 0.24%, 0.5%

LAB 47.07, 6.99, -27.12

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 2 / 38 / 0 / 18

HEX #CC80D0

RGB 204 128 208

HSL 297, 0.46%, 0.66%

LAB 64.02, 41.88, -29.29

 

CMYK 13 / 0 / 38 / 18

HEX #B4D080

RGB 180 208 128

HSL 81, 0.46%, 0.66%

LAB 79.83, -22.55, 36.66

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 0 / 38 / 29 / 18

HEX #D08094

RGB 208 128 148

HSL 345, 0.46%, 0.66%

LAB 62.5, 33.44, 2.45

 

CMYK 29 / 0 / 38 / 18

HEX #94D080

RGB 148 208 128

HSL 105, 0.46%, 0.66%

LAB 77.86, -34.07, 33.72

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 2 / 38 / 0 / 18

HEX #CC80D0

RGB 204 128 208

HSL 297, 0.46%, 0.66%

LAB 64.02, 41.88, -29.29

 

CMYK 0 / 10 / 38 / 18

HEX #D0BC80

RGB 208 188 128

HSL 45, 0.46%, 0.66%

LAB 76.64, -1.44, 32.95

 

CMYK 37 / 0 / 38 / 18

HEX #84D080

RGB 132 208 128

HSL 117, 0.46%, 0.66%

LAB 77.03, -39.32, 32.48

 

CMYK 39 / 30 / 0 / 18

HEX #7F92D0

RGB 127 146 208

HSL 225.93, 0.46%, 0.66%

LAB 61.33, 8.69, -34.03

 

CMYK 0 / 38 / 10 / 18

HEX #D080BC

RGB 208 128 188

HSL 315, 0.46%, 0.66%

LAB 63.74, 39.57, -18.44

 

CMYK 0 / 10 / 38 / 18

HEX #D0BC80

RGB 208 188 128

HSL 45, 0.46%, 0.66%

LAB 76.64, -1.44, 32.95

 

CMYK 38 / 0 / 29 / 18

HEX #80D094

RGB 128 208 148

HSL 135, 0.46%, 0.66%

LAB 77.18, -37.22, 22.26

 

Description

Color code: RGB 127 146 208 | qconv.com Color code: RGB 127 146 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 146 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 146 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 30% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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