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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 141 244 it is the complementary color RGB 128 114 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 141 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 141 244: RGB 132 141 239, RGB 149 159 255, RGB 166 177 255, RGB 183 195 255 and RGB 200 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 141 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 141 244: RGB 127 141 244, RGB 110 123 225, RGB 93 105 206, RGB 76 87 187 and RGB 59 69 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

Complementary color

CMYK 0 / 11 / 91 / 50

HEX #80720B

RGB 128 114 11

HSL 52.82, 0.84%, 0.27%

LAB 47.81, -4.98, 51.41

 

CMYK 45 / 41 / 0 / 6

HEX #848DEF

RGB 132 141 239

HSL 234.95, 0.77%, 0.73%

LAB 61.82, 21.67, -50.47

 

CMYK 42 / 38 / 0 / 0

HEX #959FFF

RGB 149 159 255

HSL 234.34, 1%, 0.79%

LAB 68.32, 19.93, -48.88

 

CMYK 35 / 31 / 0 / 0

HEX #A6B1FF

RGB 166 177 255

HSL 232.58, 1%, 0.83%

LAB 74.04, 14.15, -39.82

 

CMYK 28 / 24 / 0 / 0

HEX #B7C3FF

RGB 183 195 255

HSL 230, 1%, 0.86%

LAB 79.79, 8.97, -30.83

 

CMYK 22 / 16 / 0 / 0

HEX #C8D5FF

RGB 200 213 255

HSL 225.82, 1%, 0.89%

LAB 85.55, 4.3, -21.94

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 51 / 45 / 0 / 12

HEX #6E7BE1

RGB 110 123 225

HSL 233.22, 0.66%, 0.66%

LAB 54.99, 23.13, -53.63

 

CMYK 55 / 49 / 0 / 19

HEX #5D69CE

RGB 93 105 206

HSL 233.63, 0.54%, 0.59%

LAB 48.12, 24.49, -53.93

 

CMYK 59 / 53 / 0 / 27

HEX #4C57BB

RGB 76 87 187

HSL 234.05, 0.45%, 0.52%

LAB 41.12, 26.12, -54.27

 

CMYK 65 / 59 / 0 / 34

HEX #3B45A8

RGB 59 69 168

HSL 234.5, 0.48%, 0.45%

LAB 34.01, 28.1, -54.6

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 46 / 47 / 0 / 5

HEX #8480F3

RGB 132 128 243

HSL 242.09, 0.83%, 0.73%

LAB 58.8, 30.45, -57.47

 

CMYK 38 / 47 / 0 / 5

HEX #9780F3

RGB 151 128 243

HSL 252, 0.83%, 0.73%

LAB 60.33, 34.96, -54.95

 

CMYK 30 / 47 / 0 / 5

HEX #AA80F3

RGB 170 128 243

HSL 261.91, 0.83%, 0.73%

LAB 62.05, 39.77, -52.12

 

CMYK 22 / 47 / 0 / 5

HEX #BE80F3

RGB 190 128 243

HSL 272.35, 0.83%, 0.73%

LAB 64.04, 45.06, -48.82

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 48 / 43 / 0 / 84

HEX #151728

RGB 21 23 40

HSL 233.68, 0.31%, 0.12%

LAB 8.35, 4.54, -11.93

 

CMYK 48 / 42 / 0 / 64

HEX #2F355B

RGB 47 53 91

HSL 231.82, 0.32%, 0.27%

LAB 23.36, 8.98, -23.63

 

CMYK 48 / 42 / 0 / 44

HEX #4A528E

RGB 74 82 142

HSL 232.94, 0.31%, 0.42%

LAB 36.82, 13.91, -34.34

 

CMYK 48 / 42 / 0 / 24

HEX #6470C1

RGB 100 112 193

HSL 232.26, 0.43%, 0.57%

LAB 49.68, 17.62, -43.96

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 0 / 47 / 3 / 5

HEX #F380EC

RGB 243 128 236

HSL 303.65, 0.83%, 0.73%

LAB 69.86, 58.41, -35.42

 

CMYK 22 / 0 / 47 / 5

HEX #BEF380

RGB 190 243 128

HSL 87.65, 0.83%, 0.73%

LAB 90.14, -35.41, 49.76

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 0 / 47 / 41 / 5

HEX #F3808F

RGB 243 128 143

HSL 352.17, 0.83%, 0.73%

LAB 66.88, 45.4, 12.17

 

CMYK 41 / 0 / 47 / 5

HEX #8FF380

RGB 143 243 128

HSL 112.17, 0.83%, 0.73%

LAB 87.73, -50.94, 46.24

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 0 / 47 / 3 / 5

HEX #F380EC

RGB 243 128 236

HSL 303.65, 0.83%, 0.73%

LAB 69.86, 58.41, -35.42

 

CMYK 0 / 6 / 47 / 5

HEX #F3E480

RGB 243 228 128

HSL 52.17, 0.83%, 0.73%

LAB 89.91, -7.98, 50.33

 

CMYK 47 / 0 / 44 / 5

HEX #80F388

RGB 128 243 136

HSL 124.17, 0.83%, 0.73%

LAB 87.23, -54.1, 41.63

 

CMYK 48 / 42 / 0 / 4

HEX #7F8DF4

RGB 127 141 244

HSL 232.82, 0.84%, 0.73%

LAB 61.73, 21.97, -53.37

 

CMYK 0 / 47 / 17 / 5

HEX #F380C9

RGB 243 128 201

HSL 321.91, 0.83%, 0.73%

LAB 68.54, 52.82, -18.04

 

CMYK 0 / 6 / 47 / 5

HEX #F3E480

RGB 243 228 128

HSL 52.17, 0.83%, 0.73%

LAB 89.91, -7.98, 50.33

 

CMYK 47 / 0 / 30 / 5

HEX #80F3AA

RGB 128 243 170

HSL 141.91, 0.83%, 0.73%

LAB 87.77, -48.55, 25.33

 

Description

Color code: RGB 127 141 244 | qconv.com Color code: RGB 127 141 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 141 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 141 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 42 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 42% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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