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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 137 187 it is the complementary color RGB 128 118 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 137 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 137 187: RGB 132 137 182, RGB 149 155 201, RGB 166 173 220, RGB 183 191 239 and RGB 200 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 137 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 137 187: RGB 127 137 187, RGB 110 119 168, RGB 93 101 149, RGB 76 83 130 and RGB 59 65 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

Complementary color

CMYK 0 / 8 / 47 / 50

HEX #807644

RGB 128 118 68

HSL 50, 0.31%, 0.38%

LAB 49.45, -3.63, 28.84

 

CMYK 27 / 25 / 0 / 29

HEX #8489B6

RGB 132 137 182

HSL 234, 0.26%, 0.62%

LAB 58.2, 8.46, -24.16

 

CMYK 26 / 23 / 0 / 21

HEX #959BC9

RGB 149 155 201

HSL 233.08, 0.33%, 0.69%

LAB 65, 8.07, -24.31

 

CMYK 25 / 21 / 0 / 14

HEX #A6ADDC

RGB 166 173 220

HSL 232.22, 0.44%, 0.76%

LAB 71.66, 7.71, -24.49

 

CMYK 23 / 20 / 0 / 6

HEX #B7BFEF

RGB 183 191 239

HSL 231.43, 0.64%, 0.83%

LAB 78.2, 7.39, -24.69

 

CMYK 22 / 18 / 0 / 0

HEX #C8D1FF

RGB 200 209 255

HSL 230.18, 1%, 0.89%

LAB 84.54, 6.43, -23.48

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 35 / 29 / 0 / 34

HEX #6E77A8

RGB 110 119 168

HSL 230.69, 0.25%, 0.55%

LAB 51.08, 8.74, -27.25

 

CMYK 38 / 32 / 0 / 42

HEX #5D6595

RGB 93 101 149

HSL 231.43, 0.23%, 0.47%

LAB 43.95, 9.32, -27.25

 

CMYK 42 / 36 / 0 / 49

HEX #4C5382

RGB 76 83 130

HSL 232.22, 0.26%, 0.4%

LAB 36.62, 10.04, -27.32

 

CMYK 47 / 41 / 0 / 56

HEX #3B416F

RGB 59 65 111

HSL 233.08, 0.31%, 0.33%

LAB 29.05, 10.94, -27.48

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 32 / 32 / 0 / 26

HEX #8080BC

RGB 128 128 188

HSL 240, 0.31%, 0.62%

LAB 55.74, 14.07, -31.41

 

CMYK 27 / 32 / 0 / 26

HEX #8A80BC

RGB 138 128 188

HSL 250, 0.31%, 0.62%

LAB 56.56, 17.06, -30.08

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 16 / 32 / 0 / 26

HEX #9E80BC

RGB 158 128 188

HSL 270, 0.31%, 0.62%

LAB 58.36, 23.29, -27.15

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 32 / 27 / 0 / 7

HEX #A2AEEE

RGB 162 174 238

HSL 230.53, 0.69%, 0.78%

LAB 72.31, 10.39, -33.33

 

CMYK 32 / 26 / 0 / 87

HEX #171922

RGB 23 25 34

HSL 229.09, 0.19%, 0.11%

LAB 8.93, 1.72, -6.53

 

CMYK 32 / 27 / 0 / 67

HEX #3A3E55

RGB 58 62 85

HSL 231.11, 0.19%, 0.28%

LAB 26.74, 4.47, -14.36

 

CMYK 32 / 26 / 0 / 47

HEX #5C6488

RGB 92 100 136

HSL 229.09, 0.19%, 0.45%

LAB 43.01, 5.95, -20.93

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 0 / 32 / 1 / 26

HEX #BC80BA

RGB 188 128 186

HSL 302, 0.31%, 0.62%

LAB 61.37, 32.63, -21.12

 

CMYK 14 / 0 / 32 / 26

HEX #A2BC80

RGB 162 188 128

HSL 86, 0.31%, 0.62%

LAB 73.03, -19.38, 27.52

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 0 / 32 / 27 / 26

HEX #BC808A

RGB 188 128 138

HSL 350, 0.31%, 0.62%

LAB 59.86, 24.61, 4.06

 

CMYK 27 / 0 / 32 / 26

HEX #8ABC80

RGB 138 188 128

HSL 110, 0.31%, 0.62%

LAB 71.51, -28.04, 25.22

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 0 / 32 / 1 / 26

HEX #BC80BA

RGB 188 128 186

HSL 302, 0.31%, 0.62%

LAB 61.37, 32.63, -21.12

 

CMYK 0 / 5 / 32 / 26

HEX #BCB280

RGB 188 178 128

HSL 50, 0.31%, 0.62%

LAB 72.29, -4.13, 26.89

 

CMYK 32 / 0 / 31 / 26

HEX #80BC82

RGB 128 188 130

HSL 122, 0.31%, 0.62%

LAB 70.99, -31.08, 23.36

 

CMYK 32 / 27 / 0 / 27

HEX #7F89BB

RGB 127 137 187

HSL 230, 0.31%, 0.62%

LAB 58.03, 8.24, -27.3

 

CMYK 0 / 32 / 11 / 26

HEX #BC80A8

RGB 188 128 168

HSL 320, 0.31%, 0.62%

LAB 60.74, 29.38, -11.83

 

CMYK 0 / 5 / 32 / 26

HEX #BCB280

RGB 188 178 128

HSL 50, 0.31%, 0.62%

LAB 72.29, -4.13, 26.89

 

CMYK 32 / 0 / 21 / 26

HEX #80BC94

RGB 128 188 148

HSL 140, 0.31%, 0.62%

LAB 71.35, -27.83, 14.17

 

Description

Color code: RGB 127 137 187 | qconv.com Color code: RGB 127 137 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 137 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 137 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 27 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 27% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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